The Walking Dance
The past week has been one of celebration at New York City Ballet. The company is marking seventy-five years of existence with a season devoted to the ballets of its founding choreographer, George Balanchine.
FREE ARTICLEWorld-class review of ballet and dance.
The past week has been one of celebration at New York City Ballet. The company is marking seventy-five years of existence with a season devoted to the ballets of its founding choreographer, George Balanchine.
FREE ARTICLEThe Guggenheim Museum’s beloved behind-the-scenes New York dance series, Works & Process, was founded in 1984 by philanthropist Mary Sharp Cronson.
Continue ReadingThe late Alvin Ailey famously set his sights on creating “the kind of dance that could be done for the man on the streets, the people.”
Continue ReadingFew dance companies would dare to put such disparate pieces together. But such is the audacious, experimental spirit of Scottish Ballet.
FREE ARTICLESeven dancers reflect on the early days of the School of American Ballet.
Continue ReadingBatsheva Dance Company, under the artistic direction of Ohad Naharin, who led the troupe from 1990 until 2019 (he’s currently House Choreographer), has been an incubator for dancemaking talent. While the names Danielle Agami, Sharon Eyal, and Hofesh Shechter may come to mind, add to that list Bobbi Jene Smith and Or Schraiber, who met while members of Batsheva, where they fell in love and subsequently married in 2018.
Continue ReadingThe choreographer Alexei Ratmansky reflects on the war in Ukraine, the connection between geopolitics and ballet, and joining the house of Balanchine.
Continue ReadingThe New York Public Library for the Performing Arts’ current exhibition is a dance epic. Full of tragedy and triumph spanning centuries and the globe, “Border Crossings: Exile and American Modern Dance 1900 – 1955” recenters the story of modern dance around historically marginalized artists often left out of the modern dance canon.
FREE ARTICLEAh, to be a mere dance writer reviewing a world premiere musical with Broadway aspirations! The sheer luxury of letting myriad small problems of dramaturgy and pacing roll right by as you wait in the midst of a pumped-up, dressed-to-the-nines, celebrity-studded audience for the next ensemble dance number that will bring the house down!
Continue ReadingFor novelists Eliza Knight, Barbara Quick, and Cathy Marie Buchanan, historical fiction became a window into these subtleties, allowing them to use both research and imagination to depict some of the dance world’s most iconic figures.
FREE ARTICLEThis year’s Edinburgh Festival Fringe recorded its fifth highest attendance in its history, a different reality from the ghostly years of the Covid-19 pandemic.
Continue ReadingWatching Matthew Bourne's reworked version of the “star-cross'd lovers,” I was briefly reminded of Veronica, played by Winona Ryder, in the dark 1988 comedy by Daniel Waters and Michael Lehmann, Heathers, and her line, “my teen angst bullshit has a body count.” Yes, this is the darker side of Bourne's repertoire,...
Continue ReadingThe choreographer Alexei Ratmansky reflects on the war in Ukraine, the connection between geopolitics and ballet, and joining the house of Balanchine.
Continue ReadingBeneath blue California skies, manicured trees, and the occasional hum of an overhead airplane, Tamara Rojo took the Frost Amphitheater stage at Stanford University to introduce herself as the new artistic director of San Francisco Ballet.
Continue ReadingAfter a week of the well-balanced meal that is “Jewels”—the nutritive, potentially tedious, leafy greens of “Emeralds,” the gamy, carnivorous “Rubies,” and the decadent, shiny white mountains of meringue in “Diamonds”—the New York City Ballet continued its 75th Anniversary All-Balanchine Fall Season with rather more dyspeptic fare.
Continue ReadingAn “Ajiaco” is a type of soup common to Colombia, Cuba, and Peru that combines a variety of different vegetables, spices, and meats.
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