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Third Spaces
REVIEWS | Rebecca Deczynski

Third Spaces

It hasn’t taken Ingrid Silva long to establish herself as an exciting emerging choreographic talent.

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Reemergence
REVIEWS | Claire Sawers

Reemergence

In the first half of tonight’s double bill by Scottish Ballet, Chinese percussionist Beibei Wang whacks her drums with such force, she breaks her drumstick.

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High Notes
REVIEWS | Kris Kosaka

High Notes

Honoring three choreographic greats of the twentieth century, the triple bill for K-Ballet Tokyo’s 2026 Selections hit only the high notes.

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A Tokyo Gala
REVIEWS | Kris Kosaka

A Tokyo Gala

The National Ballet of Japan hosted their annual Ballet Asteras recently, inviting Japanese dancers from around the globe for a special gala of dance. As usual, it also provided an opportunity to preview a wide range of choreography. 

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Centre of Gravity
REVIEWS | Gracia Haby

Centre of Gravity

Gravity, physics tells us and the body shows, is a physical force which draws us “towards one another and shapes the way we move through the world,” and whether it is something to “resist, surrender to, suspend or redefine,” it is a necessary condition of us.

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Phoenix Rising
REVIEWS | Kris Kosaka

Phoenix Rising

The traditional striped kabuki curtain of black, persimmon and green hangs tattered and faded. It’s our first hint of destruction. 

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Spacial Awareness
REVIEWS | Karen Greenspan

Spacial Awareness

On the final weekend of August, Kaatsbaan Cultural Park presented Anna Sperber’s Bessie award-winning dance “Bow Echo” during the opening day of its 2026 Annual Festival.

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Secret Gardens
REVIEWS | Cecilia Whalen

Secret Gardens

This summer, hidden within the red brick warehouses and graffitied construction panels of industrial East Williamsburg, Brooklyn lay a secret garden.

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Love Letter to Mother Nature
REVIEWS | Eva S. Chou

Love Letter to Mother Nature

Ballet X gave a performance of “The Four Seasons Reimagined” on June 11, 2026, at Saratoga Performing Arts Center in a premiere week that began at its home base in Philadelphia’s Highmark Mann.

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Pills, Thrills, and Heartbreak
DANCE FILM | REVIEWS | Lorna Irvine

Pills, Thrills, and Heartbreak

Scottish Ballet’s artistic director Christopher Hampson CBE has long been a champion of storytelling from a completely unique perspective. So too, with These Violent Delights: the first feature-length film from the company.

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