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The Way it Was
Seven dancers reflect on the early days of the School of American Ballet.
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Border Crossings
The New York Public Library for the Performing Arts’ current exhibition is a dance epic. Full of tragedy and triumph...
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Art on The Mart
In downtown Chicago, 100-foot-tall dancers glide along the Chicago River. Projected onto the enormous digital installation Art on The Mart,...
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Limitless Creativity
The year was 1983 when Sister Beth Burns of the order of St. Joseph of Orange began teaching children to...
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A Woman's Point of View
On one of the first warm days of late March, Fifth Avenue pedestrian traffic was teeming outside the Guggenheim, ubiquitous...
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A Resilient History
Returning after its two-year pandemic hiatus, the 33rd International Conference and Festival of Blacks in Dance kicked off at the...
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The Slowest Wave
A groundbreaking collaboration is afoot involving New York City butoh dance company Vangeline Theater; founded by French-born butoh performer, choreographer,...
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Living Architecture
When I speak with Russian Tokyo-based photographer Yulia Skogoreva in a cozy coffee shop in the Yoyogi district of the...
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The Collective is Strong
2022’s abundant, and at times, overwhelming, calendar of dance was a weekly reminder of New York’s place as ‘a’ if...
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The Power of Performance
In New York, the year that is drawing to a close was marked by a true return to the pleasure...
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A Movable Feast
With the global pandemic mostly in the rearview mirror, dance lovers once again enjoyed—literally—a movable feast. Indeed, the movers and...
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Difficult Grace
Roderick George paints maps with his movement. In "asinglewordisnotenough," his body trickles like delicate tributaries then trembles as if moving...
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