World-class review of ballet and dance.
Today I have the privilege of speaking with the divine Juliet Doherty. Juliet was born in Albuquerque, New Mexico, which is slightly more Breaking Bad than “Swan Lake,” but Juliet's grandparents owned a ballet studio which passed to Juliet's mother, and so the artistic genes ran deep.
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In today's episode we speak with superstar Dr. Brandi Cole. You may have seen Dr. Brandi on your screens as she worked to keep the Matilda's on the field during the Women's World Cup in 2023, and then at the Paris Olympics.
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Talking Pointes, the podcast that shines a light on life in dance and the performing arts, is back for a fourth season.
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For our Season Three bonus episode, we speak again with the divine Dana Stephensen, who recently retired after two decades with the Australian Ballet and is ready for her bonus chapter.
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Boston Ballet's legendary principal dancer, John Lam talks about the joys of dance, about finding his sexuality, and the moment he came out to his parents.
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We speak with Evie Ferris, the second Indigenous Australian to dance with the Australian Ballet, and the first Indigenous Australian to be a member of The Wiggles.
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Today we speak with Ethan Stiefel, who is far more interesting than the notorious Cooper Nielson.
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Brooke Lockett, as she was known throughout her career, grew up in Ballarat and had a dream run to the stage.
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Shaun Parker's path to artistic director and choreographer of an internationally renowned contemporary dance company is totally unexpected.
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Danielle Rowe on her international career, choreography, family life, and how she became the first female artistic director of Oregon Ballet Theater.
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Watching Matthew Bourne's reworked version of the “star-cross'd lovers,” I was briefly reminded of Veronica, played by Winona Ryder, in the dark 1988 comedy by Daniel Waters and Michael Lehmann, Heathers, and her line, “my teen angst bullshit has a body count.” Yes, this is the darker side of Bourne's repertoire,...
PlusThe choreographer Alexei Ratmansky reflects on the war in Ukraine, the connection between geopolitics and ballet, and joining the house of Balanchine.
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Beneath blue California skies, manicured trees, and the occasional hum of an overhead airplane, Tamara Rojo took the Frost Amphitheater stage at Stanford University to introduce herself as the new artistic director of San Francisco Ballet.
PlusAfter a week of the well-balanced meal that is “Jewels”—the nutritive, potentially tedious, leafy greens of “Emeralds,” the gamy, carnivorous “Rubies,” and the decadent, shiny white mountains of meringue in “Diamonds”—the New York City Ballet continued its 75th Anniversary All-Balanchine Fall Season with rather more dyspeptic fare.
PlusAn “Ajiaco” is a type of soup common to Colombia, Cuba, and Peru that combines a variety of different vegetables, spices, and meats.
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