Lifted Spirits
Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
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A shape-shifter nonpareil, the single-named performer, Oguri, never fails to flabbergast, bemuse and inspire awe in mere mortals who have been making up his Southern California audiences for some thirty-three years. His latest piece, “dance comes out of time,” a 45-minute solo performed to the live, albeit offstage, music of Paul Chavez, himself a three-decade collaborator with the dancer, was presented at the Electric Lodge last weekend as part of the ongoing series, “Flower of the Season.”
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Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
Continue ReadingTalk about Gesamtkunstwerk! Jawole Willa Jo Zollar’s “SCAT!...The Complex Lives of Al & Dot, Dot & Al Zollar,” is just that—a total work of art: operatic in scale, replete with stellar musicians and singers, and the glorious dancers of Urban Bush Women, the troupe that Zollar founded in 1984, is also storytelling at its best.
Continue ReadingOf all of Shakespeare’s plays, “Hamlet” might seem the hardest to adapt into dance. Its long soliloquies and a titular character stymied by indecision do not immediately scream movement potential.
Continue ReadingComplexions Contemporary Ballet turned 30 this year, and their two-week residency at the Joyce Theater was a party.
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