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Saints and Sinners
REVIEWS | Karen Hildebrand

Saints and Sinners

In Jo Warren’s “All Mouth,” five dancers perform what could be an action scene from a movie with the playback speed slowed down and sound turned off. The expressions on their faces are exaggerated, their eyes eloquent. One shields her face from an attacker; another holds her throat with one hand while reaching out with the other in an imploring gesture; one throws back their head to laugh, mouth opened wide; hands squeeze into fists and punch the air, or cup around the mouth to whisper into another’s ear—all conducted in delicious, thick-as-molasses slow motion.

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Weaving the Story
REVIEWS | Cecilia Whalen

Weaving the Story

The Pioneers Go East Collective's Out Front! Festival highlights “radical queer art + dance,” making it a perfect resident festival for the historic Judson Memorial Church. At Judson—the art, social justice, and spiritual venue where Judson Dance Theater and numerous other artists got their start—“radical queer” artists and thinkers are not only celebrated but canonized: stained glass portraits of James Baldwin, bell hooks, Bayard Rustin, and others don the church's walls, each one labeled “saint.”

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Multifaceted Marie
REVIEWS | Sophie Bress

Multifaceted Marie

Marie Antoinette is not an entirely sympathetic character. Her penchant for luxury and extravagance—and the degree to which she was out of touch with the lives of the majority— made her a symbol of the wealth disparity that prompted the French Revolution.

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Cosmic Echo
REVIEWS | Faye Arthurs

Cosmic Echo

“Birth + Carnage” is a fantastic title. The premise behind this show, which premiered at LaMama Experimental Theater Club at the end of December, was exciting too.

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A Spectacular Ride
REVIEWS | Sara Veale

A Spectacular Ride

In 2017, David Bintley—Birmingham Royal Ballet’s then-director—adapted Sir Peter Wright’s much-loved 1990 production of “The Nutcracker” for London’s Royal Albert Hall.

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Sweet Treats
REVIEWS | Kris Kosaka

Sweet Treats

Will Tuckett’s new production of the  “The Nutcracker” for the National Ballet of Japan serves up a holiday feast for the senses. Sweetly invigorating, it’s also a warm toddy for the soul. From start to finish, Tuckett’s “The Nutcracker” is truly a dream.

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Christmas Baddies
REVIEWS | Faye Arthurs

Christmas Baddies

Between New York City Ballet’s “George Balanchine’s The Nutcracker®” and “The Magic Flute” at the Metropolitan Opera, it’s hard to compete with the Upper West Side’s holiday kid offerings.

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