Anniversaries in the Open Air
The New York City Ballet's summer residency at Saratoga Performing Arts Center captured a year of company anniversaries.
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World-class review of ballet and dance.
The New York City Ballet's summer residency at Saratoga Performing Arts Center captured a year of company anniversaries.
PlusIt may seem like a stretch to go from being a lawyer to making one’s mark in the world as an acclaimed dancer, director, and choreographer, but that’s precisely what Nora Chipaumire has done.
PlusLook up at the night sky, and the stars can tell you when to seed, harvest, and fish. The overhead knowledge system heralds seasonal change, and allows you to read the weather forecast.
PlusAmbitious. That was the mot du jour at the Southbank Centre press night reception for (La)Horde's “We Should Have Never Walked on the Moon.”
PlusAfter a decade spent in Los Angeles, Danielle Agami, who founded Ate9 in Seattle in 2012, abruptly decamped for Europe in 2023, leaving somewhat of a gap in the local dance community.
PlusTwo men enter the stage and hang suit jackets on the backs of chairs. They begin with a short movement phrase in staccato unison—an elbow juts over the shoulder as if an arrow sticking out of a quiver, then an arm slices cross-body like a sword.
Plus“I never set out particularly to be a creator of solos,” says Lar Lubovitch. “But after 60 years in the dance world and 120 dances, I will have made a number of solos.”
PlusIn the canon of classical ballet, star-crossed love is an integral theme. With its US debut of “The Butterfly Lovers”—a new full-length work inspired by a Chinese folktale that dates back to the Tang Dynasty—Hong Kong Ballet brings an artfully rendered addition to this tradition
PlusThey begin to move without warning, slowly, as if awakened from some eons-long slumber. A mass of 18 dancers, all dressed in varying bright tones, moves just at the edge of the rising tide in front of a U-shaped crowd sitting against the dunes of Rockaway Beach.
PlusFor nearly 50 years the legendary dance photographer, Paul Kolnik, helped create the visual identity of the New York City Ballet.
PlusTushrik Fredericks walks as if in a trance, arms floating forward and pushing back with each step. Fog transforms the air into a tangible element.
PlusHouston Ballet is the fourth largest ballet company in the United States, but when it comes to the talent of its top dancers, they are the equal of any American company.
PlusLong before the dancers take the stage, Dance Theatre of Harlem’s season at New York City Center feels like one of the most energizing cultural events of the spring.
PlusIt is rare for George Balanchine’s grand, bedazzled “Symphony in C” to open a program. Its champagne-popping finale for 52 dancers tends to be a nightcap.
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The Spring is Blooming festival, by Dance Reflections by Van Cleef & Arpels, now in its fifth year, has become a highlight of the spring dance circuit.
PlusAs the audience come to their feet at the end of this ballet there is a noted difference to be seen on stage. Three women stand with joined hands, taking their call as the romantic leads of a loud and proud lesbian ballet.
PlusOne of San Francisco Ballet’s greatest assets is its home venue, the Beaux-Arts style War Memorial Opera House, with four rings of seating that require performers to project their energies practically to the exosphere.
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