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Running in Circles
REVIEWS | Victoria Looseleaf

Running in Circles

As Highways Performance Space continues its 35th anniversary celebration, executive director Leo Garcia and artistic director Patrick Kennelly presented two special programs, each honoring titans of the post-modern dance world

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Eye Candy
REVIEWS | Lorna Irvine

Eye Candy

’Tis the season, so it would be churlish to pick holes in Christopher Hampson's glorious confection, adapted from Peter Darrell's iconic work. 

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Piece by Piece
REVIEWS | Gracia Haby

Piece by Piece

Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.

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From Strength to Strength: Tina Finkelman Berkett

From Strength to Strength: Tina Finkelman Berkett

“I can’t even stand it,” exclaimed Tina Finkelman Berkett about the Perenchio Foundation grant that her dance troupe, BodyTraffic, recently received.

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Moving Portraits
REVIEWS | Gracia Haby

Moving Portraits

Beneath a tree also over a century old is where I meet dancer and artist Eileen Kramer, and where the 60-minute loop will end. And it feels fitting, on the heels of her recent death on November 15, 2024, at 110-years-of-age, to start here, at effectively the end of Sue Healey’s screening of On View: Icons.

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Falling for Hubbard
REVIEWS | Roísín O'Brien

Falling for Hubbard

Hubbard Street Dance Chicago’s Fall Series will entertain you. Deftly curated, with choreographers ranging from Aszure Barton to Bob Fosse, Hubbard’s dancers ably morph through this riveting programme of showmanship.

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Dream Come True

Dream Come True

Talk about Gesamtkunstwerk! Jawole Willa Jo Zollar’s “SCAT!...The Complex Lives of Al & Dot, Dot & Al Zollar,” is just that—a total work of art: operatic in scale, replete with stellar...

Performance

Urban Bush Women: “Scat!...The Complex Lives of Al & Dot, Dot & Al Zollar,” Choreography by Jawole Willa Jo Zollar and Vincent Thomas

Place

Mark Taper Forum, Los Angeles, California, November 22-24, 2024

Words

Victoria Looseleaf

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The Tragedy of Hamlet
REVIEWS | Róisín O'Brien

The Tragedy of Hamlet

Of all of Shakespeare’s plays, “Hamlet” might seem the hardest to adapt into dance. Its long soliloquies and a titular character stymied by indecision do not immediately scream movement potential.

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Coming into the Light
INTERVIEWS | Victoria Looseleaf

Coming into the Light

Loïe Fuller, groundbreaking artist, dancer and theatrical maverick, is finally getting her due in the feature-length documentary, Obsessed with Light. Opening at New York’s Quad Cinema on December 6, the film, directed by Zeva Oelbaum and Sabine Krayenbühl, is a meditation on light and the enduring passion to create.

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An Evening with Omar

An Evening with Omar

A duet featuring the choreographer himself was an unexpected treat when Boca Tuya, founded in 2018 by Omar Román de Jesús, took the stage at 92NY last week. De Jesús...

Performance

Boca Tuya, mixed rep by Omar Román de Jesús

Place

92NY Harkness Dance Center, New York, NY, November 14-15, 2024

Words

Karen Hildebrand

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Dance Critics' Festival
Event | By Penelope Ford

Dance Critics' Festival

Designed to look at the process and art of writing dance criticism, this one-day event will feature panel discussions with Fjord Review writers, audience Q&A sessions, a conversation with a special guest choreographer, and networking reception. 

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Dreaming with Jawole Willa Jo Zollar
INTERVIEWS | Victoria Looseleaf

Dreaming with Jawole Willa Jo Zollar

Creating Urban Bush Women forty years ago—after having had a dream about her parents—Jawole Willa Jo Zollar may have stepped down as artistic director from the women-centered group dedicated to telling stories of the African diaspora through traditional and modern Africanist dance forms, but she’s busier than ever.

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Balanchine's America
REVIEWS | Rachel Howard

Balanchine's America

George Balanchine loved American culture because he loved America. He had lived through tyranny and chaos as a boy in the Russian Revolution, and though his displays of affection for his adopted homeland could border on silly (like the Western bolo ties he favored as fashion statements), he never took for granted the possibilities he found here, never stopped extolling America’s freshness and energy.

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A Tale of Two Cities United by Dance
FEATURES | Merilyn Jackson

A Tale of Two Cities United by Dance

Philadelphia witnessed two Gala celebrations of dance and performance on opposite sides of town in October. It seemed like a tale of two cities. One in the center where much of the cultural events take place and the other on the fringes, down by the riverside.

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Lauren Lovette, On a New Path

Lauren Lovette, On a New Path

Hello Lauren! We haven’t spoken since June, when I interviewed you for a School of American Ballet Connoisseurship Series program about the Workshop performances. 

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