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Stepping Up
REVIEWS | Gracia Haby

Stepping Up

Time to step on the moving staircase once more—“Escalator,” an evening showcasing new choreographic work curated by the Stephanie Lake Company, in association with the Abbotsford Convent, is back.

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Stars in Tokyo
REVIEWS | Kris Kosaka

Stars in Tokyo

Ballet Asteras, the National Ballet of Japan’s annual summer gala launched in 2009 as an opportunity for Japanese dancers working overseas to perform for their home audience.

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The Answer is Land
REVIEWS | Karen Hildebrand

The Answer is Land

“Vástádus Eana—The Answer is Land” opens outdoors, where the audience has gathered around a grassy area. Seven women in black skirts, ankle boots, red capes, and bonnets approach toting megaphones above their heads.

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Jacob Jonas' Ant-ics
REVIEWS | Victoria Looseleaf

Jacob Jonas' Ant-ics

“I have nowhere to go, and I’m going there,” has been attributed to such disparate writers as Charles Bukowski, Carl Sandburg and Charles Simic, though this reviewer thinks the existential phrase sounds more like Cunningham or Cage.

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No Escape to the Dream
REVIEWS | Elsa Giovanna Simonetti

No Escape to the Dream

The curtain rises on Prince Siegfried, asleep and slumped in an armchair. We enter his dream: a mysterious woman dances in the shadows, only to be abruptly seized by a somber, bird-like figure.

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Painterly Expression
REVIEWS | Carrie Seidman

Painterly Expression

The Sarasota Ballet’s return to Jacob’s Pillow for five days of a triple bill that included two little-seen works by Sir Frederick Ashton and a world premiere by Jessica Lang, was charged with anticipation and curiosity.

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