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Dream Come True
REVIEWS | Victoria Looseleaf

Dream Come True

Talk about Gesamtkunstwerk! Jawole Willa Jo Zollar’s “SCAT!...The Complex Lives of Al & Dot, Dot & Al Zollar,” is just that—a total work of art: operatic in scale, replete with stellar musicians and singers, and the glorious dancers of Urban Bush Women, the troupe that Zollar founded in 1984, is also storytelling at its best. 

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The Tragedy of Hamlet
REVIEWS | Róisín O'Brien

The Tragedy of Hamlet

Of all of Shakespeare’s plays, “Hamlet” might seem the hardest to adapt into dance. Its long soliloquies and a titular character stymied by indecision do not immediately scream movement potential.

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An Evening with Omar
REVIEWS | Karen Hildebrand

An Evening with Omar

A duet featuring the choreographer himself was an unexpected treat when Boca Tuya, founded in 2018 by Omar Román de Jesús, took the stage at 92NY last week. De Jesús is a scintillating model for the liquid, undulating movement style that flows through all three works of the evening.

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Balanchine's America
REVIEWS | Rachel Howard

Balanchine's America

George Balanchine loved American culture because he loved America. He had lived through tyranny and chaos as a boy in the Russian Revolution, and though his displays of affection for his adopted homeland could border on silly (like the Western bolo ties he favored as fashion statements), he never took for granted the possibilities he found here, never stopped extolling America’s freshness and energy.

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Human Movement
REVIEWS | Candice Thompson

Human Movement

Midway through “Frontera,” the dancers of Animals of Distinction, a multimedia dance company based out of Montreal, press their bodies into each other to form a line at the bottom of a large rectangle of blue light.

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A Liberated Congress
REVIEWS | Victoria Looseleaf

A Liberated Congress

“Hey, kids, let’s put on a show!” said Mickey Rooney to Judy Garland in the definitive Depression-era musical film, Babes in Arms, lo those many years ago. Well, if Denna Thomsen and Zak Ryan Schlegel had been around back then, what a show they would have mounted! 

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The Body as Archive
REVIEWS | Candice Thompson

The Body as Archive

All too often it seems the human memory is too short. History is easily forgotten and, in a week where Americans are still processing the results of the presidential election, it is hard not to feel like we are doomed to repeat ourselves. 

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Dance not Tell
REVIEWS | Faye Arthurs

Dance not Tell

Eyeballs, screaming crones, and bloody axes were projected on a scrim at the top of American Ballet Theater’s new production of “Crime and Punishment.” Not bad for Halloween programming! Yet, despite Isobel Waller-Bridge’s cinematic, pressure-cooker score—which frequently evoked escape room music—there was very little suspense in Helen Pickett and James Bonas’s new narrative full-length.

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New World Record
REVIEWS | Gracia Haby

New World Record

Records are for keeping. A record of the past in permanent form, an account. An official report. The sum of past achievements. The best, most remarkable event of its kind, a world record, no less. 

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