Lifted Spirits
Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
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On the back of a US tour of Annabelle Lopez Ochoa’s imaginative reworking of “A Streetcar Named Desire” comes another bold showing from Scottish Ballet: a double bill with works from Crystal Pite and Angelin Preljoçaj. It’s an edgy turn for the company, and some slick, focused displays of dance arise from it, particularly in Pite’s “Emergence,” created in 2009 for National Ballet of Canada and acquired by Scottish Ballet last year.
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Scottish Ballet perform Crystal Pite’s “Emergence.“ Photograph by Andy Ross
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Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
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