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"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."

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Artistic Director, Pacific Northwest Ballet

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Fjord Review #7

Fjord Review #7

Discover insightful conversations with prominent figures in the dance world, essays on ballet history and performances, reviews of leading ballet companies, and stunning dance photography in our latest issue.

184 pages. 7.25″ x 10″

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all articles

Apocalypse Now
REVIEWS | Victoria Looseleaf

Apocalypse Now

“I have nowhere to go, and I’m going there,” has been attributed to such disparate writers as Charles Bukowski, Carl Sandburg and Charles Simic, though this reviewer thinks the existential phrase sounds more like Cunningham or Cage.

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A Starry Night in Verona
REVIEWS | Elsa Giovanna Simonetti

A Starry Night in Verona

For twenty-five years, Roberto Bolle has brought together a constellation of celebrated stars and rising talent to share the stage with him.

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The Graceful Jon Boogz
INTERVIEWS | Victoria Looseleaf

The Graceful Jon Boogz

Jon Boogz is no ordinary street dancer. Born in Philadelphia in 1988, he grew up with dance and music a part of his life, but he’s decidedly had his share of hard knocks.

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No Escape to the Dream
REVIEWS | Elsa Giovanna Simonetti

No Escape to the Dream

The curtain rises on Prince Siegfried, asleep and slumped in an armchair. We enter his dream: a mysterious woman dances in the shadows, only to be abruptly seized by a somber, bird-like figure.

Plus

Three Early Summer Dances

Three Early Summer Dances

In this summer of torrential rains and torrid heat, dance, indoor and outside, hasn’t skipped a beat.

Performance

“Terra/Bodies & Territories” by Silvana Cardell, BalletX's “Maslow's Peak” by Jennifer Archibald, “Pure Lucia” with Erick Hawkins Dance Company

Place

The Mann Center for the Performing Arts and the Schuylkill Center, Fairmount Park / FringeArts, Phildelphia, PA, May 2, 9, 10, and June 13, 2025



Words

Merilyn Jackson

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Jazz Life
REVIEWS | Karen Hildebrand

Jazz Life

There is dance that amplifies music, and there is music designed to amplify dance. With Mark Morris, the dance is the music.

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Painterly Expression
REVIEWS | Carrie Seidman

Painterly Expression

The Sarasota Ballet’s return to Jacob’s Pillow for five days of a triple bill that included two little-seen works by Sir Frederick Ashton and a world premiere by Jessica Lang, was charged with anticipation and curiosity.

FREE ARTICLE
Dance Floor Liberation
FEATURES | Sophie Bress

Dance Floor Liberation

Los Angeles–based dance artist Jay Carlon knew that the proscenium stage couldn’t house his 2024 work, “Wake,” in its fullness. So he moved it elsewhere: to a rave.  

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An Artistic Evolution, in Fragments

An Artistic Evolution, in Fragments

Choreography wasn’t on Lia Cirio’s radar when artistic director Mikko Nissinen asked her to participate in Boston Ballet’s ChoreograpHER initiative in 2018.

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Golden Touch
REVIEWS | Rebecca Deczynski

Golden Touch

Ingrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke. 

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From the Belly to the Brain
INTERVIEWS | Lorna Irvine

From the Belly to the Brain

French choreographer Lea Tirabasso makes dense, intricate work which explores existential concerns connected with science, nature and morality. Witty, vivid and visceral, her work pushes beyond simple genres or choreographic language, creating something far richer and more complex. Her most recent piece, “In the Bushes” is part of the Edinburgh Festival this year. Fjord Review caught up with Léa Tirabasso ahead of the Summerhall run.

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It Ends Like This
INTERVIEWS | Karen Hildebrand

It Ends Like This

Stephen Petronio has an odd way of celebrating his 40th anniversary. He and his board have decided this season will be the company’s last.

Plus

Heavenly Bodies

Heavenly Bodies

Washington, D.C.’s 100° June weather wasn’t the only thing generating heat in the city. Chamber Dance Project’s 11th annual D.C. summer season production, “Red Angels,” produced its own scorching intensity...

Performance

Chamber Dance Project: “Red Angels,” mixed bill choreography

Place

Sidney Harman Hall, Washington D.C., June 25-27, 2025

Words

Steve Sucato

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Next Generation
REVIEWS | Phoebe Roberts

Next Generation

A ballet body is essentially a deformed body. The older and more experienced the dancer, the more evident–and beautiful–this deformation is.

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Mikko Nissinen, Dancing into the Future
INTERVIEWS | Victoria Looseleaf

Mikko Nissinen, Dancing into the Future

After a successful dancing career with, among others, Dutch National Ballet, Finnish National Ballet, and finally San Francisco Ballet, where he was a principal dancer for a decade, Mikko Nissinen has proven himself a strategic, forward-looking and beloved artistic director of Boston Ballet.

FREE ARTICLE

Olga Smirnova, Leaps and Bounds

Olga Smirnova, Leaps and Bounds

Until March 2022, Olga Smirnova was one of the top dancers at the Bolshoi, performing roles in a large swathe of the repertory, everything from Odette in “Swan Lake” to...

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