An Artistic Evolution, in Fragments
Choreography wasn’t on Lia Cirio’s radar when artistic director Mikko Nissinen asked her to participate in Boston Ballet’s ChoreograpHER initiative in 2018.
Continue Reading
Latest
- All
- BOOKSHELF
- DANCE FILM
- FEATURES
- FIELD NOTES
- INTERVIEWS
- MEMOIR
- Obituaries
- OPINION
- OTHER
- REVIEWS
- SCREEN DANCE
- TALKING POINTES
From the Belly to the Brain
French choreographer Lea Tirabasso makes dense, intricate work which explores existential concerns connected with science, nature and morality. Witty, vivid and visceral, her work pushes beyond simple genres or choreographic language, creating something far richer and more complex. Her most recent piece, “In the Bushes” is part of the Edinburgh Festival this year. Fjord Review caught up with Léa Tirabasso ahead of the Summerhall run.
Continue Reading
It Ends Like This
Stephen Petronio has an odd way of celebrating his 40th anniversary. He and his board have decided this season will be the company’s last.
Continue Reading
Mikko Nissinen, Dancing into the Future
After a successful dancing career with, among others, Dutch National Ballet, Finnish National Ballet, and finally San Francisco Ballet, where he was a principal dancer for a decade, Mikko Nissinen has proven himself a strategic, forward-looking and beloved artistic director of Boston Ballet.
FREE ARTICLE
Jiří Kylián, Discipline and Freedom
The world-renowned Czech choreographer and multimedia artist Jiří Kylián was recently honored with a retrospective festival at the Oslo opera house.
Continue Reading
Olga Smirnova, Leaps and Bounds
Until March 2022, Olga Smirnova was one of the top dancers at the Bolshoi, performing roles in a large swathe of the repertory, everything from Odette in “Swan Lake” to Marguerite Gauthier in John Neumeier’s “Lady of the Camellias” and Bianca in Jean-Christophe Maillot’s “Taming of the Shrew.”
Continue Reading
Lincoln Jones, Serendipitous Moves
Talk about the marriage of music and dance! Following in the footsteps of George Balanchine, whose works with Igor Stravinsky stretched across decades, Lincoln Jones, artistic director and choreographer of American Contemporary Ballet, continues the tradition when his company dances the world premiere of “The Euterpides.”
Continue Reading
Looking Back, Moving Forward
One of the most important questions for any director who inherits a dance company from its founding choreographer is how to keep the repertory alive.
Continue Reading
Jennifer Archibald, On the Pulse
Jennifer Archibald’s choreography credits extend from ballet companies to commercial work, reflecting her signature ability to blend classical dance with hip hop.
Continue Reading
Counting on It
Listening to John Cage’s “Three Dances (for prepared piano)” is a wonderfully contradictory experience. The composer disrupts our auditory expectations by placing an assortment of small objects such as erasers, screws, and bolts, among the piano strings. A musician plays the piano in the typical manner, but instead of a harmonic tone, we hear more percussive sounds of kettle drums, timpani, xylophone, tin cans, even bells. One can imagine how an artist like Lucinda Childs, who was part of the Judson Dance Theater radicals in the ‘60s, might be attracted to such a composition. The choreographer is perhaps best known...
Continue Reading
Harper Watters, On his Toes
If ballet and politics were ever a thing, Houston Ballet principal Harper Watters is, perhaps, one of its staunchest advocates.
Continue Reading
Motivation for Moving
Petite in stature, with beautiful, delicate features, Scottish dance artist Suzi Cunningham is nonetheless a powerhouse performer: an endless shape shifter whose work ranges from eerie to strange, to poignant, or just absolutely hilarious.
Continue ReadingFeatured Reads
Firebird Rising
Long before the dancers take the stage, Dance Theatre of Harlem’s season at New York City Center feels like one of the most energizing cultural events of the spring.
Continue Reading
Rare Birds
It is rare for George Balanchine’s grand, bedazzled “Symphony in C” to open a program. Its champagne-popping finale for 52 dancers tends to be a nightcap.
Continue Reading
The Spring is Blooming festival, by Dance Reflections by Van Cleef & Arpels, now in its fifth year, has become a highlight of the spring dance circuit.
Continue Reading
Jack of Hearts
As the audience come to their feet at the end of this ballet there is a noted difference to be seen on stage. Three women stand with joined hands, taking their call as the romantic leads of a loud and proud lesbian ballet.
Continue Reading
School Report
One of San Francisco Ballet’s greatest assets is its home venue, the Beaux-Arts style War Memorial Opera House, with four rings of seating that require performers to project their energies practically to the exosphere.
Continue Reading