World-class review of ballet and dance.
Description
Subscribe to receive unlimited digital access across your devices.
What’s in my subscription?
A Digital subscription gives you unlimited access to all our online content across multiple devices. A Print + Digital subscription allows you unlimited access to online content, plus two print magazines annually.
When will I receive my magazines?
We publish two magazines per year, spring and fall editions. Subscribers are the first to receive their magazines, before single copies go on sale.
Returns
Returns are not offered on subscriptions, or on single copy sales.
What if I don’t receive my magazine?
Magazines are sent media mail or by regular mail and are not tracked unless selected in shipping. Please ensure that you have given us the correct address when you subscribe, or purchase the magazine. Please allow two weeks before contacting us regarding missing magazines.
Where do you ship?
We ship internationally, and regular postage is included for Print + Digital subscriptions only.
"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."
Peter Boal
Artistic Director, Pacific Northwest Ballet
After a quiet August, the New York City dance calendar fills up almost impossibly quickly, with one particular program generating ample, and justified, hype. With its first program, New York City Center’s Fall for Dance Festival kick-starts the season with a jolt of energy.
Continue Reading
“Blue is the colour of the open sky, of water, freedom and depths we cannot fathom.” This is the mission statement for tonight’s bill from National Dance Company Wales, the first curated programme from new artistic director Bakani Pick-Up.
Continue Reading
Anne Teresa De Keersmaeker hit the Théâtre de Chaillot like a bomb, as “Rosas danst Rosas” took over the theatre for a sold-out run this September, bringing with it the irreverence of the Belgian avant-garde of the 1980s.
Continue Reading
When London’s Dance Umbrella festival launched in 1978, its future was uncertain. Would festival-goers and funders love or loathe the radical contemporary dance it presented?
Continue Reading
Dance has always captivated me, but it very rarely grips me in the same way as the other things I like to watch—horror movies and cult documentaries—do.
Performance
Place
Words
With a soundtrack of crashing ocean waves, the opening 30 seconds of the stunning dance short Heartache codirected by Iker Karrera and Alberto D. Centeno delivers a series of singular and seemingly random yet intriguing images that lure the viewer in: A shirtless man, unsteady on his feet, flailing as he attempts to make his way up the staircase of an old building. A pair of legs seated on a bench—their owner hidden by the camera angle. An upstairs POV looking down on a huge, mysteriously beautiful, and darkened room empty of any furnishings, with old and muted walls of peeling...
Continue Reading
BalletMet has joined the ranks of ballet companies who have added a choreographic competition to their season.
Continue Reading
What form might radical compassion take? If you tease apart an acronym for cultivating mindfulness, and allow a herd of horses to gallop through the middle, what might arise?
Continue Reading
There’s not a whole lot that’s new in this programme of new works from Alvin Ailey, which I mean in the best way possible.
Continue Reading
So often, dancers are treated as vessels for a choreographer’s vision. Movements are imprinted on their bodies and they must, to the best of their abilities, convince the audience that...
Performance
Place
Words
There’s hot, and then there’s blistering, as was evidenced when “Flamenco! María Bermúdez Convivencias,” was presented to the nearly sold-out crowd at the Ford on Saturday night.
Continue Reading
Like Eve with the apple, the story of Pandora’s box hinges on a clear divide—the ideal before and the sullied after.
Continue Reading
It hasn’t taken Ingrid Silva long to establish herself as an exciting emerging choreographic talent.
Continue Reading
Founded in 2012, the Malpaso Dance Company of Cuba has toured internationally to great acclaim, with its unique mission of showcasing the best of international contemporary dance repertory while nurturing new Cuban choreographic voices.
Continue Reading
In the first half of tonight’s double bill by Scottish Ballet, Chinese percussionist Beibei Wang whacks her drums with such force, she breaks her drumstick.
Performance
Place
Words
Who doesn’t love a little Gershwin on a hot, humid night in the Cahuenga Pass, i.e., the Hollywood Bowl?
Continue Reading
This winter, the UK premiere of “Cinderella” is being brought to vivid life in a new production by Northern Ballet.
Continue Reading
Honoring three choreographic greats of the twentieth century, the triple bill for K-Ballet Tokyo’s 2026 Selections hit only the high notes.
Continue Reading
The National Ballet of Japan hosted their annual Ballet Asteras recently, inviting Japanese dancers from around the globe for a special gala of dance. As usual, it also provided an opportunity to preview a wide range of choreography.
Continue Reading
When Suki Schorer—since 1998, the occupant of the School of American Ballet (SAB)’s Brown Foundation Senior Faculty Chair—approaches the barre to show a movement detail to a student, or strides...
Continue Reading
