This site has limited support for your browser. We recommend switching to Edge, Chrome, Safari, or Firefox.

Latest

Devotion and Desire
REVIEWS | Gracia Haby

Devotion and Desire

Sir Kenneth MacMillan began his choreography for “Manon” with the pas de deux, and from this shining, central point spun outward. Building the story from its heart, almost as if from the inside out, the pas de deux reveals not only the emotional connection between the two dancers, but their place in the world.

Continue Reading
Diamonds are Forever
REVIEWS | Rachel Howard

Diamonds are Forever

It’s amusing to read in Pacific Northwest Ballet’s generally exceptional program notes that George Balanchine choreographed the triptych we now know as “Jewels” because he visited Van Cleef & Arpels and was struck by inspiration. I mean, perhaps visiting the jeweler did further tickle his imagination, but—PR stunt, anyone?

Continue Reading

Boundless Beauty

Boundless Beauty

As I watch one after another pastel tutu clad ballerina bourrée into the arms of a white-tighted danseur, a melody not credited on the program floats through my brain. You...

Performance

Gerald Arpino Festival

Place

Joyce Theater, New York, NY, October 4, 2025

Words

Karen Hildebrand

Continue Reading

Gift Subscription

$69.95

Gift a year of world-class dance journalism. Recipients will receive full access to Fjord's wide diversity of reviews, interviews, articles & podcasts.

Misty Copeland's Legacy
FEATURES | Sophie Bress

Misty Copeland's Legacy

Misty Copeland’s upcoming retirement from American Ballet Theatre—where she made history as the first Black female principal dancer and subsequently shot to fame in the ballet world and beyond—means many things.

Continue Reading
Ground Control
REVIEWS | Gracia Haby

Ground Control

Moss Te Ururangi Patterson describes his choreographic process having a conversation with other elements. As he describes pushing himself under the waves, and a feeling of meditative, buoyancy as he floated in space, the impression of light beneath the water was paramount.

Continue Reading

Dreams of Dance

Dreams of Dance

All reviews of live performance are an exercise in hindsight. No matter how diligent a notetaker I will forever be rearticulating my in-the-moment responses into something that is ideally a...

Performance

“Toward One Another” by SOS (Sharing Our Stories)

Place

Seoul International Dance Festival: Sogang University, Seoul, Korea September 25, 2025

Words

Garth Grimball

Continue Reading
Song of Resistance
REVIEWS | Elsa Giovanna Simonetti

Song of Resistance

It will be impossible to walk past the Panthéon again without recalling what happened at the Théâtre des Champs-Élysées in late September 2025: the extraordinary transformation—verging on possession—of Germaine Acogny into Joséphine Baker.

Continue Reading
An Ideal Don Quixote
REVIEWS | Kris Kosaka

An Ideal Don Quixote

The curtain opens on a stark, grey stage. Cut off from the vitality of the world, an aged man, shabby and nondescript, exists only for his books. Inspired suddenly by a romantic vision, he forces a lazing servant to attend him and leaves behind this colorless prison, carrying his fantastical determination along with the dated accoutrements of a crusading knight.

Continue Reading

His A.I.M is True 

His A.I.M is True 

For its twentieth anniversary, A.I.M by Kyle Abraham showcased a trio of established works set to live music at the Rose Theater at Lincoln Center.

Performance

A.I.M by Kyle Abraham retrospective

Place

Rose Theater, Lincoln Center, New York, NY, September 25, 2025

Words

Faye Arthurs

Continue Reading
Moving Memory
REVIEWS | Gracia Haby

Moving Memory

I make my way up the stairs at the Substation. Along all four sides of the large room, rows of seats are arranged. Event warning: sudden loud noises. Content warning: death. I find a seat along the long side wall, with my back to the window.

Continue Reading
The Art of Stillness
BOOKSHELF | INTERVIEWS | Cecilia Whalen

The Art of Stillness

Martha Graham said that “movement never lies”—but what of stillness? For NYC Dance Project’s latest book, Martha Graham Dance Company: 100 Years, photographers Ken Browar and Deborah Ory set out to explore Martha Graham’s legacy through photos.

Continue Reading
Points of View
REVIEWS | Gracia Haby

Points of View

From the back of the stage, a single searchlight points in the direction of the audience, and as it does, it sweeps across the forms of seven dancers in Stephanie Lake’s “Seven Days.”

Continue Reading

Stardust

Stardust

“Are we cancelled now?” James Jordan queries mischievously, eyes shining. He’s just made some chancy quips regarding recent Strictly Come Dancing controversies, alluding rather than directly addressing the issues. “We...

Performance

“The Return of the Legends” by James Jordanv, Pasha Kovalev, Ian Waite, Vincent Simone, and Brendan Cole

Place

Perth Concert Hall, Perth, Scotland, October 1, 2025

Words

Lorna Irvine

Continue Reading

subscribe to THE LATEST IN DANCE

“Uncommonly intelligent, substantial coverage.”


  • Weekly articles from the world of dance
  • Wide diversity of reviews, interviews, articles & more
  • Support for quality art journalism

Already a paid subscriber? Login

"This extraordinary little magazine has grown to become a cultural mainstay, not just a valued critical source, but a cultural communicator, critic, review, booster and historian."

Brenda Way
ODC/Dance

frequent questions

What's the difference between a physical and digital subscription?

With a physical subscription you'll get a physical magazine twice a year along with full site access. With a digital subscription, you'll only get access to articles and podcasts.

Will I get access to podcast content with a subscription?

Yes.

With either a physical or digital subscription, you'll get access to podcast content.

How do I get full access to articles?

With either a physical or digital subscription.

You just need a subscription to get full access to articles.

Good Subscription Agency