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Sound and Body Waves
REVIEWS | Victoria Looseleaf

Sound and Body Waves

Whether bending backwards as if channeling Paul Chavez’ otherworldly sounding music, or crouching down ever so slowly and quasi-teetering on the floor, dancer Roxanne Steinberg proved a master of the body. 

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Running Wilde
REVIEWS | Gracia Haby

Running Wilde

On opening night of the world premiere of Christopher Wheeldon’s “Oscar” at the Australian Ballet’s new home for the next three years, the Regent Theatre (as the State Theatre undergoes renovations), I am catapulted from September 13, 2024 to April 26, 1885, and the commencement of the trial of Oscar Wilde.

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Gregory Maqoma: My Life, My Dance
INTERVIEWS | Victoria Looseleaf

Gregory Maqoma: My Life, My Dance

Having a dance company is always difficult. But founding a troupe and keeping it going for 25 years is even more challenging. Add to that the political, cultural and economic landscape of South Africa, and the odds might seem unsurmountable.

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United

United

The inaugural Unite Ballet Festival, directed by Calvin Royal III, took place at the Joyce Theater from August 13-18, 2024. 

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New Horizons
REVIEWS | Gracia Haby

New Horizons

Before digital audio, compact discs, cassette tapes with their ribbons of sound sandwiched within a small case, and pressed vinyl records, came wax cylinders to record and reproduce sound, thanks to Thomas Edison’s 1877 invention of the hand-cranked phonograph. 

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Forever Flamenco
REVIEWS | Victoria Looseleaf

Forever Flamenco

Far from Southern Spain, but in the heart of Hollywood, that once monthly dance staple, “Forever Flamenco,” was alive and well again at the Fountain Theatre, if only for the month of August. 

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On the Road
REVIEWS | Claudia Lawson

On the Road

Since 1980, the Australian Ballet's National Tour (or really, the Dancers' Company as everyone calls it), is a much anticipated event for the graduating students of the Australian Ballet School.

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Man, Woman, Butoh with Ichi & Vangeline
INTERVIEWS | Karen Greenspan

Man, Woman, Butoh with Ichi & Vangeline

On a mid-summer evening, along the banks of the Hudson River in Lower Manhattan, a colorful band of performers costumed in orange and blue merged with the sunset and the water. Akihito Ichihara, principal dancer with the Butoh dance company Sankai Juku and founder of Elf, performed with a group of students who had just completed a workshop with him.

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Taiwan Season

Taiwan Season

Every year at the Edinburgh Festival Fringe, I look forward to the Taiwan Season. A curated selection of shows within the organised chaos of the festival, the quality of the...

Performance

Taiwan Season: “Lost Connection” by Seed Dance Company / “Palingenesis” by D_Antidote Production 

Place

DanceBase, Edinburgh, Scotland, August 2024

Words

Roísín O'Brien

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In Threes
REVIEWS | Roísín O'Brien

In Threes

How often have you sat in a dance piece that felt too long? Lewis Major’s “Triptych” successfully rises to the challenge of creating an evening of dance, without overstretching an idea into boredom. 

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Internal Noise
REVIEWS | Victoria Looseleaf

Internal Noise

Dance aficionados are on high alert any time there’s a new Bill T. Jones work. That the artistic director/co-founder and choreographer of the Bill T. Jones/Arnie Zane Company did not make dances for “The Motherboard Suite,” but directed it, still made for a solid evening of dance drama.

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Oceanic Feeling
INTERVIEWS | Candice Thompson

Oceanic Feeling

Once a year New York City dance lovers and Brooklyn beach-goers converge in the Venn diagram of performance art and natural splendor that is Beach Sessions Dance Series. 

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Dancing with Duende
REVIEWS | Victoria Looseleaf

Dancing with Duende

The temperature rose again on Thursday at the Hollywood Bowl, Los Angeles’ celebrated outdoor venue, when Spanish-American conductor François López-Ferrer brought the heat to the Los Angeles Philharmonic in a program dubbed “Symphonic Tango & Flamenco.”

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Iconic

Iconic

“Life is a thief,” pouts Alan Greig, emerging in the studio space clad in black vest, full skirt and voluminous trousers. Impish and imperious, he becomes Tennessee Williams in waspish...

Performance

Alan Greig: “Within Reach”

Place

DanceBase, Edinburgh, Scotland, August 9, 2024

Words

Lorna Irvine

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Fury and Solitude
REVIEWS | Lorna Irvine

Fury and Solitude

This provocative double bill showcases contrasting approaches to the body, and perceptions of how and why they take up and transform the space. It's also a meditation on art as an act of resistance, a form of political liberation. 

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Sticking Together
REVIEWS | Faye Arthurs

Sticking Together

The Pilobolus troupe took over the Joyce Theater for three weeks this August with a rotating pair of programs: one was called “Dreams,” the other, “Memory.” Both titles were good catchalls for the company’s signature brand of surrealist, muscular theatricality.

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All Together Now
REVIEWS | Karen Hildebrand

All Together Now

A unique cooperation by New York City’s five largest dance companies, BAAND Together Dance Festival was conceived as an effort to restart live dance performance after the pandemic.

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Beethoven, Boots and Cats

Beethoven, Boots and Cats

Bookending my first day at the Edinburgh Festival are two very different but beautiful performances at the wonderful Dance Base venue in the Grassmarket, Matthew Hawkins’s “Ready” and Christine Thynne...

Performance

Matthew Hawkins’s “Ready” / Christine Thynne and Robbie Synge’s “These Mechanisms.”

Place

Dance Base, Edinburgh, Scotland, August 2, 2024

Words

Lorna Irvine

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