Royal Rivalry
In early June, the Scottish Ballet came to Koch Theater at Lincoln Center, New York, with “Mary, Queen of Scots” for a run of five performances.
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World-class review of ballet and dance.
In early June, the Scottish Ballet came to Koch Theater at Lincoln Center, New York, with “Mary, Queen of Scots” for a run of five performances.
Continue ReadingTwenty years on from its beginnings, Croí Glan, meaning “clear heart” in Irish, has been a leading voice in integrated dance in Ireland.
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There is a tradition at play whenever the annual Flamenco Festival takes over Sadler’s Wells in the early summer, it is almost always swelteringly hot outside.
Continue ReadingAs part of a new two-week summer dance festival, Lincoln Center brings back a popular work by French choreographer Rachid Ouramdane first shown in NYC ten years ago. “Tordre,” which means to twist or contort, is a duet that operates as double solos.
Continue ReadingThere is no such thing as a “Lucinda Childs vocabulary,” the choreographer herself clarifies in a pre-show talk with Gideon Lester, the artistic director and chief executive of Bard College’s Fisher Center. Inside the spectacular, Frank Gehry-designed building, the choreographer—who days before, celebrated her 86th birthday—is about two hours away...
Continue ReadingIn early June, the Scottish Ballet came to Koch Theater at Lincoln Center, New York, with “Mary, Queen of Scots” for a run of five performances.
Continue ReadingTwenty years on from its beginnings, Croí Glan, meaning “clear heart” in Irish, has been a leading voice in integrated dance in Ireland.
Continue ReadingThere is a tradition at play whenever the annual Flamenco Festival takes over Sadler’s Wells in the early summer, it is almost always swelteringly hot outside.
Continue ReadingAs part of a new two-week summer dance festival, Lincoln Center brings back a popular work by French choreographer Rachid Ouramdane first shown in NYC ten years ago. “Tordre,” which means to twist or contort, is a duet that operates as double solos.
Continue Reading
There is no such thing as a “Lucinda Childs vocabulary,” the choreographer herself clarifies in a pre-show talk with Gideon Lester, the artistic director and chief executive of Bard College’s...
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Upon arrival, colour greets me, and how. A wall of colour and pattern by Jeffrey Gibson, a member of the Mississippi Band of Choctaw Indians and of Cherokee descent, it is joyous and intriguing, loaded and bright. Snaking up the two sides, in blue lettering, all caps, a tantalising premise: “The only way out is through.”
Continue Reading“Sheltering,” Bangarra Dance Theatre’s new triple bill, having opened in Canberra on Ngunnawal Country, is on its national tour.
Continue ReadingWelcomed back to Los Angeles for the first time in 22 years (but who’s counting!), New York City Ballet made a triumphant return to the Dorothy Chandler Pavilion in two separate programs.
Continue ReadingLike picnicking in Central Park, catching the ferry to the Rockaways, or heading to Citifield for a Mets game, American Ballet Theatre’s “Swan Lake” is a well-established summer tradition for countless New Yorkers.
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Pointeworks is the new kid on the block in San Diego’s thriving dance scene. Founded by Sophie Williams, a dancer with Texas Ballet Theatre and a San Diego native who...
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Conceived by a Frenchman in imperial Russia and restaged by a Russian in post-Cold War France, “La Bayadère” periodically returns to the Paris Opera stage with its fakirs, idols and opium dreams.
Continue ReadingA carousel spins in the middle of the grassy area outside Colonels Row on Governors Island. For the next three hours, mirrored vertical bars that form a cage on the spinning structure will reflect changing light, flashes of audience faces, and the green of surrounding trees, as late afternoon settles into dusk.
Continue ReadingThe life of artist Michelangelo Merisi da Caravaggio (1571-1610) is ripe for dramatic interpretation.
Continue ReadingIt’s absolutely wonderful seeing a company at the top of their game. Scottish Dance Theatre at forty is a force to be reckoned with.
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Now in its second year, the Tate Modern’s Infinities Commission is awarded to a contemporary practitioner whose work proposes radical ways of thinking about performance, installation and time-based art.
Continue ReadingA ballet career necessitates lifelong scholarship. Professionals take a daily technique class that begins with the same pliés at the barre as absolute beginners. Most days at the School of American Ballet, New York City Ballet members are tucked into in a corner of the studio, honing their tendus alongside the top divisions.
Continue ReadingJessica Lang is smack in the middle of a three-year stint as resident choreographer at Seattle’s Pacific Northwest Ballet. It’s an excellent artistic match that deserves to be followed closely, because both Lang and PNB merit a higher national profile.
Continue ReadingThe close-knit ballet scene in San Diego was dealt a blow when California Ballet, the company Maxine Mahon founded in 1968, folded in 2020. Insiders tell me the pandemic wasn’t entirely to blame, but since then, Golden State Ballet, still wet behind the ears, has risen in its place.
Continue ReadingNow in its fifth year, Lincoln Center's “Summer for the City” festival is going all out for dance. This year, the festival will inaugurate the much-anticipated Lincoln Center Contemporary Dance Festival in Alice Tully Hall, featuring five international companies, as well as a new outdoor contemporary dance series called Dance Encounters, presented outside on Hearst Plaza.
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In defiance of the stars overhead, and destiny foretold, Joseph Caley’s Romeo falls, and utterly so, for Grace Carroll’s Juliet, on the opening night of the Australian Ballet’s Melbourne season...
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