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Summer Swans
REVIEWS | Rebecca Deczynski

Summer Swans

Like picnicking in Central Park, catching the ferry to the Rockaways, or heading to Citifield for a Mets game, American Ballet Theatre’s “Swan Lake” is a well-established summer tradition for countless New Yorkers.

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On Point
REVIEWS | Robert Steven Mack

On Point

Pointeworks is the new kid on the block in San Diego’s thriving dance scene. Founded by Sophie Williams, a dancer with Texas Ballet Theatre and a San Diego native who grew up training in Solana Beach, the company says it seeks to provide off-season work for dancers and highlight female choreographers.

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Idol Dreams
REVIEWS | Elsa Giovanna Simonetti

Idol Dreams

Conceived by a Frenchman in imperial Russia and restaged by a Russian in post-Cold War France, “La Bayadère” periodically returns to the Paris Opera stage with its fakirs, idols and opium dreams.

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Mirror Images
REVIEWS | Karen Hildebrand

Mirror Images

A carousel spins in the middle of the grassy area outside Colonels Row on Governors Island. For the next three hours, mirrored vertical bars that form a cage on the spinning structure will reflect changing light, flashes of audience faces, and the green of surrounding trees, as late afternoon settles into dusk.

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A Class Act
REVIEWS | Faye Arthurs

A Class Act

A ballet career necessitates lifelong scholarship. Professionals take a daily technique class that begins with the same pliés at the barre as absolute beginners. Most days at the School of American Ballet, New York City Ballet members are tucked into in a corner of the studio, honing their tendus alongside the top divisions.

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Liminal Moves
REVIEWS | Rachel Howard

Liminal Moves

Jessica Lang is smack in the middle of a three-year stint as resident choreographer at Seattle’s Pacific Northwest Ballet. It’s an excellent artistic match that deserves to be followed closely, because both Lang and PNB merit a higher national profile.

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Golden Hour
REVIEWS | Robert Steven Mack

Golden Hour

The close-knit ballet scene in San Diego was dealt a blow when California Ballet, the company Maxine Mahon founded in 1968, folded in 2020. Insiders tell me the pandemic wasn’t entirely to blame, but since then, Golden State Ballet, still wet behind the ears, has risen in its place.

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Divine Summer
REVIEWS | Karen Greenspan

Divine Summer

Now in its fifth year, Lincoln Center's “Summer for the City” festival is going all out for dance. This year, the festival will inaugurate the much-anticipated Lincoln Center Contemporary Dance Festival in Alice Tully Hall, featuring five international companies, as well as a new outdoor contemporary dance series called Dance Encounters, presented outside on Hearst Plaza.

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Die Another Day
REVIEWS | Gracia Haby

Die Another Day

In defiance of the stars overhead, and destiny foretold, Joseph Caley’s Romeo falls, and utterly so, for Grace Carroll’s Juliet, on the opening night of the Australian Ballet’s Melbourne season of John Cranko’s “Romeo and Juliet.”

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