All – Mots clés "INTERVIEWS" – Page 14 – Fjord Review

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Paris Match: Lucy Elliott

INTERVIEWS | Par Penelope Ford

Paris Match: Lucy Elliott

Born in St. Tropez, Lucy Elliott grew up in the south of France where she started dance classes at four years of age. By age 7, she knew wanted to dance professionally. She trained in Cannes, Paris Opera Ballet School, and Canada’s National Ballet School. Last September she went the European Ballet School in Amsterdam, before joining the Paris Opera Ballet in January of this year, and before the lockdown, she was preparing to dance in George Balanchine’s iconic ballet, “Serenade.”

Finding Her Voice: Hannah Galway

INTERVIEWS | Par Penelope Ford

Finding Her Voice: Hannah Galway

Hannah Galway grew up in Comox, Vancouver Island and has been dancing since she was four. She graduated from Canada’s National Ballet School and joined the National Ballet of Canada’s apprentice program in 2017. Hannah now dances in the corps de ballet with the National Ballet of Canada, and recently originated a lead role in Crystal Pite’s new ballet, “Angels’ Atlas.”

Ocean Deep: Godwin Merano

INTERVIEWS | Par Penelope Ford

Ocean Deep: Godwin Merano

Inspired by a video of Mikhail Baryshnikov, Godwin Merano started his professional ballet training at Canada’s National Ballet School aged 12. Godwin joined Ballet Manila after graduation and has also performed with the Canadian Opera Company in “Rusalka.”

Rebel Rebel

INTERVIEWS | Par Lorna Irvine

Rebel Rebel

Based in London's South Bank, Rambert is one of the world's most celebrated dance companies, creating extraordinary work which finds the sweet spot between iconoclastic and classic. Edinburgh dancer Daniel Davidson joined Rambert in 2013, having previously performed with Scottish Ballet. More recently, Davidson has emerged as a brilliant choreographer in his own right. On stage he is a mesmerising dancer, and with his elegant and statuesque presence, he has a rock star energy, seeming at times to emulate the glamour, rebellion and poise of a young David Bowie. I caught up with Davidson during a break from making creative...

Errol White Davina Givan Worn

INTERVIEWS | Par Róisín O'Brien

Working Relationship

I am in a dance studio I have danced in for nearly 12 years. I am watching Errol White and Davina Givan show an excerpt from their upcoming work, “Worn.” The studio lights are up. Errol and Davina are wearing their practice clothes, recognisable from the classes they teach. A married couple, they perform an intense duet born from a close embrace that morphs into weaving, fiercely connected patterns.

Viviana Durante

INTERVIEWS | Par Sara Veale

She Dared to be Seen

“Isadora was all about becoming yourself as you dance, really putting yourself into it. She never restricted herself, quite the opposite. I wish I'd met her!”

Karole Armitage

INTERVIEWS | Par Faye Arthurs

Breaking Barriers: Karole Armitage

On a recent fall afternoon, the choreographer Karole Armitage was rehearsing her troupe at the Mana Contemporary cultural center in Jersey City, where she is an artist in residence. One wall of the studio is made of glass, so that everyone strolling through the galleries or stopping for a bite at the café can pause to watch Armitage and her dancers at work. It seems utterly natural for her art to be on display alongside John Chamberlain’s scrap-metal sculptures and Dan Flavin’s fluorescent light installations—even though her medium has a pulse.

Jefta van Dinther

INTERVIEWS | Par Veronica Posth

Jefta van Dinther

Jefta van Dinther, Swedish-German choreographer and dancer, has been making dances with and for contemporary luminaries (Mette Ingvartsen, Frédéric Gies, Kristine Slettevold, Keren Levi, Ivana Muller, LeineRoebana, and Xavier le Roy) for the past decade. Central to his work “is the question of what it means to be human,” and his choreography draws on themes of time, memory, alliance, and isolation. He is one of three choreographers to have been appointed to make dances exclusively for Cullberg, alongside Deborah Hay and Alma Söderberg, for the next two years. Veronica Posth met with Van Dinther in Graefekiez, Berlin, to discuss his...

Mark Morris

INTERVIEWS | Par Victoria Looseleaf

Mark Morris' Moment

Much to his amazement, Mark Morris, once hailed by the New York Times as “the most successful and influential choreographer alive, and indisputably the most musical,” has a global hit on his hands with “Pepperland.” A groundbreaking dance tribute to the 50th anniversary of The Beatles iconic album, Sgt. Pepper’s Lonely Heart Club Band, the evening-length work, which was commissioned by the City of Liverpool in 2017 and has toured to rapturous audiences ever since, arrives at Segerstrom Center for the Arts June 14 for three performances.

Pam Tanowitz

INTERVIEWS | Par Victoria Looseleaf

In Praise of Pam Tanowitz

There’s praise and then there’s praise! Indeed, it’s safe to say that the celebrated New York-based choreographer, Pam Tanowitz, is having a moment now. Not only did the New York Times’ Alastair Macaulay recently cite her “Four Quartets,” as one of the top 10 works of 2018, but in reviewing it last July, he declared it to be, “the greatest creation of dance theater so far this century.”

Works & Process: Caleb Teicher

INTERVIEWS | Par Kosta Karakashyan

Works & Process: Caleb Teicher

Nonchalance, inventive choreography and genre-bending collaboration are the hallmarks of New York-based tapper Caleb Teicher’s work. Teicher first made waves as a founding member of Michelle Dorrance’s innovative tap dance company, Dorrance Dance. Lauded by the New York Times for his “switchblade feet,” in 2011 Teicher took home a Bessie Award for outstanding individual performance. In 2015, Teicher founded his own troupe, Caleb Teicher & Company. CT & Co blends tap, vernacular jazz, Lindy Hop, and other American dance styles to reflect “a collective conscience within modern American culture.”

Boston Dance Theater

INTERVIEWS | Par Merli V. Guerra

Women of the Hour

This Friday and Saturday, Boston Dance Theater (BDT) makes its home city debut, with performances at the Institute of Contemporary Art, Boston, Mass., presented by World Music/CRASHarts. Although Boston-based, the new company has local and international connections, with co-direction by Boston dancer and director Jessie Jeanne Stinnett, and Itzik Galili, award-winning Dutch-Israeli choreographer.

Featured Reads

REVIEWS | Lorna Irvine

Teenage Angst and Institutions

Watching Matthew Bourne's reworked version of the “star-cross'd lovers,” I was briefly reminded of Veronica, played by Winona Ryder, in the dark 1988 comedy by Daniel Waters and Michael Lehmann, Heathers, and her line, “my teen angst bullshit has a body count.” Yes, this is the darker side of Bourne's repertoire,...

INTERVIEWS | Marina Harss

The Me of Today

The choreographer Alexei Ratmansky reflects on the war in Ukraine, the connection between geopolitics and ballet, and joining the house of Balanchine.

Starry Nights

REVIEWS | Rachel Howard

Starry Nights

Beneath blue California skies, manicured trees, and the occasional hum of an overhead airplane, Tamara Rojo took the Frost Amphitheater stage at Stanford University to introduce herself as the new artistic director of San Francisco Ballet.

REVIEWS | Faye Arthurs

America, F**K Yeah

After a week of the well-balanced meal that is “Jewels”—the nutritive, potentially tedious, leafy greens of “Emeralds,” the gamy, carnivorous “Rubies,” and the decadent, shiny white mountains of meringue in “Diamonds”—the New York City Ballet continued its 75th Anniversary All-Balanchine Fall Season with rather more dyspeptic fare.

REVIEWS | Emily May

Acosta Danza’s Choreographic Soup

An “Ajiaco” is a type of soup common to Colombia, Cuba, and Peru that combines a variety of different vegetables, spices, and meats.