Glimpsing Nureyev
Nureyev and Friends, a recent tribute event at the Hong Kong Arts Festival, opened with an introduction from Charles Jude, the longtime protégé of Rudolf Nureyev at the Paris Opera Ballet.
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On a warm March evening, myself and a handful of other curious souls climbed the narrow steps of the aptly named Tower Theatre. The space is dark, and we are quiet as we enter, cloaked by the hush darkened spaces require. The theatre seats 100, but it feels smaller. It feels close and intimate. We negotiate the darkness and find a seat, production notes in hand. There is the feeling of having entered someplace else. We’ve left the theatre, as it were, and we are seeing what normally we would not be able to see: “[Gu:t] 굿 ”, conceived and performed by Soo Yeun You and Albert David, is a work in progress, and an intriguing part of Dance Massive 2013. Long forgotten is the hubbub of diners in the foyer below.
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“GUT” by Soo Yeun You. Image by Josh Wright
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Nureyev and Friends, a recent tribute event at the Hong Kong Arts Festival, opened with an introduction from Charles Jude, the longtime protégé of Rudolf Nureyev at the Paris Opera Ballet.
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