Canadian Content
This October, the Canada National Ballet returned to London for the first time since 2013 with a series of performances at Sadler’s Wells Theatre.
PlusWorld-class review of ballet and dance.
Dance aficionados are on high alert any time there’s a new Bill T. Jones work. That the artistic director/co-founder and choreographer of the Bill T. Jones/Arnie Zane Company did not make dances for “The Motherboard Suite,” but directed it, still made for a solid evening of dance drama. Seen at the bucolic Ford Theatre on August 9, the work featured seven choreographers exploring themes of exploitation, mystical anarchy, and the intersection of technology and race, where hackers are artists and activists that come to life, all through the words and music of actor and slam-poet-turned-musician Saul Williams.
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This October, the Canada National Ballet returned to London for the first time since 2013 with a series of performances at Sadler’s Wells Theatre.
PlusSeated on the floor before an overhead projector, Arabella Frahn-Starkie could be in her studio, working, sifting, collaging, thinking.
PlusKaatsbaan Cultural Park in New York’s Hudson River Valley presented a program of new works over the final weekend in September as part of its 2024 Annual Festival.
PlusThis year’s Biennale Danza Venezia Silver Lion award went to Zurich-based choreographer Trajal Harrell. A house director at the Schauspielhaus Zurich, and the founding director of the Schauspielhaus Zurich Dance Ensemble, he brought the Ensemble to FringeArts Festival for the Philadelphia premiere of his 2022 “The Köln Concert” last month.
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