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Talent Time
REVIEWS | Rachel Howard

Talent Time

It’s “Nutcracker” season at San Francisco Ballet—36 performances packed into three weeks—which means that the company is currently serving two distinct audiences.

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‘Tis the Seasons
FEATURES | Merilyn Jackson

‘Tis the Seasons

Last week I caught up with choreographer Pam Tanowitz and Opera Philadelphia’s current general director and president, countertenor Anthony Roth Costanzo to talk about “The Seasons,” the company’s latest production premiering at the Kimmel Center’s 600-plus seat Perelman Theater on December 19.

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Icons of Paris
REVIEWS | Elsa Giovanna Simonetti

Icons of Paris

If Notre-Dame remains one of the enduring symbols of Paris, standing at the city’s heart in all its beauty, much of the credit belongs to Victor Hugo.

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Mishima’s Muse
REVIEWS | Karen Greenspan

Mishima’s Muse

Japan Society’s Yukio Mishima centennial series culminated with “Mishima’s Muse – Noh Theater,” which was actually three programs of traditional noh works that Japanese author Yukio Mishima adapted into modern plays.

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Robot Love
REVIEWS | Kris Kosaka

Robot Love

I’m in the audience of the Pit to watch Kaori Ito’s solo performance, “Robot, l'amour éternel.” It’s in the blackbox performing space at the New National Theatre Tokyo, intimate and close. The stage is an open, raised platform,  gauzy white fabric covering the floor.  

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