Flight or Fight
How do we navigate a balance between the collective and the individual? How do we negotiate strength and flexibility? How do we value tradition while embracing innovation?
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World-class review of ballet and dance.
A Toronto-native, Tom Leprohon started dancing when he was four years old. He trained at Canada’s National Ballet School and the European School of Ballet in Amsterdam. Tom joined the National Ballet of Canada’s apprentice program in 2018 and will dance with Sarasota Ballet for the coming season.
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How do we navigate a balance between the collective and the individual? How do we negotiate strength and flexibility? How do we value tradition while embracing innovation?
Plus“Vibrations” closes the Opéra Garnier’s 2025/26 season with what might be read as a triptych on dance’s future, past, and present.
PlusParticles or string? Dark matter or light? The National Ballet of Japan offers up a contemporary double-bill of dance, loosely connected by visual metaphors to modern physics.
PlusWhen Yvonne Rainer choreographed “Trio A” on herself in 1965, it took six months to work out the four-and-half-minute solo. But for many early audience members, its effect was immediate and electric.
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