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No Escape to the Dream
REVIEWS | Elsa Giovanna Simonetti

No Escape to the Dream

The curtain rises on Prince Siegfried, asleep and slumped in an armchair. We enter his dream: a mysterious woman dances in the shadows, only to be abruptly seized by a somber, bird-like figure.

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Jazz Life
REVIEWS | Karen Hildebrand

Jazz Life

There is dance that amplifies music, and there is music designed to amplify dance. With Mark Morris, the dance is the music.

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Painterly Expression
REVIEWS | Carrie Seidman

Painterly Expression

The Sarasota Ballet’s return to Jacob’s Pillow for five days of a triple bill that included two little-seen works by Sir Frederick Ashton and a world premiere by Jessica Lang, was charged with anticipation and curiosity.

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Dance Floor Liberation
FEATURES | Sophie Bress

Dance Floor Liberation

Los Angeles–based dance artist Jay Carlon knew that the proscenium stage couldn’t house his 2024 work, “Wake,” in its fullness. So he moved it elsewhere: to a rave.  

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Golden Touch
REVIEWS | Rebecca Deczynski

Golden Touch

Ingrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke. 

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From the Belly to the Brain
INTERVIEWS | Lorna Irvine

From the Belly to the Brain

French choreographer Lea Tirabasso makes dense, intricate work which explores existential concerns connected with science, nature and morality. Witty, vivid and visceral, her work pushes beyond simple genres or choreographic language, creating something far richer and more complex. Her most recent piece, “In the Bushes” is part of the Edinburgh Festival this year. Fjord Review caught up with Léa Tirabasso ahead of the Summerhall run.

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It Ends Like This
INTERVIEWS | Karen Hildebrand

It Ends Like This

Stephen Petronio has an odd way of celebrating his 40th anniversary. He and his board have decided this season will be the company’s last.

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Heavenly Bodies
REVIEWS | Steve Sucato

Heavenly Bodies

Washington, D.C.’s 100° June weather wasn’t the only thing generating heat in the city. Chamber Dance Project’s 11th annual D.C. summer season production, “Red Angels,” produced its own scorching intensity as one of this summer’s early triumphs.

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