Lost Time
The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.
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World-class review of ballet and dance.
Lights go up on three dancers who sit side by side on the floor in a far corner of the stage, legs outstretched, soles of their bare feet delightfully exposed. Siblings posing for a photo in the backyard? It’s a brief look, like a flashback. The stage goes black, and once the music starts (Mendelssohn’s “Songs Without Words”), the three make their official entrances for “Trio” by Peter Stathas, first performed in 1985 by Stathas himself, along with Gerri Houlihan and Susan Rose. The dancers race about, holding hands as they wind around one another, making a series of human knots.
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The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.
Continue ReadingI have seen Megan Fairchild dance three times. The first was semi-unintentional—soon after moving to New York in the fall of 2024, I got one of those $30 for 30+ Under tickets and sat in the orchestra level on stage right.
Continue ReadingFor the sixth year now, the BAAND has gotten back together at Lincoln Center. That is, the BAAND Dance Festival, the annual Chanel-sponsored program that unites five New York City dance companies: Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem.
Continue ReadingThere’s just something about the outdoor dance performances that summer brings. Movements take on additional urgency when rain threatens.
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