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Jewellery
George Balanchine’s 1967 ballet “Jewels”—in which each act is inspired by a different semi-precious gem—has proven a touring warhorse.
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BAAND in Pictures
For the third year in a row, five of New York City's most iconic dance companies—Ballet Hispánico, Alvin Ailey American Dance Theater,...
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50 years of Embodied Knowledge
The headline performance of Jacob’s Pillow Dance Festival’s Hip Hop Across the Pillow mini-festival—which took place from August 2-6, 2023...
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Collective Growth
What would the story of Alice in Wonderland look like if it was reimagined by a group of women?
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Tangled up in Blue
The show starts outside the theater. A car, with its right rear window busted out, pulls up, music blaring, bass...
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Lucky Thirteen
Four distinct works, their creation initiated by a shared prompt. Four choreographers, plus time, space, and the ten dedicated contemporary...
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Runners
Who doesn’t love the circus—especially nouveau cirque? With its unclassifiable blend of genres, it reflects so much of what it...
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Momentum
“This is historical,” Ballet22 co-founder Theresa Knudson told the audience between works on the company’s latest program, “Momentum.”
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Vignettes of 50 years
Pilobolus has become synonymous with pushing boundaries, both in the physical and the thematic. The company’s run at New York...
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Mark Morris Makes History
When Mark Morris Dance Group comes to the Joyce Theater August 1-12, the two-week engagement will be one for the...
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Relative Calm
Lucinda Childs/Robert Wilson's “Relative Calm” (1981/2022) opened the six-week long ImpulsTanz Vienna International Dance Festival in its the 40th anniversary...
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High Concepts and Power Moves
There is packaging, topicality, grand themes, elaborate stage designs, high concepts. And then there are moments when the flesh and...
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