Piece by Piece
Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continue ReadingWorld-class review of ballet and dance.
Since 1980, the Australian Ballet's National Tour (or really, the Dancers' Company as everyone calls it), is a much anticipated event for the graduating students of the Australian Ballet School. Simulating the company experience, it is a chance for the graduating class, all on the cusp of entering the professional arena, to showcase their skills in the hope of catching an artistic director’s eyes—and with that a professional contract for next year. It is also a chance for the Australian Ballet’s artistic director to test the company’s rising stars in more senior roles, an audition process of sorts, as they jostle for promotions within the company. The tour traditionally goes not just to regional centres, but also to rural Australia, allowing the country’s most talented dancers to be seen far and wide.
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Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continue Reading“I can’t even stand it,” exclaimed Tina Finkelman Berkett about the Perenchio Foundation grant that her dance troupe, BodyTraffic, recently received.
Continue ReadingBeneath a tree also over a century old is where I meet dancer and artist Eileen Kramer, and where the 60-minute loop will end. And it feels fitting, on the heels of her recent death on November 15, 2024, at 110-years-of-age, to start here, at effectively the end of Sue Healey’s screening of On View: Icons.
FREE ARTICLEHubbard Street Dance Chicago’s Fall Series will entertain you. Deftly curated, with choreographers ranging from Aszure Barton to Bob Fosse, Hubbard’s dancers ably morph through this riveting programme of showmanship.
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