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The Incredibles
REVIEWS | Faye Arthurs

The Incredibles

If Simone Biles, Baryshnikov, Michelle Kwan, Mr. Wiggles, and Bruce Lee somehow had a baby, that child would be an ideal candidate for the Compagnie Hervé Koubi.

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Naked Ambition
REVIEWS | Karen Hildebrand

Naked Ambition

Dressed in hot pink ruffles and five-inch heels, a tiara perched on his shaved head, Arthur Aviles entered the stage as Maéva, a “Latino ghetto matriarch,” who launched into rapid fire Spanglish as a welcome to the Abrons Art Center audience for “Naked Vanguard: Works.” 

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A Moving Feat
REVIEWS | Victoria Looseleaf

A Moving Feat

Époustouflant! Indeed, breathtaking is the word for Diavolo|Architecture in Motion’s world premiere, “Existencia,” the 70-minute commissioned work seen at the Soraya for two performances in mid-January.

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Blossoming
REVIEWS | Rachel Howard

Blossoming

How does a gifted choreographer become an artist? I thought about this question a lot after seeing “Blooming Flowers and the Full Moon,” former ODC/Dance member Natasha Adorlee’s first full-length piece.

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Team Spirit
REVIEWS | Rachel Howard

Team Spirit

Packing 31 performances into just over two weeks, San Francisco Ballet’s “Nutcracker” season is a grueling marathon for the corps dancers, and at the same time a field of opportunity for rising talents. 

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Big Bird
REVIEWS | Cecilia Whalen

Big Bird

It may be unusual to imagine an ostrich in New York City, but it's certainly not unbelievable. New York's not all pigeons and rats. 

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Holiday Gifting
REVIEWS | Faye Arthurs

Holiday Gifting

“Century,” Amy Hall Garner’s joyful new work for the Alvin Ailey American Dance Theater, was crafted as a present for her grandfather on the eve of his 100th birthday. Such a personal gesture is unusual for a guest choreographer, but birthday ballets are certainly not out of place at the AAADT.

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New Vintage
REVIEWS | Karen Hildebrand

New Vintage

Isadora Duncan. Doris Humphrey. Pauline Lawrence. These are the spirits invoked by artistic director Dante Puleio for “Women’s Stories.” 

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Big Steps
REVIEWS | Marina Harss

Big Steps

The Sarasota Ballet is nothing if not ambitious. Under the artistic leadership of Iain Webb and Margaret Barbieri, the company has performed large nineteenth-century works like “La Sylphide” and “Giselle,” but also major works by Frederick Ashton like “La Fille Mal Gardée” and assorted ballets by Kenneth MacMillan, Antony Tudor, Paul Taylor, and George Balanchine.

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