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Finding Out
INTERVIEWS | Par Veronica Posth

Finding Out

Out Innerspace Dance Theatre is devoted to creating exciting and integral contemporary-dance works. Through their research and experimentation, the Vancouver-based company celebrates the importance of challenging preconceptions of what is to be experienced and expounded in contemporary dance-theatre. The company was officially formed in 2007 by David Raymond and Tiffany Tregarthen, after years of various collaborative endeavours together. During a pleasant conversation with Raymond, I had the opportunity to ask him for some more detailed information about the company, the process of creation of their last work, their methodology, and upcoming productions. 

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Dancing from the Heart
FEATURES | Par Valentina Bonelli

Dancing from the Heart

At La Scala the 2021/2022 season closed with a very beloved ballet, “Onegin,” a mainstay of the Milanese repertory for some thirty years. Roberto Bolle, La Scala's iconic Onegin, was greeted by his fans who feared that this could be his last performance in Cranko’s ballet, once again partnered by Marianela Nuñez as Tatiana. For the subsequent performances, ballet director Manuel Legris decided to cast dancers debuting in the leading roles for one night each (aside from aside from principals Marco Agostino and Nicoletta Manni who debuted three years ago). We talked to each couple to discover how they prepared...

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Flora, Fauna, and Flesh
REVIEWS | Par Candice Thompson

Flora, Fauna, and Flesh

On the evening of Tuesday November 8th, 2022, I was not up for a night out. An existential dread, induced by the U.S. midterm elections, had finally caught up with me as I was walking up to Brooklyn Academy of Music’s Harvey Theater. A friend texted me a list of soothing cures which included plunging your face into a bowl of ice water for 15-30 seconds. A little over an hour later, I added another item to that mood-lifting list: Lia Rodrigues’s “Encantado.”

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Extending the Limits
REVIEWS | Par Cecilia Whalen

Extending the Limits

Dimitris Papaioannou's “Transverse Orientation” starts with a joke: Entering from a single door in a blank white wall, several tall, pin-headed figures rush onstage with ladders. Dressed in all black, they skitter towards a lone, flickering fluorescent light. How many of the faceless shadow people does it take to change a lightbulb? They put their shrunken heads together to find out.

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Taylor Revamped
REVIEWS | Par Faye Arthurs

Taylor Revamped

This November, the Paul Taylor Dance Company returned to the Koch Theater for the first time since 2019 under the tagline “Taylor: A New Era.” They’ve had a rough go of it since 2018, when Taylor passed away, at age 88, months after handing the reins over to former company member Michael Novak. Then, just as the troupe was restructuring after the loss of its founder, a pesky virus you may have heard of set them back again. But now, like a phoenix rising from the ashes of so very many brushfires, they have emerged on the other side with...

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Haunting Hospitality
REVIEWS | Par Sara Veale

Haunting Hospitality

Dramatic set designs and sweeping contemporary ballet combine in this mixed bill from Birmingham Royal Ballet, which pieces together three new additions to BRB’s rep, each with a live orchestral score. Jiří Kylián’s “Forgotten Land,” created on the Stuttgart Ballet in the 80s, sends six couples wafting through the wilds of Benjamin Britten’s Sinfonia da requiem, while Uwe Scholz marshals the stateliness of Beethoven’s Seventh Symphony in a like-titled ensemble ballet from 1990. The hardest-hitting piece, “Hotel,” a new commission from Morgann Runacre-Temple, isn’t as musically driven as its companions, though Mikael Karlsson’s score slickly informs its eerie mood. Either...

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Migrations
REVIEWS | Par Karen Hildebrand

Migrations

Not all the reasons to celebrate Zvi Gotheiner’s newest work were immediately visible as the company of seven dancers took to the black box stage at New York Live Arts last week. “Migrations” is the first work Gotheiner has made since suffering a stroke in March 2021. That he is able to choreograph at this stage of his healing process is a credit to his dancers, including associate artistic director Doron Perk, and other longtime collaborators. Also, the announcement that Gotheiner’s long-running Maggie Black inspired ballet class has returned in person to City Center is welcome news to many who...

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Purity and Power
REVIEWS | Par April Deocariza

Purity and Power

Cincinnati Ballet’s “Carmina Burana” and “Extremely Close” formed the second program of its 2022-2023 season, led by new artistic director, Jodie Gates. Pairing Nicolo Fonte’s powerful “Carmina Burana” with Alejandro Cerrudo’s tantalizing “Extremely Close” was a match made in heaven, showcasing the breadth and versatility of the company’s dancers. 

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Making Meaning with Neil Greenberg
INTERVIEWS | Par Apollinaire Scherr

Making Meaning with Neil Greenberg

In 1994, at the peak of the AIDS crisis, Neil Greenberg premiered what has become his best- known work, “Not-About-AIDS-Dance.” Over the heads of the five dancers, surtitles narrated—in sans serif type and the most laconic terms—what had been happening in the dancers’ lives outside rehearsal as well as what was happening right before us on the stage: the wide lunges, wheeling legs, windmilling arms, supplicant kneels, reckless penchés, and bouts of stillness more rash than anything you’d see in Cunningham, with whom Greenberg had danced for seven years, beginning in 1979.

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Reunited in Dance
FEATURES | Par Victoria Looseleaf

Reunited in Dance

In 2019, Xander Parish, then principal dancer with the Mariinsky Ballet—the first and only British dancer in the troupe’s history—was awarded an OBE for services to dance and to UK/Russia cultural relations. Fast forward to November 2022 and the world has, to say the least, radically changed. While a global pandemic still factors into daily life, in February of this year, Russia did the unspeakable by invading Ukraine.

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That Elusive Magic
REVIEWS | Par Marina Harss

That Elusive Magic

We all know the sensation that comes once in a while during a performance, when something extraordinary happens onstage, time stops, and the audience and performers seem to co-exist within the same thrilling, elevated bubble. That magic only happens in live performance. But during the pandemic, one dance for online consumption, came close, and that was Ayodele Casel’s tap evening “Chasing Magic.”

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Stories of Soil
REVIEWS | Par Karen Hildebrand

Stories of Soil

In her career as a performer, Stefanie Batten Bland assembled a CV filled with prestigious dancemakers. She has worked with Bill T. Jones, Lar Lubovitch, Sean Curran, Angelin Preljocaj, Julie Taymor, and Pina Bausch, any of which may have left an imprint on her creative process. In the case of “Embarqued: Stories of Soil” I couldn’t help but feel an echo of Bausch’s Tans Theater Wuppertal, both in its structure and production values. Batten Bland, an award-winning choreographer and filmmaker in her own right, makes good magic with elegant costuming, sculptural props, original sound score, delicious abstract movement, and a...

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Featured Reads

REVIEWS | Rachel Howard
Starry Nights

Beneath blue California skies, manicured trees, and the occasional hum of an overhead airplane, Tamara Rojo took the Frost Amphitheater stage at Stanford University to introduce herself as the new artistic director of San Francisco Ballet.

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