Folk Tales from Abroad
Two productions in one, “World Tales in Dance,” was a charming, crowd-pleasing afternoon of dance theatre.
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World-class review of ballet and dance.
Discover insightful conversations with prominent figures in the dance world, essays on ballet history and performances, reviews of leading ballet companies, and stunning dance photography in our latest issue.
184 pages. 7.25″ x 10″Description
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"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."
Peter Boal
Artistic Director, Pacific Northwest Ballet
Two productions in one, “World Tales in Dance,” was a charming, crowd-pleasing afternoon of dance theatre.
Continue ReadingIn Jo Warren’s “All Mouth,” five dancers perform what could be an action scene from a movie with the playback speed slowed down and sound turned off.
Continue ReadingThe Pioneers Go East Collective's Out-Front! Festival highlights “radical queer art + dance,” making it a perfect resident festival for the historic Judson Memorial Church.
Continue ReadingDominica Greene makes snow angels in a small pool of light. As the audience chatter at Danspace Project quiets down, she revs to life. Rocking and talking about a rickety fan found in her grandparents’ house in Guyana, her shakes and shudders illustrate the pleasure her body derives from the appliance’s particular rhythm.
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“Profanations,” created by choreographer Faustin Linyekula and music artist Franck Moka, is not a “just” dance piece: it’s a live concert, a cinematic séance.
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When Alban Lendorf was four, he became attentive to the piano. When his lessons advanced to the learning of a Chopin waltz, his piano teacher suggested he take dance classes to help open up the music.
Continue ReadingMarie Antoinette is not an entirely sympathetic character. Her penchant for luxury and extravagance—and the degree to which she was out of touch with the lives of the majority— made her a symbol of the wealth disparity that prompted the French Revolution.
Continue ReadingAscending the Guggenheim Museum's rings through Rashid Johnson's retrospective, “A Poem for Deep Thinkers,” is a dance in of itself.
Continue ReadingA lone musician stands at the corner of the darkened stage. His shakuhachi (bamboo flute) echoes, melancholy, as the sound of an ominous wind rises.
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“Birth + Carnage” is a fantastic title. The premise behind this show, which premiered at LaMama Experimental Theater Club at the end of December, was exciting too.
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In 2017, David Bintley—Birmingham Royal Ballet’s then-director—adapted Sir Peter Wright’s much-loved 1990 production of “The Nutcracker” for London’s Royal Albert Hall.
Continue ReadingThis program of three works by William Forsythe set to the music of James Blake has special meaning for La Scala Ballet.
FREE ARTICLEUshering in the ninth season of Dance at the Odyssey, which takes place January 8–February 16 at the Odyssey Theatre Ensemble and features a number of cutting-edge choreographers and world premieres, curator, producer and festival co-founder Barbara Müller-Wittmann adores her job.
Continue ReadingAround this time of year, we can all use a little cheer. The early darkness, the cold, the state of the world alone can send one into a spiral.
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Will Tuckett’s new production of the “The Nutcracker” for the National Ballet of Japan serves up a holiday feast for the senses. Sweetly invigorating, it’s also a warm toddy for...
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Between New York City Ballet’s “George Balanchine’s The Nutcracker®” and “The Magic Flute” at the Metropolitan Opera, it’s hard to compete with the Upper West Side’s holiday kid offerings.
Continue ReadingThe Sun King not only invented ballet in its modern form but in 1713 also founded the oldest ballet academy in the world.
Continue ReadingThe Choreographic Platform Austria (CPA) held in Salzburg from 20–22 November 2025, has become a biennial focal point for contemporary dance in Austria.
Continue ReadingIt’s “Nutcracker” season at San Francisco Ballet—36 performances packed into three weeks—which means that the company is currently serving two distinct audiences.
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Last week I caught up with choreographer Pam Tanowitz and Opera Philadelphia’s current general director and president, countertenor Anthony Roth Costanzo to talk about “The Seasons,” the company’s latest production...
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