United
The inaugural Unite Ballet Festival, directed by Calvin Royal III, took place at the Joyce Theater from August 13-18, 2024.
FREE ARTICLEWorld-class review of ballet and dance.
"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."
Peter Boal
Artistic Director, Pacific Northwest Ballet
Discover insightful conversations with prominent figures in the dance world, essays on ballet history and performances, reviews of leading ballet companies, and stunning dance photography in our latest issue.
184 pages. 7.25″ x 10″Description
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The inaugural Unite Ballet Festival, directed by Calvin Royal III, took place at the Joyce Theater from August 13-18, 2024.
FREE ARTICLEBefore digital audio, compact discs, cassette tapes with their ribbons of sound sandwiched within a small case, and pressed vinyl records, came wax cylinders to record and reproduce sound, thanks to Thomas Edison’s 1877 invention of the hand-cranked phonograph.
Continue ReadingFar from Southern Spain, but in the heart of Hollywood, that once monthly dance staple, “Forever Flamenco,” was alive and well again at the Fountain Theatre, if only for the month of August.
Continue ReadingSince 1980, the Australian Ballet's National Tour (or really, the Dancers' Company as everyone calls it), is a much anticipated event for the graduating students of the Australian Ballet School.
Continue ReadingOn a mid-summer evening, along the banks of the Hudson River in Lower Manhattan, a colorful band of performers costumed in orange and blue merged with the sunset and the...
Continue ReadingEvery year at the Edinburgh Festival Fringe, I look forward to the Taiwan Season. A curated selection of shows within the organised chaos of the festival, the quality of the dancing is always exemplary. I caught two out of the four shows of this season’s offering.
FREE ARTICLEHow often have you sat in a dance piece that felt too long? Lewis Major’s “Triptych” successfully rises to the challenge of creating an evening of dance, without overstretching an idea into boredom.
Continue ReadingDance aficionados are on high alert any time there’s a new Bill T. Jones work. That the artistic director/co-founder and choreographer of the Bill T. Jones/Arnie Zane Company did not make dances for “The Motherboard Suite,” but directed it, still made for a solid evening of dance drama.
Continue ReadingOnce a year New York City dance lovers and Brooklyn beach-goers converge in the Venn diagram of performance art and natural splendor that is Beach Sessions Dance Series.
Continue ReadingThe temperature rose again on Thursday at the Hollywood Bowl, Los Angeles’ celebrated outdoor venue, when Spanish-American conductor François López-Ferrer brought the heat to the Los Angeles Philharmonic in a program...
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“Life is a thief,” pouts Alan Greig, emerging in the studio space clad in black vest, full skirt and voluminous trousers. Impish and imperious, he becomes Tennessee Williams in waspish mode even as he lies dying, or perhaps he's Blanche Dubois, looking to fill the void.
Continue ReadingThis provocative double bill showcases contrasting approaches to the body, and perceptions of how and why they take up and transform the space. It's also a meditation on art as an act of resistance, a form of political liberation.
Continue ReadingDuring her 15 years dancing with American Ballet Theatre, Melanie Hamrick always brought a book to rehearsal. “Sometimes if it wasn’t my cast—and because I’d done “Swan Lake” so many times—I’d try to sneak a book in my lap,” she remembers.
Continue ReadingThe Pilobolus troupe took over the Joyce Theater for three weeks this August with a rotating pair of programs: one was called “Dreams,” the other, “Memory.” Both titles were good catchalls for the company’s signature brand of surrealist, muscular theatricality.
Continue ReadingA unique cooperation by New York City’s five largest dance companies, BAAND Together Dance Festival was conceived as an effort to restart live dance performance after the pandemic.
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Bookending my first day at the Edinburgh Festival are two very different but beautiful performances at the wonderful Dance Base venue in the Grassmarket, Matthew Hawkins’s “Ready” and Christine Thynne and Robbie Synge’s “These Mechanisms.”
FREE ARTICLEBharatanatyam soloist, Christopher Gurusamy, describes his practice as purely based on his traditional dance training, Bharatanatyam, an Indian classical dance that originated in the Hindu temples of Tamil Nadu in southern India.
Continue ReadingOn a sultry day like this, it might be easy to imagine we’re somewhere in the south, rather than the urban confines of Hearst Plaza, where a small group has gathered, curious about a free event. We’re not quite sure where to sit.
Continue ReadingOne night, three premieres, and a mixture of tradition and originality. Queensland Ballet’s “Bespoke” presented new works that playfully experimented with the classical technique in a contemporary setting.
Continue ReadingWhen viewing a work by Pam Tanowitz, it pays to look closely. Beyond the precision and fleet feet of her Cunningham-trained dancers, there is often another layer to discover. She...
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