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Contemporary Embodiment of Korean Spirit
REVIEWS | Karen Greenspan

Contemporary Embodiment of Korean Spirit

The Korean Cultural Center New York presented the ChangMu Dance Company this past week and treated the public to an artistic gem. ChangMu Dance Company, currently with fourteen dancers, was founded in 1976 by Kim MaeJa, a pioneer of Korean “creative dance.”

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Multifaceted Jewel
REVIEWS | Kris Kosaka

Multifaceted Jewel

At the New National Theatre in Tokyo last week, the National Ballet of Japan’s (NBJ) triple bill, “Ballet Coffret,” indeed offered up three jewels of dance: the traditional, the modern, and the multi-faceted.

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Between Sea and Sky
REVIEWS | Claudia Lawson

Between Sea and Sky

Bangarra Dance Theatre first brought this cross-cultural work to the main stage of the Sydney Opera House in June 2024. “The Light Inside” is a wondrous collaboration between leading Māori choreographer Moss Te Ururangi Patterson and Bangarra choreographer, Deborah Brown.

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Sue Mayes, Healing Hands
TALKING POINTES | Claudia Lawson

Sue Mayes, Healing Hands

Today I have the immense privilege of speaking with Dr. Sue Mayes. She's the current director of the Australian Ballet's globally recognized artistic health team. Sue was born in Victoria, and like many physios who work with dancers, Sue learned classical ballet in her youth and studied full-time under the formidable Gailene stock. It was while she was completing her diploma of dance that Sue’s started to think about her future. Her love of dance combined with an interest in anatomy led her to physiotherapy, and as we say, the rest is history. In this most fascinating episode, Sue shares...

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A Feminist Raymonda

A Feminist Raymonda

Tamara Rojo’s ambitious “Raymonda” was the last thing she did at English National Ballet before assuming the directorship in San Francisco three years ago, so it was natural that she...

Performance

San Francisco Ballet: “Raymonda” by Tamara Rojo

Place

War Memorial Opera House, San Francisco, CA, March 1 and 7, 2025

Words

Rachel Howard

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Wondrousland
REVIEWS | Steve Sucato

Wondrousland

With each dance season’s new ballets, some become memorable with audiences and critics for their artistry and emotional connection, fewer reveal themselves as hits, and even fewer have the potential to become box office record breakers. Tulsa Ballet's new “Alice in Wonderland” is the rare gem that does all three.  

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Interwoven Threads
REVIEWS | Karen Hildebrand

Interwoven Threads

Dreadlocks are not the first thing that come to mind, looking at UK artist Nicola Turner’s fibre sculpture currently installed at Carvalho Park gallery in East Williamsburg. But I hesitate to open a review with a vision of the poop emoji.

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Borderline
REVIEWS | Victoria Looseleaf

Borderline

Inspired by breaking, neo-classical ballet and dance theater, Rubberband, founded in Montreal in 2002 by Victor Quijada, presented two works at BroadStage over the weekend in what was seen as a homecoming of sorts for Quijada.

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Art Under Attack
REVIEWS | Karen Greenspan

Art Under Attack

The Batsheva Dance Company returned to the BAM Opera House this week bringing their latest evening length work, “Momo.” This was the ninth Batsheva production that BAM has presented since 2002. New York City dance lovers packed the venue amid tight security and outdoor protestors to see this foremost contemporary dance company perform a masterpiece of haunting and reflective beauty.

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James Boyd, the Light Inside

James Boyd, the Light Inside

Today I have the immense privilege of speaking with Bangarra Dance Theatre’s James Boyd. James is a proud Aboriginal man with connections to the Kunja and Muruwari people of southwest...

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Can't Topp the Feeling
INTERVIEWS | Leila Lois

Can't Topp the Feeling

Houston Ballet has announced its vibrant programme for 2025-2026, with luminary contemporary ballet choreographer, Alice Topp, formerly of the Australian Ballet and the Royal New Zealand Ballet as a headliner.

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Crime of Passion
REVIEWS | Gracia Haby

Crime of Passion

Cold, immovable violence is rooted at the heart of Johan Inger’s “Carmen.” Drawing from Prosper Mérimée’s 1845 novella, Inger’s timeless version of “Carmen” revels, as it was originally written, Carmen’s death, at the hands of Don José, as chillingly intentional.

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Notable Women
FIELD NOTES | Candice Thompson

Notable Women

When Camille A. Brown appears out of the dark upstage and into the light, it prompts an unironic version of the question: “To what do I owe this honor?”

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Accolades Due
REVIEWS | Faye Arthurs

Accolades Due

As Hollywood geared up to decorate film performers in front of the world at the annual Oscars ceremony, New York City Ballet principal dancers Mira Nadon and Peter Walker laid down a phenomenal “Swan Lake” for a lucky audience of about 2,600 on an unassuming Wednesday night.

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Futurism in the Pumpkin Patch

Futurism in the Pumpkin Patch

The boulevard of London plane trees has been wrapped in Yayoi Kusama’s white-on-pink dots, the only southern hemisphere biodiversity capable of flourishing in these particular northern hemisphere trees.

Performance

Melanie Lane: “Pulau (Island)” / Lucy Guerin Inc: “I'm in a Forest”

Place

Great Hall, National Gallery of Victoria, Melbourne, Australia, February 23, 2025

Words

Gracia Haby

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A Darker Dream
REVIEWS | Emily May

A Darker Dream

A Midsummer Night’s Dream” is one of William Shakespeare’s best-known comedies. Filled with fairies, mischief, and moments of mistaken identity, it's a mischievous tale that delights with its chaos and humor.

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Tracing Time
FEATURES | Rachael Moloney

Tracing Time

The touring Dance Reflections by Van Cleef & Arpels Festival is about to land in London, March 12- April 8, returning to the location of its first edition in 2022.

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Simple Gifts
REVIEWS | Marina Harss

Simple Gifts

The Sarasota Ballet is not only an impressive troupe in its own right, with a repertory that elevates it to the top rank of America’s regional ballet companies. It also has the enlightened policy of inviting outside companies to perform as part of its yearly seasons.

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Getting Low
REVIEWS | Karen Hildebrand

Getting Low

From the moment Darrell Jones steps onto the platform erected as a stage in an empty gallery space of MoMa PS1, he’s constantly in motion. Barefoot, in t-shirt and workout pants, he moves to a beat only he can hear, AirPods sticking out from his ears. Both fluid and awkward, his energy is frenetic.

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Dressing the Part

Dressing the Part

Last fall, designer Batsheva Hay started her New York Fashion Week runway show with an unconventional opener. Lori Belilove, the artistic director of Lori Belilove & the Isadora Duncan Dance...

Performance

The Isadora Duncan Dance Company: “Isadora Goes Chelsea! Pop-Up Performances”

Place

New York, NY, February 13, 2025

Words

Chava Pearl Lansky

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