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Dance Odyssey
INTERVIEWS | Victoria Looseleaf

Dance Odyssey

Ushering in the ninth season of Dance at the Odyssey, which takes place January 8–February 16 at the Odyssey Theatre Ensemble and features a number of cutting-edge choreographers and world premieres, curator, producer and festival co-founder Barbara Müller-Wittmann adores her job.

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Sweet Treats
REVIEWS | Kris Kosaka

Sweet Treats

Will Tuckett’s new production of the  “The Nutcracker” for the National Ballet of Japan serves up a holiday feast for the senses. Sweetly invigorating, it’s also a warm toddy for the soul. From start to finish, Tuckett’s “The Nutcracker” is truly a dream.

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Christmas Baddies
REVIEWS | Faye Arthurs

Christmas Baddies

Between New York City Ballet’s “George Balanchine’s The Nutcracker®” and “The Magic Flute” at the Metropolitan Opera, it’s hard to compete with the Upper West Side’s holiday kid offerings.

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Talent Time
REVIEWS | Rachel Howard

Talent Time

It’s “Nutcracker” season at San Francisco Ballet—36 performances packed into three weeks—which means that the company is currently serving two distinct audiences.

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‘Tis the Seasons
FEATURES | Merilyn Jackson

‘Tis the Seasons

Last week I caught up with choreographer Pam Tanowitz and Opera Philadelphia’s current general director and president, countertenor Anthony Roth Costanzo to talk about “The Seasons,” the company’s latest production premiering at the Kimmel Center’s 600-plus seat Perelman Theater on December 19.

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Icons of Paris
REVIEWS | Elsa Giovanna Simonetti

Icons of Paris

If Notre-Dame remains one of the enduring symbols of Paris, standing at the city’s heart in all its beauty, much of the credit belongs to Victor Hugo.

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