Heartfelt Moments
The Australian Ballet’s “Signature Works,” as a whole, is a compact and varied celebration of dance in the moment.
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World-class review of ballet and dance.
The Australian Ballet’s “Signature Works,” as a whole, is a compact and varied celebration of dance in the moment.
Continue ReadingThe Joffrey Ballet’s lithe and strong dancers take on four historic works in this mixed-bill “American Icons” programme.
Continue ReadingIn Trisha Brown's 1983 “Set and Reset,” dancers float in and out of the wings like bubbles.
Continue ReadingTalk about perfection! While the countdown is on, as Gustavo Dudamel, music director of the world-class Los Angeles Philharmonic, prepares to exit the stage for the New York Philharmonic (a big boohoo), his presence last weekend at Walt Disney Concert Hall further cemented his status as musical genius, tastemaker and catalyst for good.
Continue ReadingWhether it resembles the slow, building roll of distant thunder or the immediacy of an overhead lightning storm, flamenco is electric. This energy, however, is an intimate one, and one that benefits greatly from proximity.
Continue ReadingThis winter has been one of the wintriest in recent New York City memory. Between the unnavigable mounds of dirty snow at every intersection, dangerous patches of black ice, multiple days of subzero temperatures, power outages, and frozen pipes, there has also been the bone-chilling rise of authoritarianism in America.
Continue ReadingBased in Tokyo, Condors is an all-male contemporary dance troupe founded by director and choreographer Ryohei Kondo in 1996. In their 30th year, the company retains all their original members with a few new additions.
Continue ReadingLiv Lorent MBE is a gal I relate to, a choreographer with a penchant for the gothic, drawing upon the duality of traditions within narrative dance: the grand guignol and the sentimental.
Continue ReadingOne thing that I love about the Firebird is that she is the hero,” said Catherine Hurlin, a principal dancer with American Ballet Theatre, in a Zoom interview on a snowy February morning.
Continue ReadingBritish choreographer Jaivant Patel has intersectionality at his core. He trained at the Northern School for Contemporary Dance and then went on to learn from Nahid Siddiqui, a global exponent of Kathak.
Continue ReadingIt was perhaps on Instagram some five or six years ago when I first came across the dance films of Benjamin Seroussi.
Continue ReadingBeneath my feet, thousands upon thousands of tiny threads in the soil transmit messages and nutrients, actions and behaviours.
Continue ReadingLong before the dancers take the stage, Dance Theatre of Harlem’s season at New York City Center feels like one of the most energizing cultural events of the spring.
Continue ReadingIt is rare for George Balanchine’s grand, bedazzled “Symphony in C” to open a program. Its champagne-popping finale for 52 dancers tends to be a nightcap.
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The Spring is Blooming festival, by Dance Reflections by Van Cleef & Arpels, now in its fifth year, has become a highlight of the spring dance circuit.
Continue ReadingAs the audience come to their feet at the end of this ballet there is a noted difference to be seen on stage. Three women stand with joined hands, taking their call as the romantic leads of a loud and proud lesbian ballet.
Continue ReadingOne of San Francisco Ballet’s greatest assets is its home venue, the Beaux-Arts style War Memorial Opera House, with four rings of seating that require performers to project their energies practically to the exosphere.
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