Beyond the Clouds
When the lights for “Opal Loop/Cloud Installation #72503” come up on four dancers silhouetted by refracted light of a billowing cloud of fog, the scene rivals halftime at the Superbowl.
Continue ReadingWorld-class review of ballet and dance.
The Royal Ballet’s first mixed bill of the 2019/20 season is a snapshot of 1960s British ballet and the polar places it went. Sandwiched between a spare modern creation and a frothy classical revival are bouncy character variations set to a turn-of-the-century orchestral work—slightly mismatched courses, sure, but an interesting snapshot of the company’s mid-century catalogue, plus a chance to see the Royal’s robust solo talent in action.
Performance
Place
Words
Meaghan Grace Hinkis (centre) and Artists of the Royal Ballet in “Concerto” by Kenneth MacMillan. Photograph by Bill Cooper
“Uncommonly intelligent, substantial coverage.”
Your weekly source for world-class dance reviews, interviews, articles, and more.
Already a paid subscriber? Login
When the lights for “Opal Loop/Cloud Installation #72503” come up on four dancers silhouetted by refracted light of a billowing cloud of fog, the scene rivals halftime at the Superbowl.
Continue ReadingOn a bright spring afternoon, as Paris basked in long-awaited sunlight and the city frantically moved in the heat, the Opéra Garnier opened a portal to another world—a realm of eternal forms, ethereal beauty, and blue distances: those trembling horizons where the sea dissolves into sky, and the eye reaches toward the infinite.
Continue ReadingWhat does it mean to devote your life to dance? Amy Sherman-Palladino and Daniel Palladino’s new streaming series, “Étoile,” which debuted April 24 on Prime Video, attempts to answer this question in a way that resonates with both dancers and general audiences. Not an easy task.
Continue ReadingJennifer Archibald’s choreography credits extend from ballet companies to commercial work, reflecting her signature ability to blend classical dance with hip hop.
Continue Reading
comments