From Street to Stage
Hubbard Street Dance Chicago was in New York for a two-week run March 12–24 at the Joyce Theater, a venue that consistently programs excellent smaller dance companies in its 472-seat theater.
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Twenty years after their last production of “Swan Lake,” Scottish Ballet return with this tough but tender spin on the iconic ballet, created by internationally acclaimed Amsterdam-based choreographer David Dawson. Composer Tchaikovsky described the swan as “femininity in its purest form,” and Dawson's approach is certainly suggestive of this.
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Sophie Martin and Christopher Harrison in Scottish Ballet's “Swan Lake” by David Dawson. Photograph by Andy Ross
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Hubbard Street Dance Chicago was in New York for a two-week run March 12–24 at the Joyce Theater, a venue that consistently programs excellent smaller dance companies in its 472-seat theater.
Continue ReadingThe legendary Cuban dancer Carlos Acosta trained relentlessly to come out of retirement last year for a performance of classical works in celebration of his 50th birthday at the Royal Ballet, where he spent most of his professional career.
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Continue ReadingDespite the fact that dance and music are often regarded as inextricably linked, it remains astonishing to experience the work of a choreographer who channels the score particularly well—or a group of dancers who embody it especially organically. Repertory Dance Theatre’s 58th season closer, “Gamut,” happened to have both.
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