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Love Letter to Mother Nature
REVIEWS | Eva S. Chou

Love Letter to Mother Nature

Ballet X gave a performance of “The Four Seasons Reimagined” on June 11, 2026, at Saratoga Performing Arts Center in a premiere week that began at its home base in Philadelphia’s Highmark Mann.

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Pills, Thrills, and Heartbreak
DANCE FILM | REVIEWS | Lorna Irvine

Pills, Thrills, and Heartbreak

Scottish Ballet’s artistic director Christopher Hampson CBE has long been a champion of storytelling from a completely unique perspective. So too, with These Violent Delights: the first feature-length film from the company.

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A Ballet Festival
REVIEWS | Joanna Priwieziencew

A Ballet Festival

The theme driving Misty Copeland’s curation of the Joyce Theater’s Ballet Festival was “to center Black, Brown, and Queer artists.”

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Solidarity
REVIEWS | Lorna Irvine

Solidarity

My first two shows at this year’s Dance Base as part of the Edinburgh Fringe show the consummate taste of artistic director Tony Mills. Two brilliant young companies from the Basque Country perform very different, but no less thrilling, work.

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Classical Style
REVIEWS | Kris Kosaka

Classical Style

“Ballet: the New Classic,” brainchild of fashion photographer Yumiko Inoue and K-Ballet Tokyo associate artist, Shohei Horiuchi, combines haute couture with innovative dance. Like sculpture in motion, it’s their third collaboration since creative director Inoue and producer and choreographer Horiuchi first realized their stylish vision in 2022.

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Writing a New Story
REVIEWS | Rebecca Deczynski

Writing a New Story

What should ballet look like? From the eight pieces that compose the first program of Misty Copeland’s curation for the Joyce Theater’s annual Ballet Festival, this much is clear: there’s no one single answer.  

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Venice, Old and New
REVIEWS | Valentina Bonelli

Venice, Old and New

Old and new generations intersect each other in the city of Venice. This is true for dance as well, which had the lagoon city as a picturesque backdrop this summer for the Biennale Danza, where poetry and intellectual excellence are still preserved in its artistic offerings, even under the siege of tourism.

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Transcending Limitations
REVIEWS | Lorna Irvine

Transcending Limitations

It starts with a tiny, barely noticed jerk of a hand or arm. Just one simple gesture, and then all hell breaks loose. TF Cia de Dança brings what has to be one of the most frenzied, sweaty pieces of dance to the Edinburgh Festival.

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A Call for Empathy
REVIEWS | Lorna Irvine

A Call for Empathy

Part of artistic director Tony Mills’ remit at Dance Base is to seek out wonderful dance artists from across the world. This year, two sets of performances from Detours Festival, Brussels have been specially selected by Mills to perform in Edinburgh.

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In the Flow with Vangeline
REVIEWS | Karen Greenspan

In the Flow with Vangeline

For the final event of Lincoln Center’s Summer for the City outdoor Dance Encounters series, Butoh artist Vangeline performed the newly commissioned work “Naiad Metal” in the Paul Milstein Reflecting Pool at Hearst Plaza.

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Lost Time
REVIEWS | Elsa Giovanna Simonetti

Lost Time

The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.

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Perfect Pairs
REVIEWS | Rebecca Deczynski

Perfect Pairs

For the sixth year now, the BAAND has gotten back together at Lincoln Center. That is, the BAAND Dance Festival, the annual Chanel-sponsored program that unites five New York City dance companies: Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem.

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