Into the Wilde
At a time when the arts in America are under attack and many small dance companies are quietly disappearing, San Francisco’s dance scene—for decades second in its volume of activity only to New York—still has a pulse.
PlusWorld-class review of ballet and dance.
If ballet and politics were ever a thing, Houston Ballet principal Harper Watters is, perhaps, one of its staunchest advocates. Indeed, adopted at two weeks old by Jan Alberghene and David H. Watters, both English professors until the senior Watters entered government, where he’s been serving as a member of the New Hampshire Senate since 2012, dancer Watters is not only the first queer Black principal at Houston Ballet, but also identifies as a “part-time, high-heeled wearing social media enthusiast.”
In other words: Watters’ talents, including his personal brand of activism, are next level.
“Uncommonly intelligent, substantial coverage.”
Your weekly source for world-class dance reviews, interviews, articles, and more.
Already a paid subscriber? Login
At a time when the arts in America are under attack and many small dance companies are quietly disappearing, San Francisco’s dance scene—for decades second in its volume of activity only to New York—still has a pulse.
PlusNoé Soulier enters the space without warning, and it takes a few seconds for the chattering audience to register the man now standing before them, dressed simply in a grey t-shirt and black pants, barefoot.
PlusIn the first few seconds that the lights come up on BalletX at the Joyce Theater, an audience member murmurs her assent: “I love it already.”
PlusThe right foil can sharpen the distinct shapes of a choreographic work, making it appear more completely itself through the comparison of another.
Plus
comments