Dancing in Circular Time
Amrita Hepi, a choreographer with Bunjalung and Ngāpuhi roots, has come a long way from her home in the Pacific.
Continue ReadingWorld-class review of ballet and dance.
Sir Kenneth MacMillan began his choreography for “Manon” with the pas de deux, and from this shining, central point spun outward. Building the story from its heart, almost as if from the inside out, the pas de deux reveals not only the emotional connection between the two dancers, but their...
Continue ReadingIf the ballet world now seems inundated with Dracula productions, Frankenstein adaptations are a rarer sight.
Continue ReadingAmrita Hepi, a choreographer with Bunjalung and Ngāpuhi roots, has come a long way from her home in the Pacific.
Continue ReadingIt’s amusing to read in Pacific Northwest Ballet’s generally exceptional program notes that George Balanchine choreographed the triptych we now know as “Jewels” because he visited Van Cleef & Arpels and was struck by inspiration. I mean, perhaps visiting the jeweler did further tickle his imagination, but—PR stunt, anyone?
Continue ReadingAs I watch one after another pastel tutu clad ballerina bourrée into the arms of a white-tighted danseur, a melody not credited on the program floats through my brain. You know the one.
Continue ReadingAmrita Hepi, a choreographer with Bunjalung and Ngāpuhi roots, has come a long way from her home in the Pacific.
Continue ReadingSir Kenneth MacMillan began his choreography for “Manon” with the pas de deux, and from this shining, central point spun outward. Building the story from its heart, almost as if from the inside out, the pas de deux reveals not only the emotional connection between the two dancers, but their place in the world.
Continue ReadingIf the ballet world now seems inundated with Dracula productions, Frankenstein adaptations are a rarer sight.
Continue ReadingIt’s amusing to read in Pacific Northwest Ballet’s generally exceptional program notes that George Balanchine choreographed the triptych we now know as “Jewels” because he visited Van Cleef & Arpels and was struck by inspiration. I mean, perhaps visiting the jeweler did further tickle his imagination, but—PR stunt, anyone?
Continue ReadingAs I watch one after another pastel tutu clad ballerina bourrée into the arms of a white-tighted danseur, a melody not credited on the program floats through my brain. You...
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Misty Copeland’s upcoming retirement from American Ballet Theatre—where she made history as the first Black female principal dancer and subsequently shot to fame in the ballet world and beyond—means many things.
Continue ReadingHaneul Jung oscillates between the definition of the Korean word, man-il meaning “ten thousand days” and “what if.”
Continue ReadingMoss Te Ururangi Patterson describes his choreographic process having a conversation with other elements. As he describes pushing himself under the waves, and a feeling of meditative, buoyancy as he floated in space, the impression of light beneath the water was paramount.
Continue ReadingThese days you’re hard pressed to use the internet without running into artificial intelligence.
Continue ReadingAll reviews of live performance are an exercise in hindsight. No matter how diligent a notetaker I will forever be rearticulating my in-the-moment responses into something that is ideally a...
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This season opener from English National Ballet gathers four markedly different works to showcase the gamut of the company’s evolving repertoire.
Continue ReadingTo many, the name Shen Wei might conjure the distinctive choreography of the Opening Ceremonies at the 2008 Beijing Olympics.
Continue ReadingIt will be impossible to walk past the Panthéon again without recalling what happened at the Théâtre des Champs-Élysées in late September 2025: the extraordinary transformation—verging on possession—of Germaine Acogny into Joséphine Baker.
Continue ReadingThe curtain opens on a stark, grey stage. Cut off from the vitality of the world, an aged man, shabby and nondescript, exists only for his books. Inspired suddenly by a romantic vision, he forces a lazing servant to attend him and leaves behind this colorless prison, carrying his fantastical determination along with the dated accoutrements of a crusading knight.
Continue ReadingFor its twentieth anniversary, A.I.M by Kyle Abraham showcased a trio of established works set to live music at the Rose Theater at Lincoln Center.
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Semantic satiation is the psychological phenomenon in which repetition causes a word or phrase to temporarily lose meaning for the listener.
Continue ReadingI make my way up the stairs at the Substation. Along all four sides of the large room, rows of seats are arranged. Event warning: sudden loud noises. Content warning: death. I find a seat along the long side wall, with my back to the window.
Continue ReadingMartha Graham said that “movement never lies”—but what of stillness? For NYC Dance Project’s latest book, Martha Graham Dance Company: 100 Years, photographers Ken Browar and Deborah Ory set out to explore Martha Graham’s legacy through photos.
Continue ReadingFrom the back of the stage, a single searchlight points in the direction of the audience, and as it does, it sweeps across the forms of seven dancers in Stephanie Lake’s “Seven Days.”
Continue Reading“Are we cancelled now?” James Jordan queries mischievously, eyes shining. He’s just made some chancy quips regarding recent Strictly Come Dancing controversies, alluding rather than directly addressing the issues. “We...
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