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The Music Within
REVIEWS | Steve Sucato

The Music Within

Cleveland native Dianne McIntrye received a hometown hero's welcome during her curtain speech prior to her eponymous dance group thrilling the audience in her latest work, “In the Same Tongue.”

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Flights of Fancy
REVIEWS | Rebecca Deczynski

Flights of Fancy

A man, much to his wife’s chagrin, has a nasty little habit: at night, he turns into a bat and flies out of their marital bed to partake in all kinds of infidelities.

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Wish Come True
REVIEWS | Karen Greenspan

Wish Come True

The Japan Society continued its Yukio Mishima Centennial Series with a newly commissioned dance work titled “The Seven Bridges (Hashi-zukushi)” based on Yukio Mishima’s short story by that name originally published in 1956.

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No Words, No Refrains

No Words, No Refrains

The Royal Ballet’s new restaging of “Everywhere We Go”—the Sufjan Stevens-scored ballet that secured Justin Peck his appointment as resident choreographer at New York City Ballet in 2014—challenges the company’s...

Performance

The Royal Ballet: George Balanchine's “Serenade” / Justin Peck's “Everywhere We Go” / Cathy Marston's “Against the Tide”

Place

Royal Opera House, London, November 14, 2025

Words

Sara Veale

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Our Generation
REVIEWS | Faye Arthurs

Our Generation

Quadrophenia is about young men . . . and I do weep for young men still, because we are still struggling,” Pete Townshend—80 years old—playfully told Stephen Colbert while promoting the latest incarnation of the Who’s 1973 rock opera and 1979 film: “Quadrophenia: A Rock Ballet,” which ran last weekend at City Center.

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Dreamscape
REVIEWS | Karen Greenspan

Dreamscape

The surge protectors needed replacement after the Hofesh Shechter Company’s concluded four nights performing “Theatre of Dreams” at the Powerhouse: International festival in Gowanus, Brooklyn.

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Monkey Business
REVIEWS | Garth Grimball

Monkey Business

In the 1996 comedy Multiplicity, Michael Keaton plays a man who decides to clone himself several times over in order to meet the demands of work and family. Chaos ensues. On November 14, San Francisco Opera premiered “The Monkey King” by Huang Ruo and David Henry Hwang. While the narrative features chaos, the line drawn between the 30-year-old film and this new opera is that the titular Monkey King is played by three performers; or one singer, one dancer, and a puppet; or, six performers total, because the puppet Monkey King requires three puppeteers. The Monkey King is an agent...

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Martha Graham in Paris
REVIEWS | Elsa Giovanna Simonetti

Martha Graham in Paris

If classical ballet training—from Vaganova to Cecchetti—idealises effortlessness, silence, and a body almost freed from its own weight, modern dance insists on the opposite: the blunt truth that we are made of flesh and bone, and that this matter can itself become an instrument of power.

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Moon Dance

Moon Dance

Tides and the gravitational pull of the moon informed the latest work of Denison University of Ohio dance faculty members Marion Ramirez and Ojeya Cruz Banks. 

Performance

Marion Ramirez and Ojeya Cruz Banks: “Mareas/Tides” 

Place

Wexner Center, Columbus, United States, November 5, 2025

Words

Steve Sucato

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Mother of Creation
REVIEWS | Karen Greenspan

Mother of Creation

What drives the creative force in the universe? What impels motherhood? These are some of the questions that provoked the bold and colorful work that unfolded onstage as Gallim premiered “Mother” at the Joyce the first week of November.

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Birds of a Feather
REVIEWS | Victoria Looseleaf

Birds of a Feather

Bird-themed dances are nothing new. In addition to the likes of “Swan Lake” (in its numerous iterations, Hello, Matthew Bourne!), “The Firebird” and “The Dying Swan,” there was also Merce Cunningham’s 1991 “Beach Birds.”

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Wild Child
REVIEWS | Faye Arthurs

Wild Child

Juliana F. May’s “Optimistic Voices,” which premiered last week at BAM Fisher, was pitched as an exploration of the “tangled contradictions of family, eroticism, and motherhood.”

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Pulling Back the Curtain

Pulling Back the Curtain

In the summer of 2007, writer Stephen Manes, known for his best-selling Bill Gates biography, over thirty books for young adults and children, and for his work as a technology...

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The Game is On
REVIEWS | Steve Sucato

The Game is On

Move over, Matthew Bourne, there is a new voice in theatrical dance plays. Choreographer Penny Saunders' bespoke production of “Sherlock,” performed by Grand Rapids Ballet, was not only a triumph in bringing literature’s favorite super sleuth to the stage in dance form, but is an early contender as one of the 2025-26 dance season’s very best.

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Matters of the Heart
REVIEWS | Róisín O'Brien

Matters of the Heart

On the night of Halloween in South Bend, Indiana, I weave through costumed partygoers as I make my way to a special double bill at the University of Notre Dame’s DeBartolo Performing Arts Center.

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To the Beat of the Drum
REVIEWS | Karen Greenspan

To the Beat of the Drum

This fall, Japan Society is celebrating the centenary of legendary Japanese post-war author Yukio Mishima (1925-1970) with a series of works in theater, film, and dance inspired by his oeuvre.

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Home Lands
REVIEWS | Karen Greenspan

Home Lands

Powerhouse: International, the newly launched arts festival in Gowanus, Brooklyn, continued its fall offerings with the multidisciplinary work “Fampitaha, fampita, fampitàna,” co-presented with L’Alliance New York’s Crossing the Line Festival.

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Past Lives, Future Selves

Past Lives, Future Selves

In an animation that is woven through the performances of traditional dances in Indigenous Enterprise’s “Still Here,” a young boy watches a video of powwow musicians and dancers with his...

Performance

Indigenous Enterprise’s “Still Here” / Raushan Mitchell and Silas Riener’s “Open Machine” / Eiko Otake and Wen Hui's “What is War”

Place

The Joyce Theater, September 16-21 / BAM Fisher as part of Next Wave festival October 21-25 / NYU Skirball September 19-20, New York, 2025

Words

Candice Thompson

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