World-class review of ballet and dance.
"Fjord Review serves as an indispensable resource for the world of dance. Contributors offer well written and researched comment on what everyone's talking about - and what we might have missed. Unexpected humor and honest candor can be found in every article, and the photography and art direction elevate dance to the place of reverence and relevance it deserves. Bravo, Fjord."
Peter Boal
Artistic Director, Pacific Northwest Ballet
Book reviews of Lola Lafon’s Reeling, interviews with authors Mindy Aloff on Why Dance Matters and Marina Harss on The Boy from Kyiv, etc...
240 pages. 7.25″ x 10″Description
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As the lights dim in Sadler’s Wells, I am struck by how dark the theatre I’m sitting in is. These few moments before a show begins create a unique situation of near complete trust on the audience; there’s no light, natural or artificial.
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During the past ten years, Jody Sperling has created a portfolio of dance works that calls for action to protect and preserve the environment. She has traveled to the Arctic to dance on disappearing ice.
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To stand out in a sea of world premieres, honesty and emotionality are key, if Repertory Dance Theatre’s most recent program, “Venture,” is any indication.
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On the cusp of celebrating their company’s milestone anniversary, Dwight Rhoden and Desmond Richardson, who co-founded the New York-based Complexions Contemporary Ballet in 1994, still have plenty to say, both onstage and off.
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To Sir Frederick Ashton’s fast footwork and musicality belongs the Australian Ballet’s double bill “The Dream” and “Marguerite & Armand.” To the charming misadventure distillation of Shakespeare’s A Midsummer Night’s Dream bubbles...
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The moment arrived two-thirds into the program, near the peak of Donald Byrd’s “Love and Loss.” For more than an hour, the beautiful bodies on screen had been doing eloquent things, to curiously numbing effect.
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Since its founding in 2012 by Benjamin Millepied, L.A. Dance Project has not been lacking in talent, ideas, or, fortunately for them, funding, something that most dance troupes desperately need.
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When a choreographer takes on volcanic and iconic works from American musical giants like Leonard Bernstein and John Adams one move they could take is to cool them down with a couple of more soothing European works in between.
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If you are an insect in the superorder Endopterygota, you have the super ability to experience complete metamorphosis. You can transform from the four stages of life—egg, larva, pupa, adult—in a process called holometabolism.
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For our Season Three bonus episode, we speak again with the divine Dana Stephensen, who recently retired after two decades with the Australian Ballet and is ready for her bonus...
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The Starlet in the ballroom with the candlestick. Or was it the Mobster in the billiards room with the dagger?
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Timelessness is a quality that is hard to pin down. It’s easy to see when a work of art fails to achieve it.
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Music was muse, medium, and the message during Kyle Marshall Choreography’s recent engagement at the Joyce Theater.
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WTF! And this reviewer means that in a good way. No, make that a great way! Whatever it was—and is—“takemehome,” the 65-minute work choreographed by Paris, France-based Dimitri Chamblas, was, by turns, provocative, enigmatic, stunning, stirring, singular and, well, something else again.
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Boston Ballet's legendary principal dancer, John Lam talks about the joys of dance, about finding his sexuality, and the moment he came out to his parents.
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As Ballet West celebrates its 60th anniversary, it is clearly on an upward trajectory. The company is consistently filling seats, tackling more ambitious work, and the company’s first triple bill of the season was no exception.
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I’d nearly forgotten the many pleasures of watching dance from a folding chair on a riser in a SoHo loft, sound of sirens and traffic rising from the street outside to compete with the more subtle notes of a cello.
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Ola Maciejewska’s “Bombyx Mori” is the second hour-long work in the “Dance Reflections” festival I’ve seen so far. Is this a new trend in European dance, I wonder?
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We speak with Evie Ferris, the second Indigenous Australian to dance with the Australian Ballet, and the first Indigenous Australian to be a member of The Wiggles.
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The Limón Dance Company’s announcement of its upcoming program “Women's Stories” at New York Live Arts December 7-9 begged a conversation with the company’s artistic director Dante Puleio to learn...
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