This site has limited support for your browser. We recommend switching to Edge, Chrome, Safari, or Firefox.

Latest

Dance Critics' Festival
Event | By Penelope Ford

Dance Critics' Festival

Designed to look at the process and art of writing dance criticism, this one-day event will feature panel discussions with Fjord Review writers, audience Q&A sessions, a conversation with a special guest choreographer, and networking reception. 

FREE ARTICLE
Dreaming with Jawole Willa Jo Zollar
INTERVIEWS | Victoria Looseleaf

Dreaming with Jawole Willa Jo Zollar

Creating Urban Bush Women forty years ago—after having had a dream about her parents—Jawole Willa Jo Zollar may have stepped down as artistic director from the women-centered group dedicated to telling stories of the African diaspora through traditional and modern Africanist dance forms, but she’s busier than ever.

Continue Reading
Balanchine's America
REVIEWS | Rachel Howard

Balanchine's America

George Balanchine loved American culture because he loved America. He had lived through tyranny and chaos as a boy in the Russian Revolution, and though his displays of affection for his adopted homeland could border on silly (like the Western bolo ties he favored as fashion statements), he never took for granted the possibilities he found here, never stopped extolling America’s freshness and energy.

Continue Reading
A Tale of Two Cities United by Dance
FEATURES | Merilyn Jackson

A Tale of Two Cities United by Dance

Philadelphia witnessed two Gala celebrations of dance and performance on opposite sides of town in October. It seemed like a tale of two cities. One in the center where much of the cultural events take place and the other on the fringes, down by the riverside.

Continue Reading

Lauren Lovette, On a New Path

Lauren Lovette, On a New Path

Hello Lauren! We haven’t spoken since June, when I interviewed you for a School of American Ballet Connoisseurship Series program about the Workshop performances. 

Continue Reading

Gift Subscription

$49.95

Gift a year of world-class dance journalism. Recipients will receive full access to Fjord's wide diversity of reviews, interviews, articles & podcasts.

Human Movement
REVIEWS | Candice Thompson

Human Movement

Midway through “Frontera,” the dancers of Animals of Distinction, a multimedia dance company based out of Montreal, press their bodies into each other to form a line at the bottom of a large rectangle of blue light.

Continue Reading
A Liberated Congress
REVIEWS | Victoria Looseleaf

A Liberated Congress

“Hey, kids, let’s put on a show!” said Mickey Rooney to Judy Garland in the definitive Depression-era musical film, Babes in Arms, lo those many years ago. Well, if Denna Thomsen and Zak Ryan Schlegel had been around back then, what a show they would have mounted! 

Continue Reading
The Body as Archive
REVIEWS | Candice Thompson

The Body as Archive

All too often it seems the human memory is too short. History is easily forgotten and, in a week where Americans are still processing the results of the presidential election, it is hard not to feel like we are doomed to repeat ourselves. 

Continue Reading
Dance not Tell
REVIEWS | Faye Arthurs

Dance not Tell

Eyeballs, screaming crones, and bloody axes were projected on a scrim at the top of American Ballet Theater’s new production of “Crime and Punishment.” Not bad for Halloween programming! Yet, despite Isobel Waller-Bridge’s cinematic, pressure-cooker score—which frequently evoked escape room music—there was very little suspense in Helen Pickett and James Bonas’s new narrative full-length.

Continue Reading

Antony Hamilton, Keeping Time

Antony Hamilton, Keeping Time

Antony Hamilton is on the move. When he answers my Zoom call, the world-renowned choreographer is at the airport about to board a flight to London. This isn't a vacation,...

Continue Reading
New World Record
REVIEWS | Gracia Haby

New World Record

Records are for keeping. A record of the past in permanent form, an account. An official report. The sum of past achievements. The best, most remarkable event of its kind, a world record, no less. 

Continue Reading
Butoh Reframed
INTERVIEWS | Lorna Irvine

Butoh Reframed

Amelie Ravalec is a London-based French film director and producer, photographer, publisher and colourist. Her internationally screened films include Art & Mind, Paris/Berlin: 20 Years Of Underground Techno and Industrial Soundtrack For the Urban Decay.

FREE ARTICLE
The Dreamer's Life
REVIEWS | Cecilia Whalen

The Dreamer's Life

A stool, a clothesline, a hanging sheet. But for these three things, the stage set for “Woolgathering” was largely empty. “Woolgathering” is a ‘spoken word opera’ directed and composed by Oliver Tompkins Ray with choreography by John Heginbotham, inspired by the poetic memoir by Patti Smith.

Continue Reading

Flaws in the Short Game

Flaws in the Short Game

The American Ballet Theatre’s opening bill was not a hole-in-one, but the ideas behind the programming were sound: feature a new work that builds upon company traditions (Gemma Bond’s “La...

Performance

American Ballet Theatre: Fall Gala

Place

David H. Koch Theater, Lincoln Center, New York, NY, October 23, 2024

Words

Faye Arthurs

Continue Reading
Good and Evil, Embodied
REVIEWS | Sophie Bress

Good and Evil, Embodied

During opening night of Ballet West’s performance of Val Caniparoli’s “Jekyll & Hyde,” my dad turned to me and said, “I remember you once told me that dancers are telling stories with their bodies.

Continue Reading
Working the Room
REVIEWS | Lorna Irvine

Working the Room

In a small white studio space, the line between performers and audience is being blurred. Choreographer Meytal Blanaru, born in Israel but now Brussels based, has devised this piece along with the dancers, and it’s multifaceted indeed, a study in hope and community spirit, with many playful detours along the way.

Continue Reading

Music and Meaning

Music and Meaning

I’ve been thinking about content for a while now. Without it, blogs, websites, and other social media die. But content, as an adjective, has a different meaning: to be pleased,...

Performance

Complexions Contemporary Ballet

Place

Zellerbach Theatre, Penn Live Arts, Philadelphia, October 18, 2024

Words

Merilyn Jackson

Continue Reading

subscribe to THE LATEST IN DANCE

“Uncommonly intelligent, substantial coverage.”


  • Weekly articles from the world of dance
  • Wide diversity of reviews, interviews, articles & more
  • Support for quality art journalism

Already a paid subscriber? Login

"This extraordinary little magazine has grown to become a cultural mainstay, not just a valued critical source, but a cultural communicator, critic, review, booster and historian."

Brenda Way
ODC/Dance

frequent questions

What's the difference between a physical and digital subscription?

With a physical subscription you'll get a physical magazine twice a year along with full site access. With a digital subscription, you'll only get access to articles and podcasts.

Will I get access to podcast content with a subscription?

Yes.

With either a physical or digital subscription, you'll get access to podcast content.

How do I get full access to articles?

With either a physical or digital subscription.

You just need a subscription to get full access to articles.

Good Subscription Agency