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"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."

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Artistic Director, Pacific Northwest Ballet

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Fjord Review #7

Fjord Review #7

Discover insightful conversations with prominent figures in the dance world, essays on ballet history and performances, reviews of leading ballet companies, and stunning dance photography in our latest issue.

184 pages. 7.25″ x 10″

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all articles

A Mystical Evening
REVIEWS | Merilyn Jackson

A Mystical Evening

This year’s Biennale Danza Venezia Silver Lion award went to Zurich-based choreographer Trajal Harrell. A house director at the Schauspielhaus Zurich, and the founding director of the Schauspielhaus Zurich Dance Ensemble, he brought the Ensemble to FringeArts Festival for the Philadelphia premiere of his 2022 “The Köln Concert” last month. 

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Resistance

Resistance

What's your poison? Tom of Finland, or Boy George? Madonna, or Marilyn? Top, or bottom? There have been so many recent dramas of late, focussing on eighties' queer culture: The Line...

Performance

Shaper/Caper: “Small Town Boys”  

Place

Polo Lounge, Glasgow, Scotland, October 9, 2024

Words

Lorna Irvine

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Ladies’ Night
REVIEWS | Faye Arthurs

Ladies’ Night

The New York City Ballet’s 2024 Fall Fashion Gala was once again a smashing fundraising success, pulling in 3.2 million dollars and packing the house with slew of well-dressed celebrities and socialites.

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Imperfect Beauty
REVIEWS | Rachel Howard

Imperfect Beauty

Jessica Lang’s “Black Wave,” her first creation as Pacific Northwest Ballet’s new resident choreographer, is an elusive allegory wrapped inside a metaphor wrapped inside a dream. Rarely have I so wanted to ask a choreographer what she intended.

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Balanchine Ascendant
REVIEWS | Faye Arthurs

Balanchine Ascendant

To celebrate the 90th anniversary of the School of American Ballet, advanced students performed Balanchine’s “Serenade” (also 90 this year) on a special, one-off New York City Ballet program. 

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Hidden Worlds
REVIEWS | Gracia Haby

Hidden Worlds

“Circle Electric” makes a magnifying glass of the stage, and places different dancers in different configurations in the spotlight with the intention of observing them and thereupon making inquiries. 

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A Journey of Healing

A Journey of Healing

Across North Africa, the all-night music-dance-trance ritual called lila (pronounced lee-lah) is celebrated as a means for spiritual healing. 

Performance

Destins Croisés: “Le Sacre de Lila” by Ismaël Mouaraki

Place

PS21, Chatham, NY, September 29, 2024

Words

Karen Greenspan

FREE ARTICLE
What Moves You
REVIEWS | Faye Arthurs

What Moves You

The Fall for Dance Festival programming formula runs roughly thus: feature a new troupe, include a pet (or vanity) project of a big NYC star, and end with a feel-good group showcase.

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New Phase
REVIEWS | Emily May

New Phase

As the fight for greater visibility for women choreographers continues, it was encouraging to see Carlos Acosta, director of Birmingham Royal Ballet, commission an all-female creative team for “Luna,” the final piece in his trilogy celebrating the company’s hometown.

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Puppet Master
REVIEWS | Mindy Aloff

Puppet Master

He is the love of your life. You are his one-and-only. The pair of you is doomed: Obligations to the social order make your relationship impossible. The only way out—double suicide. Actually, this being eighteenth-century Japan, you let him literally do it all; still, you are his forever and there is no turning back.

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“Jérôme Bel”
REVIEWS | Karen Hildebrand

“Jérôme Bel”

Measured against his own criteria, French dance maker Jérôme Bel would seem a failure. In the eponymously named show that opened the L’Alliance New York Crossing the Line Festival last week, Bel professes he has no desire to entertain an audience.

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With Humor and Flair

With Humor and Flair

It’s a new era at Smuin Contemporary Ballet, but incoming artistic director Amy Seiwert was still invoking her old boss pre-curtain as the company toured its first program under her...

Performance

Smuin Contemporary Ballet: Dance Series 1

Place

Lesher Center for the Arts, Walnut Creek, CA, September 27 2024

Words

Rachel Howard

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Through Enamel Eyes
REVIEWS | Sophie Bress

Through Enamel Eyes

I have a confession. Until last week, I had never seen “Coppélia.” I know the story well, however, and a young me performed many approximations of Swanilda’s role alone in my bedroom, thanks to a beloved and well-worn copy of The Illustrated Book of Ballet Stories, a book and cassette combo narrated by Darcey Bussell.

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Eclectic NYCB
REVIEWS | Faye Arthurs

Eclectic NYCB

The second program of the New York City Ballet’s fall season was called “Eclectic NYCB” and it lived up to its billing. It featured a second-tier Balanchine work, a Jerome Robbins crowd-pleaser, and two heartfelt pas de deux acquired from outside dance festivals—one a company premiere.

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Finding Balance
REVIEWS | Cecilia Whalen

Finding Balance

New York City Center's Fall for Dance Festival continued with programs featuring Complexions Contemporary Ballet, a world premiere duet performed by Skylar Brandt and Herman Cornejo, and a tap tribute to Nina Simone performed by M.A.D.D. Rhythms collective, among other performances. 

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Indra’s Vast Net

Indra’s Vast Net

Imagine a large net stretched across the vast expanse of our world system studded with an infinitely faceted jewel at each intersection.

Performance

“Indra's Net” by Meredith Monk

Place

Park Avenue Armory, New York, NY, September 29, 2024

Words

Karen Greenspan

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