Narratives for the Current Moment
“That was beautiful, but I didn’t get it,” was a refrain Brett Ishida got used to hearing in the audience at dance performances.
Continue ReadingWorld-class review of ballet and dance.
“That was beautiful, but I didn’t get it,” was a refrain Brett Ishida got used to hearing in the audience at dance performances.
Continue ReadingWith backgrounds in planning for iconic Japanese fashion brand Comme des Garçons and archiving for the art industry, Tokyo-based consulting office Kleinstein run by Yusuke and Miki Koishi are real-deal...
Continue ReadingThe haute joaillerie house Van Cleef & Arpels has a long history of supporting dance, since Louis Arpels attended the Paris Opera Ballet in the 1920s.
Continue ReadingThis year’s San Francisco Ballet School Spring Festival offered a moment to say hello to the company’s next generation of dancers, and goodbye to the leader who shaped them: Patrick...
Continue ReadingAnd just like that, another spring season has ended at New York City Ballet. There was much to celebrate, in particular the rise of a new generation of dancers. All...
Continue ReadingIf you thought Akram Khan’s 2016 update of “Giselle”—which resituated the 1841 classic to apply to modern migrant workers in a haunted garment factory—was radical, you should see Joshua Beamish’s...
Continue ReadingThe year was 1983 when Sister Beth Burns of the order of St. Joseph of Orange began teaching children to dance in a summer pilot program for at-risk youth. The...
Continue ReadingThe South African contemporary choreographer Dada Masilo, based at Johannesburg’s The Dance Factory, has re-imagined some of the most familiar works in the western canon, including “Giselle” and “Swan Lake,”...
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