Kitty McNamee, Shining a Light
It’s not every contemporary choreographer who is able to cross over into directing large-scale opera. But that’s precisely what Kitty McNamee has done.
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The Royal Ballet’s first mixed bill of the 2019/20 season is a snapshot of 1960s British ballet and the polar places it went. Sandwiched between a spare modern creation and a frothy classical revival are bouncy character variations set to a turn-of-the-century orchestral work—slightly mismatched courses, sure, but an interesting snapshot of the company’s mid-century catalogue, plus a chance to see the Royal’s robust solo talent in action.
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Meaghan Grace Hinkis (centre) and Artists of the Royal Ballet in “Concerto” by Kenneth MacMillan. Photograph by Bill Cooper
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It’s not every contemporary choreographer who is able to cross over into directing large-scale opera. But that’s precisely what Kitty McNamee has done.
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