World-class review of ballet and dance.
Ships Internationally
240 pages. 7.25″ x 10″
Ships Internationally
240 pages. 7.25″ x 10″
Ships Internationally
240 pages. 7.25″ x 10″
He’s a choreographer, movement composer and trans-media storyteller: He’s d. Sabela grimes, who grew up in Lompoc, California, and didn’t know that his true calling would be as a dancer, choreographer and teller of tales until he moved to Philadelphia in the late 1990s and met Rennie Harris of Rennie Harris Puremovement.
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Here where I live in California, San Francisco Ballet will soon gear up for a revival of its massive ballet about Artificial Intelligence, a spectacle that ends on a note flattering to the tech bros in nearby Silicon Valley: strife gives way to eternal hope, and the vision of a sleek, luminous future reigns. Well, up the coast in Seattle they’ve got a different take on unregulated AI, and I’m here for it.
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Piece by piece, spanning two decades, Lucy Guerin Inc’s “Pieces” continues to grow. An invitation extended to a selection of choreographers to give shape to adventurous ideas and create a new choreographic work within a supportive framework has expanded from a five- to ten-minute work presented in the Lucy Guerin Inc studios to a twenty-minute piece on the University of Melbourne Art and Culture (UMAC) stage.
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Cleveland native Dianne McIntrye received a hometown hero's welcome during her curtain speech prior to her eponymous dance group thrilling the audience in her latest work, “In the Same Tongue.”
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