Best of the West
“It was the best of times, it was the worst of times,” so began Charles Dickens’s masterpiece, A Tale of Two Cities.
FREE ARTICLEWorld-class review of ballet and dance.
Originally from Anshan, China, WanTing Zhao joined the San Francisco Ballet as a corps de ballet dancer in 2011. She has danced numerous principal and featured roles in Helgi Tomasson’s classical productions, and in Balanchine repertoire including “The Four Temperaments” (3rd Theme), and “Rubies” (principal). Recently Zhao danced in Benjamin Millepied's “The Chairman Dances,” which will return as an extended ballet in the company's 2018 season. In 2016 Zhao represented SFB with Carlo Di Lanno at the Eleventh International Competition for the Erik Bruhn Prize in Toronto, Canada, and she was awarded a silver medal at the 2010 Youth America Grand Prix. She was recently promoted to soloist. WanTing answered our questions via email. Photographs by Karolina Kuras, dresses by Louiza Babouryan.
WanTing Zhao photographed by Karolina Kuras.
“Uncommonly intelligent, substantial coverage.”
Your weekly source for world-class dance reviews, interviews, articles, and more.
Already a paid subscriber? Login
“It was the best of times, it was the worst of times,” so began Charles Dickens’s masterpiece, A Tale of Two Cities.
FREE ARTICLEElphaba (Cynthia Erivo) steps down the steps, rests her hat on the floor and takes in the Ozdust Ballroom in Wicked. She elevates her arm, bringing her bent wrist to her temple.
Continue ReadingThe Sarasota Ballet does not do a “Nutcracker”—they leave that to their associate school. Instead, over the weekend, the company offered a triple bill of which just one ballet, Frederick Ashton’s winter-themed “Les Patineurs,” nodded at the season.
Continue ReadingI couldn’t stop thinking about hockey at the New York City Ballet’s “Nutcracker” this year, and not only because the stage appeared to be made of ice: there were a slew of spectacular falls one night I attended.
Continue Reading
comments