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"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."

Peter Boal
Artistic Director, Pacific Northwest Ballet

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Liz Lerman’s Legacy
BOOKSHELF | Audrey Pettit

Liz Lerman’s Legacy

Sprinkled throughout Liz Lerman’s most recent book, Shape and Momentum, are references to witches. They are our companions and guides, and they come bearing spells and poetry culled from Lerman’s 10-year choreographic project, “Wicked Bodies.” 

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Solidarity

Solidarity

My first two shows at this year’s Dance Base as part of the Edinburgh Fringe show the consummate taste of artistic director Tony Mills. Two brilliant young companies from the...

Performance

“No File Attached” by Erain / “Trembling Frequencies” by Helena Wilhelmsson

Place

DanceBase, Edinburgh, Scotland, August 7,2026

Words

Lorna Irvine

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White Space
SCREEN DANCE | Sarah Elgart

White Space

When dance happens in non-traditional spaces, it can change the way it is seen and experienced. As Leonard Cohen said about the cracks in everything, “that’s where the light gets in.”

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Classical Style
REVIEWS | Kris Kosaka

Classical Style

“Ballet: the New Classic,” brainchild of fashion photographer Yumiko Inoue and K-Ballet Tokyo associate artist, Shohei Horiuchi, combines haute couture with innovative dance. Like sculpture in motion, it’s their third collaboration since creative director Inoue and producer and choreographer Horiuchi first realized their stylish vision in 2022.

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Writing a New Story
REVIEWS | Rebecca Deczynski

Writing a New Story

What should ballet look like? From the eight pieces that compose the first program of Misty Copeland’s curation for the Joyce Theater’s annual Ballet Festival, this much is clear: there’s no one single answer.  

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Venice, Old and New
REVIEWS | Valentina Bonelli

Venice, Old and New

Old and new generations intersect each other in the city of Venice. This is true for dance as well, which had the lagoon city as a picturesque backdrop this summer for the Biennale Danza, where poetry and intellectual excellence are still preserved in its artistic offerings, even under the siege of tourism.

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Transcending Limitations

Transcending Limitations

It starts with a tiny, barely noticed jerk of a hand or arm. Just one simple gesture, and then all hell breaks loose. TF Cia de Dança brings what has...

Performance

TF Cia de Dança: “Border Bodies”

Place

Dance Base, Edinburgh, Scotland, August 7, 2026

Words

Lorna Irvine

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A Call for Empathy
REVIEWS | Lorna Irvine

A Call for Empathy

Part of artistic director Tony Mills’ remit at Dance Base is to seek out wonderful dance artists from across the world. This year, two sets of performances from Detours Festival, Brussels have been specially selected by Mills to perform in Edinburgh.

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In the Flow with Vangeline
REVIEWS | Karen Greenspan

In the Flow with Vangeline

For the final event of Lincoln Center’s Summer for the City outdoor Dance Encounters series, Butoh artist Vangeline performed the newly commissioned work “Naiad Metal” in the Paul Milstein Reflecting Pool at Hearst Plaza.

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Dance and the Metropolis
BOOKSHELF | Candice Thompson

Dance and the Metropolis

Midway through the new book Nonstop Bodies: How Dance Shaped New York City, author Rennie McDougall pivots away from a chapter on the modernism of George Balanchine and the slum-clearing process of creating his “temple at Lincoln Center” to flesh out another diasporic music and dance culture emanating out of Harlem during a similar time in history: mambo.

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Lost Time

Lost Time

The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.

Performance

Molissa Fenley:State of Darkness” and “Bardo”

Place

Biennale Danza, Venice, Italy, July 31, 2026

Words

Elsa Giovanna Simonetti

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Vow of Stability
MEMOIR | Fleur Van Woerkom

Vow of Stability

I have seen Megan Fairchild dance three times. The first was semi-unintentional—soon after moving to New York in the fall of 2024, I got one of those $30 for 30+ Under tickets and sat in the orchestra level on stage right.

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Perfect Pairs
REVIEWS | Rebecca Deczynski

Perfect Pairs

For the sixth year now, the BAAND has gotten back together at Lincoln Center. That is, the BAAND Dance Festival, the annual Chanel-sponsored program that unites five New York City dance companies: Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem.

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A Timeless Celebration
REVIEWS | Sara Veale

A Timeless Celebration

With the exception of the central pas de deux from “Le Corsaire,” this bill, held to celebrate Marianela Nuñez’s remarkable 28-year run at the Royal Ballet, pulls solely from the twentieth century.

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Where Emergence Meets Urgency

Where Emergence Meets Urgency

The 2026 edition of the festival SpringForward unfolded in Guimarães, Portugal, the European Green Capital of the year, a city whose commitment to sustainability offered a fitting backdrop for a...

Performance

Aerowaves SpringForward Festival

Place

Guimarães, Portugal

Words

Greta Pieropan

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