Boundless Beauty
As I watch one after another pastel tutu clad ballerina bourrée into the arms of a white-tighted danseur, a melody not credited on the program floats through my brain. You know the one.
PlusWorld-class review of ballet and dance.
Bangarra Dance Theatre first brought this cross-cultural work to the main stage of the Sydney Opera House in June 2024. “The Light Inside” is a wondrous collaboration between leading Māori choreographer Moss Te Ururangi Patterson and Bangarra choreographer, Deborah Brown. The work explores the spiritual ties between land, water, and sky—the natural forces that shape First Nations identities across Aotearoa, Australia and the Torres Strait—in one 70-minute production. “The Light Inside” covers two distinct landscapes, Deborah Brown’s “Salt Water,” moving seamlessly into Patterson’s “Fresh Water.” Having debuted at the Sydney Opera House, “The Light Inside” is now touring across Australia.
Performance
Place
Words
As I watch one after another pastel tutu clad ballerina bourrée into the arms of a white-tighted danseur, a melody not credited on the program floats through my brain. You know the one.
PlusMisty Copeland’s upcoming retirement from American Ballet Theatre—where she made history as the first Black female principal dancer and subsequently shot to fame in the ballet world and beyond—means many things.
PlusHaneul Jung oscillates between the definition of the Korean word, man-il meaning “ten thousand days” and “what if.”
PlusMoss Te Ururangi Patterson describes his choreographic process having a conversation with other elements. As he describes pushing himself under the waves, and a feeling of meditative, buoyancy as he floated in space, the impression of light beneath the water was paramount.
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