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Channeling Sinéad
REVIEWS | Sophie Bress

Channeling Sinéad

So often, dancers are treated as vessels for a choreographer’s vision. Movements are imprinted on their bodies and they must, to the best of their abilities, convince the audience that they believe.

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Flamenco Deities
REVIEWS | Victoria Looseleaf

Flamenco Deities

There’s hot, and then there’s blistering, as was evidenced when “Flamenco! María Bermúdez Convivencias,” was presented to the nearly sold-out crowd at the Ford on Saturday night.

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Third Spaces

Third Spaces

It hasn’t taken Ingrid Silva long to establish herself as an exciting emerging choreographic talent.

Performance

First Look: “Between Two Heartbeats” and Other Dances, presented by Accent Dance NYC

Place

Taylor Dance East, New York, NY, September 10, 2026

Words

Rebecca Deczynski

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Reemergence
REVIEWS | Claire Sawers

Reemergence

In the first half of tonight’s double bill by Scottish Ballet, Chinese percussionist Beibei Wang whacks her drums with such force, she breaks her drumstick.

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High Notes

High Notes

Honoring three choreographic greats of the twentieth century, the triple bill for K-Ballet Tokyo’s 2026 Selections hit only the high notes.

Performance

K-Ballet Tokyo: “Selections”

Place

Orchard Hall, Tokyo, Japan, July 20, 2026

Words

Kris Kosaka

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A Tokyo Gala
REVIEWS | Kris Kosaka

A Tokyo Gala

The National Ballet of Japan hosted their annual Ballet Asteras recently, inviting Japanese dancers from around the globe for a special gala of dance. As usual, it also provided an opportunity to preview a wide range of choreography. 

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Suki Schorer, Milonguera
FEATURES | Mindy Aloff

Suki Schorer, Milonguera

When Suki Schorer—since 1998, the occupant of the School of American Ballet (SAB)’s Brown Foundation Senior Faculty Chair—approaches the barre to show a movement detail to a student, or strides to the side of the stage during a rehearsal to get a better perspective on a passage of choreography, she is taking steps on behalf of others.

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Look up, New York!
FEATURES | Sophie Bress

Look up, New York!

Citizen Arts International co-founder Natalie Rine hopes that the organization’s inaugural event, the Citizen Arts International Festival, will make New Yorkers to look up.

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Centre of Gravity
REVIEWS | Gracia Haby

Centre of Gravity

Gravity, physics tells us and the body shows, is a physical force which draws us “towards one another and shapes the way we move through the world,” and whether it is something to “resist, surrender to, suspend or redefine,” it is a necessary condition of us.

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Phoenix Rising

Phoenix Rising

The traditional striped kabuki curtain of black, persimmon and green hangs tattered and faded. It’s our first hint of destruction. 

Performance

“Kinkaku-ji (the Golden Pavilion)” by Marcos Morau

Place

Tokyo Metropolitan Theatre Playhouse, Tokyo, August 30, 2026

Words

Kris Kosaka

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Spacial Awareness
REVIEWS | Karen Greenspan

Spacial Awareness

On the final weekend of August, Kaatsbaan Cultural Park presented Anna Sperber’s Bessie award-winning dance “Bow Echo” during the opening day of its 2026 Annual Festival.

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Harvest Time
FEATURES | Victoria Looseleaf

Harvest Time

There is site-specific dance—think Trisha Brown’s 1970 groundbreaking work, “Man Walking Down the Side of a Building”—and then there’s Sarah Gordon Butler’s “Hay Rake Ballet.”

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Liz Lerman’s Legacy

Liz Lerman’s Legacy

Sprinkled throughout Liz Lerman’s most recent book, Shape and Momentum, are references to witches. They are our companions and guides, and they come bearing spells and poetry culled from Lerman’s...

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