Love and Loss
The moment arrived two-thirds into the program, near the peak of Donald Byrd’s “Love and Loss.” For more than an hour, the beautiful bodies on screen had been doing eloquent things, to curiously numbing effect.
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Sassy lasses and frisky creatures abound in this double bill from the Royal Ballet, which pairs a restaging of Frederick Ashton’s 1961 “The Two Pigeons” with the premiere of Liam Scarlett’s “The Cunning Little Vixen.” The latter has been created on students from the Royal Ballet School, and marks the first time since 2010 (and second time ever) that the institution has given its pupils a professional turn on Covent Garden’s main stage.
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Beatriz Stix-Brunell and Matthew Ball in “The Two Pigeons” by Frederick Ashton. Photograph by Helen Maybanks / ROH
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The moment arrived two-thirds into the program, near the peak of Donald Byrd’s “Love and Loss.” For more than an hour, the beautiful bodies on screen had been doing eloquent things, to curiously numbing effect.
Continue ReadingSince its founding in 2012 by Benjamin Millepied, L.A. Dance Project has not been lacking in talent, ideas, or, fortunately for them, funding, something that most dance troupes desperately need.
Continue ReadingWhen a choreographer takes on volcanic and iconic works from American musical giants like Leonard Bernstein and John Adams one move they could take is to cool them down with a couple of more soothing European works in between.
Continue ReadingIf you are an insect in the superorder Endopterygota, you have the super ability to experience complete metamorphosis. You can transform from the four stages of life—egg, larva, pupa, adult—in a process called holometabolism.
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