Serata Forsythe
This program of three works by William Forsythe set to the music of James Blake has special meaning for La Scala Ballet.
Continue Reading
subscriptions
"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."
Peter Boal
Artistic Director, Pacific Northwest Ballet
GET IT IN PRINT | CURRENT ISSUE
Ships Immediately:
Fjord Review #7
Discover insightful conversations with prominent figures in the dance world, essays on ballet history and performances, reviews of leading ballet companies, and stunning dance photography in our latest issue.
184 pages. 7.25″ x 10″Description
Subscribe to receive unlimited digital access across your devices.
What’s in my subscription?
A Digital subscription gives you unlimited access to all our online content across multiple devices. A Print + Digital subscription allows you unlimited access to online content, plus two print magazines annually.
When will I receive my magazines?
We publish two magazines per year, spring and fall editions. Subscribers are the first to receive their magazines, before single copies go on sale.
Returns
Returns are not offered on subscriptions, or on single copy sales.
What if I don’t receive my magazine?
Magazines are sent media mail or by regular mail and are not tracked unless selected in shipping. Please ensure that you have given us the correct address when you subscribe, or purchase the magazine. Please allow two weeks before contacting us regarding missing magazines.
Where do you ship?
We ship internationally, and regular postage is included for Print + Digital subscriptions only.
all articles
Dance Odyssey
Ushering in the ninth season of Dance at the Odyssey, which takes place January 8–February 16 at the Odyssey Theatre Ensemble and features a number of cutting-edge choreographers and world premieres, curator, producer and festival co-founder Barbara Müller-Wittmann adores her job.
Continue Reading
Hair's the Thing
Around this time of year, we can all use a little cheer. The early darkness, the cold, the state of the world alone can send one into a spiral.
Continue Reading
Sweet Treats
Will Tuckett’s new production of the “The Nutcracker” for the National Ballet of Japan serves up a holiday feast for the senses. Sweetly invigorating, it’s also a warm toddy for the soul. From start to finish, Tuckett’s “The Nutcracker” is truly a dream.
Continue ReadingChristmas Baddies
Between New York City Ballet’s “George Balanchine’s The Nutcracker®” and “The Magic Flute” at the Metropolitan Opera, it’s hard to compete with the Upper West Side’s holiday kid offerings.
Performance
Place
Words
Strong Foundations
The Sun King not only invented ballet in its modern form but in 1713 also founded the oldest ballet academy in the world.
Continue Reading
A Landscape in Motion
The Choreographic Platform Austria (CPA) held in Salzburg from 20–22 November 2025, has become a biennial focal point for contemporary dance in Austria.
Continue Reading
Talent Time
It’s “Nutcracker” season at San Francisco Ballet—36 performances packed into three weeks—which means that the company is currently serving two distinct audiences.
Continue Reading
‘Tis the Seasons
Last week I caught up with choreographer Pam Tanowitz and Opera Philadelphia’s current general director and president, countertenor Anthony Roth Costanzo to talk about “The Seasons,” the company’s latest production premiering at the Kimmel Center’s 600-plus seat Perelman Theater on December 19.
Continue ReadingIcons of Paris
If Notre-Dame remains one of the enduring symbols of Paris, standing at the city’s heart in all its beauty, much of the credit belongs to Victor Hugo.
Performance
Place
Words
Reach for the Stars
When dancer and choreographer Marla Phelan was a kid, she wanted to be an astronaut. “I always loved science and astronomy,” Phelan said.
Continue Reading
Float like a Butterfly
Sans tutu or pointe shoes, New York Ballet principal Sara Mearns delivered a knock-out punch in her 20-minute solo, “Zebra.”
Continue Reading
Mishima’s Muse
Japan Society’s Yukio Mishima centennial series culminated with “Mishima’s Muse – Noh Theater,” which was actually three programs of traditional noh works that Japanese author Yukio Mishima adapted into modern plays.
Continue Reading
Critics' Picks 2025
Throughout the year, our critics attend hundreds of dance performances, whether onsite, outdoors, or on the proscenium stage, around the world.
Continue ReadingTake Me to Church
On December 11th, the Alvin Ailey American Dance Theater presented two premieres and two dances that had premiered just a week prior.
Performance
Place
Words
In Contrasting Light
The “Contrastes” evening is one of the Paris Opéra Ballet’s increasingly frequent ventures into non-classical choreographic territory.
Continue Reading
Robot Love
I’m in the audience of the Pit to watch Kaori Ito’s solo performance, “Robot, l'amour éternel.” It’s in the blackbox performing space at the New National Theatre Tokyo, intimate and close. The stage is an open, raised platform, gauzy white fabric covering the floor.
Continue Reading
On the Right Track
Architects often use scale, along with other design principles such as light, rhythm, and form, to subtly guide a person's eye and body through a space—to take the gaze at street level to the highest point of a building, or to the horizon and beyond.
Continue Reading
Everything Is Romantic
An enchanted forest, a love gone wrong, and a swarm of women in long white tutus—when a formula works, it really works. Such is the case of “La Sylphide,” the nearly 200-year-old Romantic ballet which first premiered in 1832.
Continue ReadingIn the Land of Loki
In 1954, George Balanchine created a “Nutcracker” that was based on the classical Mariinsky production he danced in his childhood, utilizing the neoclassical style he honed in NYC. His version...
Performance
Place
Words