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For the Soul
REVIEWS | Marina Harss

For the Soul

The name of Leonardo Sandoval and Gregory Richardson’s group, Music from the Sole, is an obvious allusion to the fact that the motor behind their performances is rhythm, and that this rhythm is often produced by the soles of the feet, in the form of tap. 

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Coast to Coast
REVIEWS | Merilyn Jackson

Coast to Coast

Bodytraffic returned to Penn Live Arts at Annenberg during last weekend’s snowstorm to perform the world premiere of Philadelphia-based choreographer Matthew Neenan’s latest work, “I Forgot the Start.”

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The Incredibles
REVIEWS | Faye Arthurs

The Incredibles

If Simone Biles, Baryshnikov, Michelle Kwan, Mr. Wiggles, and Bruce Lee somehow had a baby, that child would be an ideal candidate for the Compagnie Hervé Koubi.

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Naked Ambition
REVIEWS | Karen Hildebrand

Naked Ambition

Dressed in hot pink ruffles and five-inch heels, a tiara perched on his shaved head, Arthur Aviles entered the stage as Maéva, a “Latino ghetto matriarch,” who launched into rapid fire Spanglish as a welcome to the Abrons Art Center audience for “Naked Vanguard: Works.” 

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A Moving Feat
REVIEWS | Victoria Looseleaf

A Moving Feat

Époustouflant! Indeed, breathtaking is the word for Diavolo|Architecture in Motion’s world premiere, “Existencia,” the 70-minute commissioned work seen at the Soraya for two performances in mid-January.

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Celebrating Process
FEATURES | Karen Greenspan

Celebrating Process

Works & Process has been part of the New York dance ecosystem for 35 years—championing performing artists and supporting their creative process from studio to stage and beyond. 

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Blossoming
REVIEWS | Rachel Howard

Blossoming

How does a gifted choreographer become an artist? I thought about this question a lot after seeing “Blooming Flowers and the Full Moon,” former ODC/Dance member Natasha Adorlee’s first full-length piece.

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Breaking Free
FEATURES | Victoria Looseleaf

Breaking Free

“There will be blood,” says Jacques Heim, founder and creative director behind Diavolo|Architecture in Motion, the hyperphysical dance company he began in 1992. But he wasn’t referring to the Daniel Day-Lewis saga directed by P.T. Anderson, but rather to his latest opus, “Existencia,” which has its world premiere at the Younes and Soraya Nazarian Center for the Performing Arts (the Soraya), January 17 and 19, and involves an extreme, risk-taking movement vocabulary.

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A Hero's Journey
DANCE FILM | Karen Greenspan

A Hero's Journey

Some stories take hold of you and just will not let go. The film Call Me Dancer tells such a story—the true-life story of Manish Chauhan, a Mumbai street dancer, who nurtures the dream of becoming a ballet professional against daunting odds.

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