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Jewellery
REVIEWS | Phoebe Roberts

Jewellery

George Balanchine’s 1967 ballet “Jewels”—in which each act is inspired by a different semi-precious gem—has proven a touring warhorse. 

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BAAND in Pictures
OTHER | Steven Pisano

BAAND in Pictures

For the third year in a row, five of New York City's most iconic dance companies—Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem—joined forces for for the BAAND Together Dance Festival, hosted by Lincoln Center.

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50 years of Embodied Knowledge
REVIEWS | Sophie Bress

50 years of Embodied Knowledge

The headline performance of Jacob’s Pillow Dance Festival’s Hip Hop Across the Pillow mini-festival—which took place from August 2-6, 2023 to celebrate the 50th anniversary of hip hop—was an abundance of embodied knowledge. 

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Lucky Thirteen
REVIEWS | Karen Hildebrand

Lucky Thirteen

Four distinct works, their creation initiated by a shared prompt. Four choreographers, plus time, space, and the ten dedicated contemporary ballet artists of Amy Seiwert’s company, Imagery. 

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Runners
REVIEWS | Karen Greenspan

Runners

Who doesn’t love the circus—especially nouveau cirque? With its unclassifiable blend of genres, it reflects so much of what it means to be human—the comedy, absurdity, beauty, sadness, delight, and more. 

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Momentum
REVIEWS | Rachel Howard

Momentum

“This is historical,” Ballet22 co-founder Theresa Knudson told the audience between works on the company’s latest program, “Momentum.”

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Vignettes of 50 years
REVIEWS | Sophie Bress

Vignettes of 50 years

Pilobolus has become synonymous with pushing boundaries, both in the physical and the thematic. The company’s run at New York City’s Joyce Theater, which culminated their Big Five-OH! Tour—a belated-by-Covid celebration of the company’s 50th anniversary—was a reaffirmation of this mission. 

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Relative Calm
REVIEWS | Eva S. Chou

Relative Calm

Lucinda Childs/Robert Wilson's “Relative Calm” (1981/2022) opened the six-week long ImpulsTanz Vienna International Dance Festival in its the 40th anniversary on July 7 at Vienna's Volkstheater.

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High Concepts and Power Moves
REVIEWS | Rachel Howard

High Concepts and Power Moves

There is packaging, topicality, grand themes, elaborate stage designs, high concepts. And then there are moments when the flesh and blood power of dance itself—the presence of a lone body channeling transcendent purpose—leaves you reeling. 

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