Beyond the Clouds
When the lights for “Opal Loop/Cloud Installation #72503” come up on four dancers silhouetted by refracted light of a billowing cloud of fog, the scene rivals halftime at the Superbowl.
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Earlier this summer I caught up with the choreographer Alexei Ratmansky. A few days later, he would begin his tenure as choreographer-in-residence at New York City Ballet, after thirteen years at American Ballet Theatre. It was clear that this is a time of reflection for him. For the last eighteen months, the country he grew up in, Ukraine, has been fighting off a full-scale invasion by its neighbor, Russia, at great human cost. (On August 18, the New York Times reported that the number of soldiers killed or injured in the conflict had reached 500,000.) Ratmansky’s parents and sister, and his wife Tatiana’s family, are still in Ukraine. And since last summer, he has been working closely with the United Ukrainian Ballet, a company of Ukrainian dancers-in-exile based in The Hague. He has become a strong advocate for Ukrainian culture. Much of Ratmansky’s early choreographic career took place in Russia, and Russian music has been a frequent source of inspiration. The war has led to a rupture from his own past. In a recent conversation, he reflected on how it has affected his way of thinking about ballet, music, and culture, as well as what it means to him to join New York City Ballet, the house that George Balanchine built, thirty years after he first dreamed of dancing in the company.
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When the lights for “Opal Loop/Cloud Installation #72503” come up on four dancers silhouetted by refracted light of a billowing cloud of fog, the scene rivals halftime at the Superbowl.
Continue ReadingOn a bright spring afternoon, as Paris basked in long-awaited sunlight and the city frantically moved in the heat, the Opéra Garnier opened a portal to another world—a realm of eternal forms, ethereal beauty, and blue distances: those trembling horizons where the sea dissolves into sky, and the eye reaches toward the infinite.
Continue ReadingWhat does it mean to devote your life to dance? Amy Sherman-Palladino and Daniel Palladino’s new streaming series, “Étoile,” which debuted April 24 on Prime Video, attempts to answer this question in a way that resonates with both dancers and general audiences. Not an easy task.
Continue ReadingJennifer Archibald’s choreography credits extend from ballet companies to commercial work, reflecting her signature ability to blend classical dance with hip hop.
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