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Song and Dance
REVIEWS | Victoria Looseleaf

Song and Dance

To paraphrase that great song from “A Chorus Line,” the Los Angeles-based BodyTraffic gave a concert that might best be summed up as, “Dancers 10, Choreographers, well, 3.”

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Running in Circles
REVIEWS | Victoria Looseleaf

Running in Circles

As Highways Performance Space continues its 35th anniversary celebration, executive director Leo Garcia and artistic director Patrick Kennelly presented two special programs, each honoring titans of the post-modern dance world

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Eye Candy
REVIEWS | Lorna Irvine

Eye Candy

’Tis the season, so it would be churlish to pick holes in Christopher Hampson's glorious confection, adapted from Peter Darrell's iconic work. 

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Piece by Piece

Piece by Piece

Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.

Performance

“Pieces” commissioned by Lucy Guerin Inc and University of Melbourne Arts and Culture

Place

Union Theatre, Arts & Cultural Building, The University of Melbourne, November 28, 2024

Words

Gracia Haby

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Moving Portraits
REVIEWS | Gracia Haby

Moving Portraits

Beneath a tree also over a century old is where I meet dancer and artist Eileen Kramer, and where the 60-minute loop will end. And it feels fitting, on the heels of her recent death on November 15, 2024, at 110-years-of-age, to start here, at effectively the end of Sue Healey’s screening of On View: Icons.

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Falling for Hubbard
REVIEWS | Roísín O'Brien

Falling for Hubbard

Hubbard Street Dance Chicago’s Fall Series will entertain you. Deftly curated, with choreographers ranging from Aszure Barton to Bob Fosse, Hubbard’s dancers ably morph through this riveting programme of showmanship.

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Lifted Spirits

Lifted Spirits

Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink. 

Performance

Paul Taylor Dance Company

Place

David H. Koch Theater, Lincoln Center, New York, NY, November 14 & 19, 2024

Words

Karen Hildebrand

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Dream Come True
REVIEWS | Victoria Looseleaf

Dream Come True

Talk about Gesamtkunstwerk! Jawole Willa Jo Zollar’s “SCAT!...The Complex Lives of Al & Dot, Dot & Al Zollar,” is just that—a total work of art: operatic in scale, replete with stellar musicians and singers, and the glorious dancers of Urban Bush Women, the troupe that Zollar founded in 1984, is also storytelling at its best. 

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The Tragedy of Hamlet
REVIEWS | Róisín O'Brien

The Tragedy of Hamlet

Of all of Shakespeare’s plays, “Hamlet” might seem the hardest to adapt into dance. Its long soliloquies and a titular character stymied by indecision do not immediately scream movement potential.

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Coming into the Light

Coming into the Light

Loïe Fuller, groundbreaking artist, dancer and theatrical maverick, is finally getting her due in the feature-length documentary, Obsessed with Light. Opening at New York’s Quad Cinema on December 6, the film,...

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An Evening with Omar
REVIEWS | Karen Hildebrand

An Evening with Omar

A duet featuring the choreographer himself was an unexpected treat when Boca Tuya, founded in 2018 by Omar Román de Jesús, took the stage at 92NY last week. De Jesús is a scintillating model for the liquid, undulating movement style that flows through all three works of the evening.

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Dance Critics' Festival
Event | By Penelope Ford

Dance Critics' Festival

Designed to look at the process and art of writing dance criticism, this one-day event will feature panel discussions with Fjord Review writers, audience Q&A sessions, a conversation with a special guest choreographer, and networking reception. 

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Dreaming with Jawole Willa Jo Zollar
INTERVIEWS | Victoria Looseleaf

Dreaming with Jawole Willa Jo Zollar

Creating Urban Bush Women forty years ago—after having had a dream about her parents—Jawole Willa Jo Zollar may have stepped down as artistic director from the women-centered group dedicated to telling stories of the African diaspora through traditional and modern Africanist dance forms, but she’s busier than ever.

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Balanchine's America
REVIEWS | Rachel Howard

Balanchine's America

George Balanchine loved American culture because he loved America. He had lived through tyranny and chaos as a boy in the Russian Revolution, and though his displays of affection for his adopted homeland could border on silly (like the Western bolo ties he favored as fashion statements), he never took for granted the possibilities he found here, never stopped extolling America’s freshness and energy.

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A Tale of Two Cities United by Dance

A Tale of Two Cities United by Dance

Philadelphia witnessed two Gala celebrations of dance and performance on opposite sides of town in October. It seemed like a tale of two cities. One in the center where much...

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