Phoenix Rising
The traditional striped kabuki curtain of black, persimmon and green hangs tattered and faded. It’s our first hint of destruction.
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World-class review of ballet and dance.
Mesmerizing to watch? Or commentary on life versus machine? The program performed by Lyon Opera Ballet at New York’s City Center is both. Merce Cunningham’s “Biped” (1999) features a double cast—one of human dancers, and another of computer generated figures. In “Mycelium” (2023), Christos Papadopoulos animates a regenerative root-like network of fungi as a meditation on symbiosis. Born 63 years apart, the two choreographers represent different eras, countries of origin, and movement styles. And yet these two works, presented as part of the Dance Reflections Festival by Van Cleef & Arpels, share much common ground.
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The traditional striped kabuki curtain of black, persimmon and green hangs tattered and faded. It’s our first hint of destruction.
Continue ReadingOn the final weekend of August, Kaatsbaan Cultural Park presented Anna Sperber’s Bessie award-winning dance “Bow Echo” during the opening day of its 2026 Annual Festival.
Continue ReadingThere is site-specific dance—think Trisha Brown’s 1970 groundbreaking work, “Man Walking Down the Side of a Building”—and then there’s Sarah Gordon Butler’s “Hay Rake Ballet.”
Continue ReadingThis summer, hidden within the red brick warehouses and graffitied construction panels of industrial East Williamsburg, Brooklyn lay a secret garden.
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