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No Escape to the Dream
REVIEWS | Elsa Giovanna Simonetti

No Escape to the Dream

The curtain rises on Prince Siegfried, asleep and slumped in an armchair. We enter his dream: a mysterious woman dances in the shadows, only to be abruptly seized by a somber, bird-like figure.

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Jazz Life
REVIEWS | Karen Hildebrand

Jazz Life

There is dance that amplifies music, and there is music designed to amplify dance. With Mark Morris, the dance is the music.

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Painterly Expression
REVIEWS | Carrie Seidman

Painterly Expression

The Sarasota Ballet’s return to Jacob’s Pillow for five days of a triple bill that included two little-seen works by Sir Frederick Ashton and a world premiere by Jessica Lang, was charged with anticipation and curiosity.

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Golden Touch
REVIEWS | Rebecca Deczynski

Golden Touch

Ingrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke. 

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Heavenly Bodies
REVIEWS | Steve Sucato

Heavenly Bodies

Washington, D.C.’s 100° June weather wasn’t the only thing generating heat in the city. Chamber Dance Project’s 11th annual D.C. summer season production, “Red Angels,” produced its own scorching intensity as one of this summer’s early triumphs.

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Next Generation
REVIEWS | Phoebe Roberts

Next Generation

A ballet body is essentially a deformed body. The older and more experienced the dancer, the more evident–and beautiful–this deformation is.

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Welcome to Wonderland
REVIEWS | Kris Kosaka

Welcome to Wonderland

A delightful production, served with verve: the National Ballet of Japan’s recent performance of “Alice in Wonderland” was an unabashed celebration of imagination, deftly showcasing all the wacky wonder of Christopher Wheeldon’s modern ballet classic.

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L.A. Anthem
REVIEWS | Victoria Looseleaf

L.A. Anthem

Casual perfection. Studied grace. Spontaneous elegance. These are but a few of the words that came to mind when this writer observed nine gorgeous dancers from LA Dance Project and four students from the Trudi Zipper Dance Institute at the Colburn School, cavorting around the courtyard and grounds of the Wallis Annenberg Center for the Performing Arts last Friday in Janie Taylor’s “Anthem.”

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