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"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."

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Artistic Director, Pacific Northwest Ballet

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Fjord Review #7

Fjord Review #7

Discover insightful conversations with prominent figures in the dance world, essays on ballet history and performances, reviews of leading ballet companies, and stunning dance photography in our latest issue.

184 pages. 7.25″ x 10″

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all articles

Beauty and Bravura under the Stars
REVIEWS | Victoria Looseleaf

Beauty and Bravura under the Stars

It was a picture-perfect evening at the Hollywood Bowl for music and dance under the stars. The last concert of the Los Angeles Philharmonic’s classical series, it was to have featured conductor and former Dudamel Fellow, Jonathan Heyward, but the Franco-British maestra, Stephanie Childress, led the ensemble instead.

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Beyond the Music
REVIEWS | Robert Steven Mack

Beyond the Music

The life of Pyotr Ilyich Tchaikovsky does not lack melodramatic potential. The composer of ballet classics such as “Swan Lake,” “Sleeping Beauty” and “The Nutcracker” was celebrated by Imperial Russia for his compositions yet simultaneously forced to hide his homosexuality.

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Squaring the Circle

Squaring the Circle

I’m not weathering well. Are you? Individually and globally, it seems to me the last five years left many of us in a vague sort of freefall, in a theatrum...

Performance

Faye Driscoll: “The Weathering”

Place

The Philadelphia Fringe Festival, Philadelphia, PA, September 4, 2025

Words

Merilyn Jackson

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240 pages. 7.25″ x 10″

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In the Style of Camille A. Brown
INTERVIEWS | Victoria Looseleaf

In the Style of Camille A. Brown

She’s one of the hottest and most prolific Black female directors and choreographers working today. Tapping into both ancestral and contemporary stories that capture a range of not only deeply personal experiences but also embody cultural narratives of African American identity, she is Camille A. Brown.

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Under the Milky Way

Under the Milky Way

Look up at the night sky, and the stars can tell you when to seed, harvest, and fish. The overhead knowledge system heralds seasonal change, and allows you to read...

Performance

Bangarra Dance Theatre: “Illume” by Frances Rings

Place

Playhouse, Arts Centre Melbourne, Australia, September 4, 2025

Words

Gracia Haby

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Opportunity Cost
REVIEWS | Victoria Looseleaf

Opportunity Cost

After a decade spent in Los Angeles, Danielle Agami, who founded Ate9 in Seattle in 2012, abruptly decamped for Europe in 2023, leaving somewhat of a gap in the local dance community.

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No Time for a Tango
REVIEWS | Karen Hildebrand

No Time for a Tango

Two men enter the stage and hang suit jackets on the backs of chairs. They begin with a short movement phrase in staccato unison—an elbow juts over the shoulder as if an arrow sticking out of a quiver, then an arm slices cross-body like a sword.

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Freedom to Fly

Freedom to Fly

In the canon of classical ballet, star-crossed love is an integral theme. With its US debut of “The Butterfly Lovers”—a new full-length work inspired by a Chinese folktale that dates...

Performance

Hong Kong Ballet: “The Butterfly Lovers” by Hu Song Wei Ricky and Mai Jingwen

Place

David H. Koch Theater at Lincoln Center, New York, NY, August 22, 2025

Words

Rebecca Deczynski

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By the Sea
REVIEWS | Rebecca Deczynski

By the Sea

They begin to move without warning, slowly, as if awakened from some eons-long slumber. A mass of 18 dancers, all dressed in varying bright tones, moves just at the edge of the rising tide in front of a U-shaped crowd sitting against the dunes of Rockaway Beach.

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Wonderstruck
REVIEWS | Steve Sucato

Wonderstruck

Houston Ballet is the fourth largest ballet company in the United States, but when it comes to the talent of its top dancers, they are the equal of any American company.

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Paul Taylor, Past to Present

Paul Taylor, Past to Present

The height of summer has arrived to New York’s lush and idyllic Hudson Valley. Tonight, in addition to music credited on the official program, we are treated to a chorus...

Performance

Paul Taylor Dance Company: “Cascade,” “3 Epitaphs,” “Tablet” by Paul Taylor / “Vespers”by Ulysses Dove

Place

PS21 Center for Contemporary Performance, Chatham, New York, August 9, 2025

Words

Karen Hildebrand

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