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Ballet Fantastique
REVIEWS | Steve Sucato

Ballet Fantastique

The world premiere of Remi Wörtmeyer's "La Bohème" marked a seminal moment in the history of BalletMet. The two-act production was unlike any that the 48-year-old Columbus, Ohio-based company has ever staged and showed a marked ascent in its artistic merit.

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Get Lost

Get Lost

Where do you go when you’re at the theatre? Are you looking for escape or confrontation? Do you want to weep for the world or tap your toe? In their...

Performance

Korea National Contemporary Dance Company: “Voyage” by Young-doo Jung & “Hakkō” by Ryu Suzuki

Place

The Place, London, UK, May 29, 2026

Words

Eoin Fenton

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Next Gen
REVIEWS | Rebecca Deczynski

Next Gen

Around the corner from the crowds, billboards, Bubba Gump Shrimp and the Hard Rock Cafe, one can now find a decidedly more refined respite in the midst of midtown Manhattan.

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Bespoke Cinderella
REVIEWS | Steve Sucato

Bespoke Cinderella

Cleveland Ballet's new “Cinderella,” choreographed by artistic director Timour Bourtasenkov, was the culmination of the company's steady growth in size, quality, and stature since its founding in 2014.

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Imaginary Seatmate
MEMOIR | Michael Quinn

Imaginary Seatmate

At the memorial for Joan Acocella, held at the New York Public Library for the Performing Arts, in the fall of 2025, I was drawn to the only red chair in the auditorium.

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The Rest is Silence

The Rest is Silence

“Hamlet” for many brings about fear. Not for its ghosts or its bloody end, but rather nightmarish memories of English classes where Shakespeare’s longest play was the source of ire...

Performance

The Dance Factory: “Hamlet” by Dada Masilo

Place

Sadler's Wells, London, UK, May 25, 2026

Words

Eoin Fenton

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Wall Flowers
REVIEWS | Victoria Looseleaf

Wall Flowers

If there’s anything Shu Kinouchi can’t do—dance-wise, that is—nobody’s told him yet. Indeed, this endlessly fascinating artist who was with Houston Ballet and Tulsa Ballet before joining L.A. Dance Project in 2020, again proved a compelling presence in the first of four solo performances seen at LADP’s black box space last weekend.

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Men at Work

Men at Work

It’s been 25 years since William Trevitt and Michael Nunn swapped the Royal Ballet for the contemporary scene, building an imaginative portfolio across the stage and screen in step with...

Performance

BalletBoyz: “Still Pointless”

Place

Sadler's Wells, London, UK, May 13, 2026

Words

Sara Veale

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A New Angle
DANCE FILM | FEATURES | Eoin Fenton

A New Angle

Dance on film is undoubtedly an integral element of the dance ecosystem, legendary works like Trisha Brown’s Watermotor or Anne Teresa de Keersmaeker’s Fase still capture the consciousness of contemporary dance fanatics and arty Instagram pages.

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Running Start
REVIEWS | Rebecca Deczynski

Running Start

Within the ranks of American Ballet Theatre, 76 dancers—who will be appearing onstage at the Metropolitan Opera House in just a few weeks—share a common background: they’ve matriculated from ABT Studio Company, where they found their footing in between their training and their professional careers.

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Jack of Hearts
REVIEWS | Eoin Fenton

Jack of Hearts

As the audience come to their feet at the end of this ballet there is a noted difference to be seen on stage. Three women stand with joined hands, taking their call as the romantic leads of a loud and proud lesbian ballet.

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Some Enchanted Evening

Some Enchanted Evening

The Philadelphia Ballet just premiered its current choreographer-in-residence, Juliano Nunes’s “Romeo and Juliet.”

Performance

Philadelphia Ballet: “Romeo and Juliet” by Juliano Nunes

Place

The Academy of Music, Philadelphia, PA, May 7, 2026

Words

Merilyn Jackson

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