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Glitter Revolution

Glitter Revolution

Talk about perfection! While the countdown is on, as Gustavo Dudamel, music director of the world-class Los Angeles Philharmonic, prepares to exit the stage for the New York Philharmonic (a...

Performance

Grupo Corpo: “Revolución diamantinam,” choreography by Rodrigo Pederneiras and Cassi Abranches

Place

Walt Disney Concert Hall, Los Angeles, California, February 26-28, March 1, 2026

Words

Victoria Looseleaf

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Channeling Electricity
REVIEWS | Sophie Bress

Channeling Electricity

Whether it resembles the slow, building roll of distant thunder or the immediacy of an overhead lightning storm, flamenco is electric. This energy, however, is an intimate one, and one that benefits greatly from proximity.

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Winter Games
FIELD NOTES | Candice Thompson

Winter Games

This winter has been one of the wintriest in recent New York City memory. Between the unnavigable mounds of dirty snow at every intersection, dangerous patches of black ice, multiple days of subzero temperatures, power outages, and frozen pipes, there has also been the bone-chilling rise of authoritarianism in America.

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Condors in Flight
REVIEWS | Kris Kosaka

Condors in Flight

Based in Tokyo, Condors is an all-male contemporary dance troupe founded by director and choreographer Ryohei Kondo in 1996. In their 30th year, the company retains all their original members with a few new additions.  

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All is Vanity
REVIEWS | Lorna Irvine

All is Vanity

Liv Lorent MBE is a gal I relate to, a choreographer with a penchant for the gothic, drawing upon the duality of traditions within narrative dance: the grand guignol and the sentimental.

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The New Firebirds

The New Firebirds

One thing that I love about the Firebird is that she is the hero,” said Catherine Hurlin, a principal dancer with American Ballet Theatre, in a Zoom interview on a...

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Winners and Some Questions
FEATURES | Greta Pieropan

Winners and Some Questions

The Prix de Lausanne 2026 crowned fourteen young dancers in its finale held at the Théâtre de Beaulieu in Lausanne, selected from 78 candidates who took part in the competition’s selection rounds. The jury this year was presided over by Kevin O’Hare, artistic director of the Royal Ballet.

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What We Hold

What We Hold

Lights go up on three dancers who sit side by side on the floor in a far corner of the stage, legs outstretched, soles of their bare feet delightfully exposed....

Performance

Peter Stathas Dance: “Trio” by Peter Stathas / “What Practice Makes” by Marta Renzi / “In Your Dreams” by Gerri Houlihan

Place

Mark Morris Dance Center, New York, NY February 13, 2026

Words

Karen Hildebrand

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Together Apart
REVIEWS | Karen Hildebrand

Together Apart

Mesmerizing to watch? Or commentary on life versus machine? The program performed by Lyon Opera Ballet at New York’s City Center is both. Merce Cunningham’s “Biped” (1999) features a double cast—one of human dancers, and another of computer generated figures.

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New Kids on the Block
REVIEWS | Elsa Giovanna Simonetti

New Kids on the Block

In the second week of February, an ensemble of young and remarkably accomplished dancers presented a lovely and generously conceived programme just beyond the Paris city limits, at the Théâtre des Sablons in Neuilly-sur-Seine, as part of a tour spanning not only several French cities but also Spain, Germany, Switzerland and Malaysia. The evening unfolded as a carefully balanced succession of styles, allowing the dancers to reveal both technical assurance and interpretative maturity. Overall, the cohesion of the ensemble and the clarity of their stage presence matched those of an established professional company. Yet this was not, strictly speaking, the...

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Tempests of Love

Tempests of Love

Oh to love and be loved, what a beautiful mess it is. Nobody captures the contradictions of passion quite like Pina Bausch, whose “Sweet Mambo” is cast in her signature...

Performance

Tanztheater Wuppertal Pina Bausch: “Sweet Mambo”

Place

Sadler's Wells, London, UK, February 11, 2026

Words

Sara Veale

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