“Restore” continues in the world established by “To My Arms.” The strains of Handel now include contemporary electronic sounds in “Handel Remixed” by Nico Bentley. One hundred singers of MasterVoices choir are seated onstage in three long rows, their faces ghostly behind the rear scrim. 

The dancing, full company onstage, is dynamic and hypnotic. When they drop into occasional unison, I sit up straighter in my seat. There is a tribal power in a particular phrase where they shift weight from one foot to the other, rotating while gradually widening their stance, then hop forward together in wide second position. Once, after trotting in a circle, they all slide to the floor like marbles spilled out of a bag. Yamauchi is a magnet for my focus. In part one, his character was odd man out in the community. Now he’s a leader, as he rises to his knees from a cluster of fallen bodies with a beseeching gesture. The vocalist begins singing and I have the sense it is Yamauchi I can hear. At the end he sets everyone spinning like dervishes. Then, as if the battery has run down, the electronic score fizzles. The dancers fan out and move downstage—are they beckoning to the audience as the curtain drops? It’s the kind of finale that brings an audience spontaneously to its feet.