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Pioneering Spirit
REVIEWS | Róisín O'Brien

Pioneering Spirit

In “Pioneers,” the new double bill from the pioneering Ballet Black, we are treated to two distinct works between which the dancers transition with grace and pizazz.

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Storytelling
REVIEWS | Karen Greenspan

Storytelling

At Kaatsbaan, the 153-acre cultural park in New York’s Hudson Valley, Emily Coates and Emmanuèle Phuon performed the intriguing program “We.”

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Two Hearts as One
REVIEWS | Marina Harss

Two Hearts as One

It has been reassuring to see relatively full houses so far during American Ballet Theatre’s spring season at the Metropolitan Opera House, its first under the leadership of Susan Jaffe.

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Paragon
REVIEWS | Gracia Haby

Paragon

From out of retirement came twelve dancers of the Australian Ballet. A dozen dancers to usher, in a sense, Adam Bull into his retirement at the close of the Melbourne season of “Identity,” in Alice Topp’s “Paragon.”

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Untethered
REVIEWS | Cecilia Whalen

Untethered

Much of the power behind Annie Rigney's “…she was becoming untethered” comes from what you can’t see. The new evening-length piece, which premiered at the 92NY, uses illusion and subtleties to meld experiences of sorrow, horror, courage, and humor, guiding the audience on a mysterious journey through the surreal. 

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Vida Flamenca!
REVIEWS | Victoria Looseleaf

Vida Flamenca!

There’s hot and then there’s scorching. Such was the case when Madrid-born Daniel Ramos made an astonishing debut in his first Los Angeles performance at BroadStage last Saturday.

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Fractured Identity
REVIEWS | Madelyn Coupe

Fractured Identity

A new Cathy Marston ballet for the Queensland Ballet had been a major draw card for the triple bill, however, there was a reverence to the evening that no one could have predicted

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Space for Transformation
REVIEWS | Karen Greenspan

Space for Transformation

Having just experienced the unboundedness of smoke that blew in from Canada’s wildfires to blanket the Midwest and the East Coast, I pondered “Extinction Rituals,” a dance-opera developed by the Brooklyn-based multidisciplinary duo Ximena Garnica, originally from Colombia, and Shige Moriya, from Japan.

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Big Ideas
REVIEWS | Karen Hildebrand

Big Ideas

Jacqulyn Buglisi is not one to shy away from big ideas. For the thirtieth season of the company founded by four of the last generation to have worked directly with Martha Graham, Buglisi takes on human rights, world peace, forbidden love, and climate crisis in a program of seven works, including three premieres.

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Change of Season
REVIEWS | Candice Thompson

Change of Season

At the end of the busy spring dance season, just a few days before the summer solstice, two incubators for emerging choreographers—“Planting Connections: Curated by Kyle Abraham” at Lincoln Center’s Hearst Plaza as part of Summer for the City and “Fresh Tracks: New Works” at New York Live Arts—boasted mixed bills that were as provocative as they were entertaining.

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