Healing Together
Gibney Company’s season at the Joyce Theater was full of common threads, promising beginnings, and lingering energy.
Continue ReadingFeatured
Healing Together
Gibney Company’s season at the Joyce Theater was full of common threads, promising beginnings, and lingering energy.
Continue Reading
Steps in the Street
It seems fitting that as the world held its collective breath over violent threats from the US White House, the Martha Graham Dance Company would perform “Chronicle,” an anti-war statement from 1936, as the centerpiece for the opening of its New York City Center season.
Continue Reading
Perhaps best known for touring with New York City Ballet associate artistic director Wendy Whelan in her show “Restless Creature,” Joshua Beamish grew up dancing in his Canadian hometown of Kelowna, British Columbia, founding his own company when he was just 17.
Continue Reading
Emotionality Unbound
Ballet Unbound” was a diverse mixed repertory program that landed squarely in Ohio Contemporary Ballet’s sweet spot as a company presenting classical modern dance, and neo-classical and contemporary ballet works.
Continue Reading
Toward a More Perfect Union
It is a strange time to be celebrating our nation’s milestone birthday, our semiquincentennial.
Continue ReadingLatest
Steps in the Street
It seems fitting that as the world held its collective breath over violent threats from the US White House, the Martha Graham Dance Company would perform “Chronicle,” an anti-war statement from 1936, as the centerpiece for the opening of its New York City Center season.
Continue Reading
Ballet in the City with Joshua Beamish
Perhaps best known for touring with New York City Ballet associate artistic director Wendy Whelan in her show “Restless Creature,” Joshua Beamish grew up dancing in his Canadian hometown of Kelowna, British Columbia, founding his own company when he was just 17.
Continue Reading
Emotionality Unbound
Ballet Unbound” was a diverse mixed repertory program that landed squarely in Ohio Contemporary Ballet’s sweet spot as a company presenting classical modern dance, and neo-classical and contemporary ballet works.
Continue ReadingToward a More Perfect Union
It is a strange time to be celebrating our nation’s milestone birthday, our semiquincentennial.
Performance
Place
Words
Gift Subscription
$139.95
Gift a year of world-class dance journalism. Recipients will receive full access to Fjord's wide diversity of reviews, interviews, articles & podcasts.
Everything Under Control
It’s hard to predict where Hubbard Street Dance Chicago will go next. Literally. Through the repertoire selections presented in the company’s two-week run at the Joyce Theater, the dancers demonstrate a particular aptitude for moving in a way that’s endlessly surprising.
Continue Reading
A Grimm Tale
“The Juniper Tree” is a macabre fairy tale involving three feminine archetypes: mother, stepmother, daughter.
Continue Reading
Rewind
La Scala Theatre’s ballet season featured a programme offering a snapshot of European choreography from 25 years ago.
Continue Reading
Meryl Tankard, Staying Connected
Meryl Tankard is somewhat of an Aussie dance legend. A choreographer of international renown, her works have been mounted and premiered on prestigious companies ranging from Royal Ballet of Flanders and NDT III in Europe, to the Australian Ballet and Sydney Dance Company in her homeland.
Continue ReadingMoondance
The Mark Morris Dance Group, now celebrating its 45th anniversary, visited the Brooklyn Academy of Music for a quick late-March run with two topical dances that were new to New...
Performance
Place
Words
Simply Red
Do ballet trends bubble up cyclically, or did artistic directors collude to engineer this year’s “Firebird” mania? Suddenly this spring, the flaring-eyed creature immortalized in Stravinsky’s 1910 score is headlining programs at American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem, almost all at once.
Continue Reading
Theatre-going
“Empreintes” featuring two new creations by Jess & Morgs and Marcos Morau, reads as a choreographic response to Walter Benjamin’s reflections on the work of art in the age of mechanical reproduction.
Continue Reading
Objects of Desire
Maurice Béjart would surely have been delighted to see La Seine Musicale’s vast Grande Salle, that striking structure seemingly floating on the river above the Île Seguin, filled for all six March performances of his company’s tour.
Continue Reading
Street to Stage
Penn Live Arts presented Rennie Harris’s “Losing My Religion” last week as part of its America Unfinished Series, marking the country’s semiquincentennial.
Continue ReadingMotherhood
Motherhood has often been idealized as the ultimate fulfillment of being a woman. In fact, in many cultures, motherhood is still understood as a woman's basic mission and an inseparable...
Performance
Place
Words
Dividing Lines
A gifted satirist, Jane Comfort’s dance theater productions are razor sharp and wickedly indelible. Take, for instance, the evening length “Beauty” (2012), with its robotic Barbie beauty contest.
Continue Reading
Inside the Somatic Field
On the first weekend of spring, Japan Society presented multidisciplinary, avant-garde artist Hiroaki Umeda and his dance ensemble Somatic Field Project in an evening-length program of his latest cutting-edge dance works.
Continue Reading
Red Scares
American Ballet Theatre typically holds court in NYC twice a year. Their Summer Season at the Metropolitan Opera House features classical narrative full-lengths, and the Fall Season at the Koch Theater showcases edgier, short-form works.
Continue Reading
For Love or Money
Unlikeable humanity in a rapacious society, Kenneth MacMillan’s “Manon” hits the zeitgeist—again. Recently staged by the National Ballet of Japan, it’s a stunning testimony to the ballet’s relevance across time and space. Fifty years since its creation and set in eighteenth-century France, the production nevertheless holds a mirror to now.
Continue ReadingDisorderly Dance
An ambitious yet flawed work, “Dis-order,” seen last week at the Skirball Cultural Center, was described in the program notes as a “communal ritual, and a family drama that asks...
Performance
Place
Words
subscribe to THE LATEST IN DANCE
“Uncommonly intelligent, substantial coverage.”
- Weekly articles from the world of dance
- Wide diversity of reviews, interviews, articles & more
- Support for quality art journalism
Already a paid subscriber? Login
"This extraordinary little magazine has grown to become a cultural mainstay, not just a valued critical source, but a cultural communicator, critic, review, booster and historian."
Brenda Way
ODC/Dance
frequent questions
What's the difference between a physical and digital subscription?
With a physical subscription you'll get a physical magazine twice a year along with full site access. With a digital subscription, you'll only get access to articles and podcasts.
Will I get access to podcast content with a subscription?
Yes.
With either a physical or digital subscription, you'll get access to podcast content.
How do I get full access to articles?
With either a physical or digital subscription.
You just need a subscription to get full access to articles.