Pioneering Women
My first exposure to “Appalachian Spring” was the music—a sixth grade fieldtrip to the Denver Symphony Orchestra—long before I heard about Martha Graham.
Continue ReadingWorld-class review of ballet and dance.
This is historical,” Ballet22 co-founder Theresa Knudson told the audience between works on the company’s latest program, “Momentum.” It may seem a big claim for a small company, but as the young people like to say these days, she’s not wrong. Launched in 2020, Oakland-based Ballet22 is the only company in the world with a mission to present men and non-binary dancers en pointe, not as a drag joke (as in Les Ballets Trockadero), but in earnest. And it’s doing so at a time when the rights of transgender and non-binary people are under unprecedented political attack in the United States. As “Momentum” co-artistic director Lorris Eichinger added in his plea for support, “It’s really bad out there.”
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My first exposure to “Appalachian Spring” was the music—a sixth grade fieldtrip to the Denver Symphony Orchestra—long before I heard about Martha Graham.
Continue ReadingAn enduring image from Jody Oberfelder’s new site-specific dance “And Then, Now,” is of the lithe, 70-year-old choreographer perched up on a tall hill at Green-Wood Cemetery in Brooklyn, framed by enormous trees and an expansive blue sky.
FREE ARTICLEJukebox musicals tend to come in two packages. The first centers a celebrity musician or musical group and uses the subject's body of work to tell a biographical narrative (“Carole King,” “The Temptations,” “The Four Seasons”).
FREE ARTICLEI may never know what it is like to be an octopus, but I can begin to imagine what it might be like if I was an octopus.[1] Equally, I may never know what it is like to be a dancer, and someone who communicates with their body, but, thanks to a special in-house showing of Prue Lang’s work-in-progress, “Poesis,” as part of her Australian Ballet’s residency program,[2] I can imagine what it might be like if I were. And so it was, that I found myself once more, in the late afternoon, in the van Praagh studio, of the Primrose...
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