Ce site Web a des limites de navigation. Il est recommandé d'utiliser un navigateur comme Edge, Chrome, Safari ou Firefox.

Latest

REVIEWS | Rachel Howard

Level Up

Sacramento Ballet executive and artistic director Anthony Krutzkamp dresses sharp and gives a memorable pre-curtain speech. The way he tells it, the Central California company was in rehearsals for “Swan Lake” last year when he realized he faced an enviable problem: the dancers were too good for the ballets he’d programmed under a five-year plan. 

Plus
They Were There
BOOKSHELF | Candice Thompson

They Were There

In her new  biography, The Swans of Harlem, journalist Karen Valby is witness to the testimony of five pioneering Black ballerinas intimate with the founding history of Dance Theatre of Harlem. 

Plus
The Joy of Dance
INTERVIEWS | Victoria Looseleaf

The Joy of Dance

If one wants a glimpse of Joy Womack’s rock-star like schedule, take a look at her Instagram account. One day she might be dancing in Paris—her current home base—another day it’s Florence, then it’s Lagos, Guayaquil, and Melbourne.

Plus
Sundays on Broadway
FEATURES | Cecilia Whalen

Sundays on Broadway

This year marks the tenth anniversary of Cathy Weis' “Sundays on Broadway,” a performance series that welcomes experimentation from a curated group of seasoned and emerging artists hosted intimately in Weis’ SoHo loft. 

FREE ARTICLE

Divas and Devisers

Divas and Devisers

Though the New York City Ballet’s Spring Gala featured two premieres, the real buzz of the season belonged to the revival of Balanchine’s “Tzigane”—now titled the more politically correct “Errante”—after a 30-year absence. 

Performance

New York City Ballet

Place

David H. Koch Theater, Lincoln Center, New York, NY, May 2024

Words

Faye Arthurs

Plus

Gift Subscription

$49.95

Gift a year of world-class dance journalism. Recipients will receive full access to Fjord's wide diversity of reviews, interviews, articles & podcasts.

Pioneering Women
FEATURES | Karen Hildebrand

Pioneering Women

My first exposure to “Appalachian Spring” was the music—a sixth grade fieldtrip to the Denver Symphony Orchestra—long before I heard about Martha Graham. 

Plus
And Then, Now
REVIEWS | Candice Thompson

And Then, Now

An enduring image from Jody Oberfelder’s new site-specific dance “And Then, Now,” is of the lithe, 70-year-old choreographer perched up on a tall hill at Green-Wood Cemetery in Brooklyn, framed by enormous trees and an expansive blue sky.

FREE ARTICLE
Mixed Messages
REVIEWS | Cecilia Whalen

Mixed Messages

Jukebox musicals tend to come in two packages. The first centers a celebrity musician or musical group and uses the subject's body of work to tell a biographical narrative (“Carole King,” “The Temptations,” “The Four Seasons”). 

FREE ARTICLE
Figure Eights
REVIEWS | Gracia Haby

Figure Eights

I may never know what it is like to be an octopus, but I can begin to imagine what it might be like if I was an octopus.[1] Equally, I may never know what it is like to be a dancer, and someone who communicates with their body, but, thanks to a special in-house showing of Prue Lang’s work-in-progress, “Poesis,” as part of her Australian Ballet’s residency program,[2] I can imagine what it might be like if I were. And so it was, that I found myself once more, in the late afternoon, in the van Praagh studio, of the Primrose...

FREE ARTICLE

Spring Dances

Spring Dances

It was a tri-polar night—but in a good way—last weekend, with a trio of high-energy, beautifully crafted works performed by the spectacular members of L.A. Dance Project. 

Performance

L.A. Dance Project: “Spring Dances,” choreography by Janie Taylor and Benjamin Millepied

Place

L.A. Dance Project Space, Los Angeles, CA, May 2 – May 12, 2024

Words

Victoria Looseleaf

Plus
Having a Ball
REVIEWS | Faye Arthurs

Having a Ball

On a mild spring night, the New York City Ballet held a similarly temperate Gala performance. The flower arrangements were lovely, the speeches were okay, the two premieres weren’t bad, and the Balanchine excerpt was sturdy. In almost every way, it was an enjoyable—if not overly momentous—night at the ballet.

Plus
Swan Lake, Encore
REVIEWS | Rachel Howard

Swan Lake, Encore

San Francisco Ballet artistic director Tamara Rojo may have taken on more drama than she bargained for programming a star-studded “Swan Lake” encore for the finale of her first season here.

Plus
Vibrant and Versatile
REVIEWS | Cecilia Whalen

Vibrant and Versatile

There are few dance companies as versatile as Ballet Hispánico. The company, which is the largest Latine/x/Hispanic cultural organization in the United States, prides itself on its far-reaching celebration of the Latinx diaspora with a school that offers training in flamenco, salsa, and Afro-Caribbean, in addition to ballet, jazz, and more.

FREE ARTICLE

A Grand Evening

A Grand Evening

It was a lovefest at the David H. Koch Theater last Thursday for the Youth America Grand Prix's 25th Anniversary Gala performance. As galas go, the night was awash in...

Performance

YAGP 25th Anniversary Gala

Place

David H. Koch Theater, Lincoln Center, New York, NY, April 18, 2024

Words

Josephine Minhinnett

Plus
Sweet Fields
REVIEWS | Rachel Howard

Sweet Fields

According to artistic director Peter Boal’s welcome letter for Pacific Northwest Ballet’s fifth season program, the most popular mixed rep slates at PNB feature works by Crystal Pite or Twyla Tharp. 

Plus
Modern Dance Hold’em
REVIEWS | Faye Arthurs

Modern Dance Hold’em

Lassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats. 

Plus
Detail Oriented
REVIEWS | Sophie Bress

Detail Oriented

As a dance viewer, it’s easy to get swept up in the grand movements in a piece, glossing over the finer details.

Plus
From Street to Stage
REVIEWS | Eva S. Chou

From Street to Stage

Hubbard Street Dance Chicago was in New York for a two-week run March 12–24 at the Joyce Theater, a venue that consistently programs excellent smaller dance companies in its 472-seat theater. 

Plus

Acosta returns to America

Acosta returns to America

The legendary Cuban dancer Carlos Acosta trained relentlessly to come out of retirement last year for a performance of classical works in celebration of his 50th birthday at the Royal Ballet,...

Performance

Carlos Acosta: “On Before,” mixed repertory

Place

Sarasota Opera House, Sarasota, Florida, April 19, 2024

Words

Carrie Seidman

FREE ARTICLE

subscribe to THE LATEST IN DANCE

“Uncommonly intelligent, substantial coverage.”


  • Weekly articles from the world of dance
  • Wide diversity of reviews, interviews, articles & more
  • Support for quality art journalism

Already a paid subscriber? Login

"This extraordinary little magazine has grown to become a cultural mainstay, not just a valued critical source, but a cultural communicator, critic, review, booster and historian."

Brenda Way
ODC/Dance

frequent questions

What's the difference between a physical and digital subscription?

With a physical subscription you'll get a physical magazine twice a year along with full site access. With a digital subscription, you'll only get access to articles and podcasts.

Will I get access to podcast content with a subscription?

Yes.

With either a physical or digital subscription, you'll get access to podcast content.

How do I get full access to articles?

With either a physical or digital subscription.

You just need a subscription to get full access to articles.

Good Subscription Agency