Love Letter to Mother Nature
Ballet X gave a performance of “The Four Seasons Reimagined” on June 11, 2026, at Saratoga Performing Arts Center in a premiere week that began at its home base in Philadelphia’s Highmark Mann.
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A Ballet Festival
The theme driving Misty Copeland’s curation of the Joyce Theater’s Ballet Festival was “to center Black, Brown, and Queer artists.”
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Solidarity
My first two shows at this year’s Dance Base as part of the Edinburgh Fringe show the consummate taste of artistic director Tony Mills. Two brilliant young companies from the Basque Country perform very different, but no less thrilling, work.
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Scottish Ballet’s artistic director Christopher Hampson CBE has long been a champion of storytelling from a completely unique perspective. So too, with These Violent Delights: the first feature-length film from the company.
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White Space
When dance happens in non-traditional spaces, it can change the way it is seen and experienced. As Leonard Cohen said about the cracks in everything, “that’s where the light gets in.”
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Classical Style
“Ballet: the New Classic,” brainchild of fashion photographer Yumiko Inoue and K-Ballet Tokyo associate artist, Shohei Horiuchi, combines haute couture with innovative dance. Like sculpture in motion, it’s their third collaboration since creative director Inoue and producer and choreographer Horiuchi first realized their stylish vision in 2022.
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Liz Lerman’s Legacy
Sprinkled throughout Liz Lerman’s most recent book, Shape and Momentum, are references to witches. They are our companions and guides, and they come bearing spells and poetry culled from Lerman’s 10-year choreographic project, “Wicked Bodies.”
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Pills, Thrills, and Heartbreak
Scottish Ballet’s artistic director Christopher Hampson CBE has long been a champion of storytelling from a completely unique perspective. So too, with These Violent Delights: the first feature-length film from the company.
Continue Reading
A Ballet Festival
The theme driving Misty Copeland’s curation of the Joyce Theater’s Ballet Festival was “to center Black, Brown, and Queer artists.”
Continue ReadingSolidarity
My first two shows at this year’s Dance Base as part of the Edinburgh Fringe show the consummate taste of artistic director Tony Mills. Two brilliant young companies from the...
Performance
Place
Words
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White Space
When dance happens in non-traditional spaces, it can change the way it is seen and experienced. As Leonard Cohen said about the cracks in everything, “that’s where the light gets in.”
Continue Reading
Classical Style
“Ballet: the New Classic,” brainchild of fashion photographer Yumiko Inoue and K-Ballet Tokyo associate artist, Shohei Horiuchi, combines haute couture with innovative dance. Like sculpture in motion, it’s their third collaboration since creative director Inoue and producer and choreographer Horiuchi first realized their stylish vision in 2022.
Continue Reading
Writing a New Story
What should ballet look like? From the eight pieces that compose the first program of Misty Copeland’s curation for the Joyce Theater’s annual Ballet Festival, this much is clear: there’s no one single answer.
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Venice, Old and New
Old and new generations intersect each other in the city of Venice. This is true for dance as well, which had the lagoon city as a picturesque backdrop this summer for the Biennale Danza, where poetry and intellectual excellence are still preserved in its artistic offerings, even under the siege of tourism.
Continue ReadingTranscending Limitations
It starts with a tiny, barely noticed jerk of a hand or arm. Just one simple gesture, and then all hell breaks loose. TF Cia de Dança brings what has...
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A Call for Empathy
Part of artistic director Tony Mills’ remit at Dance Base is to seek out wonderful dance artists from across the world. This year, two sets of performances from Detours Festival, Brussels have been specially selected by Mills to perform in Edinburgh.
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In the Flow with Vangeline
For the final event of Lincoln Center’s Summer for the City outdoor Dance Encounters series, Butoh artist Vangeline performed the newly commissioned work “Naiad Metal” in the Paul Milstein Reflecting Pool at Hearst Plaza.
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Flamenco Soul
The Spanish term for a heightened state of emotion and authenticity, duende, roughly translates to a single word, “soul.”
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Dance and the Metropolis
Midway through the new book Nonstop Bodies: How Dance Shaped New York City, author Rennie McDougall pivots away from a chapter on the modernism of George Balanchine and the slum-clearing process of creating his “temple at Lincoln Center” to flesh out another diasporic music and dance culture emanating out of Harlem during a similar time in history: mambo.
Continue ReadingLost Time
The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.
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Vow of Stability
I have seen Megan Fairchild dance three times. The first was semi-unintentional—soon after moving to New York in the fall of 2024, I got one of those $30 for 30+ Under tickets and sat in the orchestra level on stage right.
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Perfect Pairs
For the sixth year now, the BAAND has gotten back together at Lincoln Center. That is, the BAAND Dance Festival, the annual Chanel-sponsored program that unites five New York City dance companies: Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem.
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En Plein Air
There’s just something about the outdoor dance performances that summer brings. Movements take on additional urgency when rain threatens.
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A Timeless Celebration
With the exception of the central pas de deux from “Le Corsaire,” this bill, held to celebrate Marianela Nuñez’s remarkable 28-year run at the Royal Ballet, pulls solely from the twentieth century.
Continue ReadingWhere Emergence Meets Urgency
The 2026 edition of the festival SpringForward unfolded in Guimarães, Portugal, the European Green Capital of the year, a city whose commitment to sustainability offered a fitting backdrop for a...
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