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“Biéde In Motion”
REVIEWS | Paul McInnes

“Biéde In Motion”

With backgrounds in planning for iconic Japanese fashion brand Comme des Garçons and archiving for the art industry, Tokyo-based consulting office Kleinstein run by Yusuke and Miki Koishi are real-deal...

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School Report
REVIEWS | By Rachel Howard

School Report

This year’s San Francisco Ballet School Spring Festival offered a moment to say hello to the company’s next generation of dancers, and goodbye to the leader who shaped them: Patrick...

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New Meanings
REVIEWS | By Marina Harss

New Meanings

And just like that, another spring season has ended at New York City Ballet. There was much to celebrate, in particular the rise of a new generation of dancers. All...

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Gram Technique
REVIEWS | By Faye Arthurs

Gram Technique

If you thought Akram Khan’s 2016 update of “Giselle”—which resituated the 1841 classic to apply to modern migrant workers in a haunted garment factory—was radical, you should see Joshua Beamish’s...

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Do Not Go Gently
REVIEWS | By Marina Harss

Do Not Go Gently

The South African contemporary choreographer Dada Masilo, based at Johannesburg’s The Dance Factory, has re-imagined some of the most familiar works in the western canon, including “Giselle” and “Swan Lake,”...

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