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Reemergence
REVIEWS | Claire Sawers

Reemergence

In the first half of tonight’s double bill by Scottish Ballet, Chinese percussionist Beibei Wang whacks her drums with such force, she breaks her drumstick.

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LA Ballet at the Bowl

LA Ballet at the Bowl

Who doesn’t love a little Gershwin on a hot, humid night in the Cahuenga Pass, i.e., the Hollywood Bowl?

Performance

Los Angeles Ballet: “Who Cares?” by George Balanchine and “Kauyumari” by Melissa Barak 

Place

The Hollywood Bowl, Los Angeles, September 8, 2026

Words

Victoria Looseleaf

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High Notes
REVIEWS | Kris Kosaka

High Notes

Honoring three choreographic greats of the twentieth century, the triple bill for K-Ballet Tokyo’s 2026 Selections hit only the high notes.

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A Tokyo Gala
REVIEWS | Kris Kosaka

A Tokyo Gala

The National Ballet of Japan hosted their annual Ballet Asteras recently, inviting Japanese dancers from around the globe for a special gala of dance. As usual, it also provided an opportunity to preview a wide range of choreography. 

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Suki Schorer, Milonguera
FEATURES | Mindy Aloff

Suki Schorer, Milonguera

When Suki Schorer—since 1998, the occupant of the School of American Ballet (SAB)’s Brown Foundation Senior Faculty Chair—approaches the barre to show a movement detail to a student, or strides to the side of the stage during a rehearsal to get a better perspective on a passage of choreography, she is taking steps on behalf of others.

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Look up, New York!

Look up, New York!

Citizen Arts International co-founder Natalie Rine hopes that the organization’s inaugural event, the Citizen Arts International Festival, will make New Yorkers to look up.

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Centre of Gravity
REVIEWS | Gracia Haby

Centre of Gravity

Gravity, physics tells us and the body shows, is a physical force which draws us “towards one another and shapes the way we move through the world,” and whether it is something to “resist, surrender to, suspend or redefine,” it is a necessary condition of us.

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Spacial Awareness
REVIEWS | Karen Greenspan

Spacial Awareness

On the final weekend of August, Kaatsbaan Cultural Park presented Anna Sperber’s Bessie award-winning dance “Bow Echo” during the opening day of its 2026 Annual Festival.

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Harvest Time
FEATURES | Victoria Looseleaf

Harvest Time

There is site-specific dance—think Trisha Brown’s 1970 groundbreaking work, “Man Walking Down the Side of a Building”—and then there’s Sarah Gordon Butler’s “Hay Rake Ballet.”

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Secret Gardens

Secret Gardens

This summer, hidden within the red brick warehouses and graffitied construction panels of industrial East Williamsburg, Brooklyn lay a secret garden.

Performance

“Meanwhile” choreographed by Andrew Skeels in collaboration with “Desire Path” installation by Nicole Rossi

Place

Carvalho Gallery, East Williamsburg, Brooklyn, August 8, 2026

Words

Cecilia Whalen

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Liz Lerman’s Legacy
BOOKSHELF | Audrey Pettit

Liz Lerman’s Legacy

Sprinkled throughout Liz Lerman’s most recent book, Shape and Momentum, are references to witches. They are our companions and guides, and they come bearing spells and poetry culled from Lerman’s 10-year choreographic project, “Wicked Bodies.” 

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Solidarity

Solidarity

My first two shows at this year’s Dance Base as part of the Edinburgh Fringe show the consummate taste of artistic director Tony Mills. Two brilliant young companies from the...

Performance

“No File Attached” by Erain / “Trembling Frequencies” by Helena Wilhelmsson

Place

DanceBase, Edinburgh, Scotland, August 7,2026

Words

Lorna Irvine

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