A Grand Evening
It was a lovefest at the David H. Koch Theater last Thursday for the Youth America Grand Prix's 25th Anniversary Gala performance. As galas go, the night was awash in pageantry.
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The Martha Graham Dance Company filled some of the Metropolitan Museum’s most impressive spaces for two full days with pop-up performances of six Graham solos choreographed in the 1930s. The works were presented in dialogue with the current exhibition “Art for the Millions: American Culture and Politics in the 1930s,” an exploration of how artists expressed political messages and ideologies through a range of media. The nation, during that period─much as it is today, was polarized with political division and social upheaval, and artists used their craft to connect with the public and transmit ideologies. Martha Graham held strong opinions on social issues and the human condition. These inspired much of the work she created in the 1930s, not long after founding her company in 1926. Many of the solos presented at the Met were either lost or forgotten after a period of not being performed and are skillful reconstructions by former company members from photographs.
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It was a lovefest at the David H. Koch Theater last Thursday for the Youth America Grand Prix's 25th Anniversary Gala performance. As galas go, the night was awash in pageantry.
Continue ReadingAccording to artistic director Peter Boal’s welcome letter for Pacific Northwest Ballet’s fifth season program, the most popular mixed rep slates at PNB feature works by Crystal Pite or Twyla Tharp.
Continue ReadingLassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
Continue ReadingAs a dance viewer, it’s easy to get swept up in the grand movements in a piece, glossing over the finer details.
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