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"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."

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Artistic Director, Pacific Northwest Ballet

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Fjord Review #7

Discover insightful conversations with prominent figures in the dance world, essays on ballet history and performances, reviews of leading ballet companies, and stunning dance photography in our latest issue.

184 pages. 7.25″ x 10″

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REVIEWS | Eoin Fenton

If You’re Hot Shit, Do You Even Need to Try?

Ambitious. That was the mot du jour at the Southbank Centre press night reception for (La)Horde's “We Should Have Never Walked on the Moon.”

REVIEWS | Victoria Looseleaf

Opportunity Cost

After a decade spent in Los Angeles, Danielle Agami, who founded Ate9 in Seattle in 2012, abruptly decamped for Europe in 2023, leaving somewhat of a gap in the local dance community.

REVIEWS | Karen Hildebrand

No Time for a Tango

Two men enter the stage and hang suit jackets on the backs of chairs. They begin with a short movement phrase in staccato unison—an elbow juts over the shoulder as if an arrow sticking out of a quiver, then an arm slices cross-body like a sword.

INTERVIEWS | Karen Hildebrand

Going Solo with Lar Lubovitch

“I never set out particularly to be a creator of solos,” says Lar Lubovitch. “But after 60 years in the dance world and 120 dances, I will have made a number of solos.”

Freedom to Fly

In the canon of classical ballet, star-crossed love is an integral theme. With its US debut of “The Butterfly Lovers”—a new full-length work inspired by a Chinese folktale that dates...

Performance

Hong Kong Ballet: “The Butterfly Lovers” by Hu Song Wei Ricky and Mai Jingwen

Place

David H. Koch Theater at Lincoln Center, New York, NY, August 22, 2025

Words

Rebecca Deczynski

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REVIEWS | Rebecca Deczynski

By the Sea

They begin to move without warning, slowly, as if awakened from some eons-long slumber. A mass of 18 dancers, all dressed in varying bright tones, moves just at the edge of the rising tide in front of a U-shaped crowd sitting against the dunes of Rockaway Beach.

INTERVIEWS | Eva S. Chou

Catching the Moment with Paul Kolnik

For nearly 50 years the legendary dance photographer, Paul Kolnik, helped create the visual identity of the New York City Ballet.

FIELD NOTES | Candice Thompson

Emergent Summer

Tushrik Fredericks walks as if in a trance, arms floating forward and pushing back with each step. Fog transforms the air into a tangible element.

REVIEWS | Steve Sucato

Wonderstruck

Houston Ballet is the fourth largest ballet company in the United States, but when it comes to the talent of its top dancers, they are the equal of any American company.

Paul Taylor, Past to Present

The height of summer has arrived to New York’s lush and idyllic Hudson Valley. Tonight, in addition to music credited on the official program, we are treated to a chorus...

Performance

Paul Taylor Dance Company: “Cascade,” “3 Epitaphs,” “Tablet” by Paul Taylor / “Vespers”by Ulysses Dove

Place

PS21 Center for Contemporary Performance, Chatham, New York, August 9, 2025

Words

Karen Hildebrand

REVIEWS | Lorna Irvine

Fever Dream Logic

Eschewing a conventional film narrative, Labyrinth of the Unseen World created in collaboration by French filmmaker Amelie Ravalec and Scots/Irish dance artist Paul Michael Henry, instead fuses visual poetry with dance performance, creating a hallucinatory, disturbing, yet beautiful dreamscape.

REVIEWS | Phoebe Roberts

The Enduring Appeal of Giselle

Why does “Giselle,” a ballet that premiered in 1841, still captivate audiences today? At first glance, the story feels outdated: a peasant girl, Giselle, is deceived by the nobleman Albrecht and dies of heartbreak.