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Listen, Notice
REVIEWS | Karen Hildebrand

Listen, Notice

On a steamy July evening, the arty fashionistas of Bushwick seem remarkably crisp and refreshed, wine spritzers in hand, as they gather for a rare showing by two rock stars of dance at Carvalho Park gallery in Brooklyn.

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A Little More Action
REVIEWS | Karen Hildebrand

A Little More Action

Smuin Contemporary Ballet is a different company than when it last came to New York in 2012, five years after the sudden death of its popular founder. Michael Smuin was known for his highly accessible works full of musical theater splash. While his San Francisco based company continues to perform his repertory, it has commissioned a broad range of new work under succeeding director, Celia Fushille.

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Summer Fun
REVIEWS | Merilyn Jackson

Summer Fun

In its Summer Series 2024, the Philadelphia contemporary ballet company offers three world premieres by choreographers Amy Hall Garner, Loughlan Prior and Stina Quagebeur. The extended run, July 10-21 at the Wilma Theater, is just about the only dance to be seen during summer’s dog days. And what a cool and breezy show it is. Just the boost we needed.

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India Week
REVIEWS | Karen Greenspan

India Week

On a scorcher of a day in July, New York’s Lincoln Center launched India Week, a cultural extravaganza celebrating the variety and vibrancy of Indian culture. 

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Taylor Made
REVIEWS | Karen Hildebrand

Taylor Made

It’s a treat to see the Paul Taylor Dance Company perform within the close range of the Joyce Theater. (The company typically holds court at the much larger Lincoln Center.) 

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American Legacies
REVIEWS | Eva S. Chou

American Legacies

In late April at New York City Center, the Martha Graham Dance Company began a three-year celebration of its 100th anniversary. The four City Center performances were collectively entitled “American Legacies.”

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In and Out of Time
REVIEWS | Cecilia Whalen

In and Out of Time

Dutch company Introdans’s mission statement is in its name: The group was founded by Ton Wiggers in 1971 to “introduce dance” to as large an audience as possible, at first responding to a lack of professional concert dance in Wiggers's own region, the eastern part of the Netherlands.

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Absurdism
REVIEWS | Cecilia Whalen

Absurdism

Twyla Tharp's newest evening-length work, “How Long Blues,” is absurd. In under an hour, it depicts jazz clubs and soccer games, giant marionettes, a string of affairs, an avalanche, and a suicide, all without any particular reasoning. 

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