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"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."

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Artistic Director, Pacific Northwest Ballet

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Fjord Review #7

Fjord Review #7

Discover insightful conversations with prominent figures in the dance world, essays on ballet history and performances, reviews of leading ballet companies, and stunning dance photography in our latest issue.

184 pages. 7.25″ x 10″

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all articles

Dreams of Dance
REVIEWS | Garth Grimball

Dreams of Dance

All reviews of live performance are an exercise in hindsight. No matter how diligent a notetaker I will forever be rearticulating my in-the-moment responses into something that is ideally a cogent and cohesive response to a work.

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Song of Resistance

Song of Resistance

It will be impossible to walk past the Panthéon again without recalling what happened at the Théâtre des Champs-Élysées in late September 2025: the extraordinary transformation—verging on possession—of Germaine Acogny...

Performance

Germaine Acogny: “Joséphine” / “Le Sacre du printemps,” choreography by Acogny and Pina Bausch

Place

Théâtre des Champs-Élysées, Paris, France, September 24, 2025

Words

Elsa Giovanna Simonetti

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240 pages. 7.25″ x 10″

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An Ideal Don Quixote
REVIEWS | Kris Kosaka

An Ideal Don Quixote

The curtain opens on a stark, grey stage. Cut off from the vitality of the world, an aged man, shabby and nondescript, exists only for his books. Inspired suddenly by a romantic vision, he forces a lazing servant to attend him and leaves behind this colorless prison, carrying his fantastical determination along with the dated accoutrements of a crusading knight.

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Moving Memory
REVIEWS | Gracia Haby

Moving Memory

I make my way up the stairs at the Substation. Along all four sides of the large room, rows of seats are arranged. Event warning: sudden loud noises. Content warning: death. I find a seat along the long side wall, with my back to the window.

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The Art of Stillness

The Art of Stillness

Martha Graham said that “movement never lies”—but what of stillness? For NYC Dance Project’s latest book, Martha Graham Dance Company: 100 Years, photographers Ken Browar and Deborah Ory set out...

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Points of View
REVIEWS | Gracia Haby

Points of View

From the back of the stage, a single searchlight points in the direction of the audience, and as it does, it sweeps across the forms of seven dancers in Stephanie Lake’s “Seven Days.”

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Stardust
REVIEWS | Lorna Irvine

Stardust

“Are we cancelled now?” James Jordan queries mischievously, eyes shining. He’s just made some chancy quips regarding recent Strictly Come Dancing controversies, alluding rather than directly addressing the issues. “We were the good boys on all of our series,” he insists.

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Into the Wilde
REVIEWS | Rachel Howard

Into the Wilde

At a time when the arts in America are under attack and many small dance companies are quietly disappearing, San Francisco’s dance scene—for decades second in its volume of activity only to New York—still has a pulse.

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Just the Steps
REVIEWS | Rebecca Deczynski

Just the Steps

Noé Soulier enters the space without warning, and it takes a few seconds for the chattering audience to register the man now standing before them, dressed simply in a grey t-shirt and black pants, barefoot.

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Getting in the Groove

Getting in the Groove

In the first few seconds that the lights come up on BalletX at the Joyce Theater, an audience member murmurs her assent: “I love it already.”

Performance

BalletX: “Scales on the Wings of a Butterfly” by Noelle Kayser, “Vivir (Except)” by Darrell Grand Moultrie, “Two People in Love Never Shake Hands (Excerpt)” by Nicola Wills, “Sojourner” by Gregory Dawson

Place

The Joyce Theater, New York, New York, September 27, 2025

Words

Rebecca Deczynski

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Fall Fashion
FIELD NOTES | Candice Thompson

Fall Fashion

“Was it Benjamin Franklin, that sagacious and witty man, who, on signing the Declaration of Independence that hot July day in 1776, admonished his colleagues that they had better hang together lest they all hang separately?

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One More Time
REVIEWS | Rebecca Deczynski

One More Time

Over the span of two weeks, New York City Center’s Fall for Dance Festival brought to its storied stage a wide range of performers from across the globe with different disciplines, perspectives, and movement vocabularies. Its fifth and final program reiterated what it’s all about: exploring, and celebrating, all the different ways we dance.

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United Dancing Nations
REVIEWS | Faye Arthurs

United Dancing Nations

Program Four of the 22nd annual Fall for Dance Festival opened with an odd expression of gratitude: “thank you for going through all that you went through to get here,” Michael S. Rosenberg, the President and CEO of New York City Center, told the crowd. The 80th session of the UN General Assembly had shut down much of midtown (even to pedestrians), including the block of 55th street that is home to City Center.

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Pumpkin Spiced Rashomon

Pumpkin Spiced Rashomon

Recently, I came across a video of a woman having a meltdown at an American Football game. The details are unclear of what exactly went down, but the short clip...

Performance

“Anatomy of Survival” by Frauke Requardt and Vivienne Franzmann

Place

The Place, London, UK, September24, 2025

Words

Eoin Fenton

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